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An elderly, tonsured bishop in a white robe and a fur-lined orange cloak sits at a book-laden desk in his study, one hand pressed to his chest and his gaze lifted upward, an open book before him and a mitre and shelves of books, scrolls and instruments around him.
Sant'Agostino nello studio (Saint Augustine in his Study), from the former choir of the Umiliati friars, Sandro Botticelli (1445-1510); photograph by Sailko, c. 1480; fresco, 152 x 112 cm

In brief

  1. 354–370 AD

    The boy at Thagaste

    A councillor's son in a small Numidian town, signed with the cross in infancy and sent away to school.

    A small boy is brought to a schoolmaster by his parents while another boy is beaten behind them, and at the right he sits at his letters.
    The School of Tagaste (scene 1, north wall), from the Life of St Augustine, Benozzo Gozzoli, 1464–1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano

    A sudden illness brought him to the point of death, and he begged for baptism. He recovered quickly, and the sacrament was deferred. He learned grammar at Thagaste, went on to school at Madaura, and never learned Punic.

    “For as a boy I began to pray to You, my help and my refuge, and in invoking You broke the bands of my tongue, and entreated You though little, with no little earnestness, that I might not be beaten at school.”
    St. Augustine of Hippo
  2. 370–373 AD

    Carthage

    Rhetoric, a son born to a woman he never names, and the book that turned him toward philosophy.

    A lean young student in a belted tunic and cloak listens to a lecture among other students in a colonnaded hall.
    St Augustine at the University of Carthage (scene 2, north wall), from the Life of St Augustine, Benozzo Gozzoli, 1464–1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano

    St. Augustine reached Carthage towards the end of 370 AD to study rhetoric. Within two years he had formed a union with a woman who bore him a son. He named the boy Adeodatus, and never names the mother anywhere in his writings.

    In 373 AD he read Cicero's exhortation to philosophy, the Hortensius, a book now lost. It turned his prayers to God, and in the same year he joined the Manichaeans.

    “This book, in truth, changed my affections, and turned my prayers to Yourself, O Lord, and made me have other hopes and desires. Worthless suddenly became every vain hope to me; and, with an incredible warmth of heart, I yearned for an immortality of wisdom, and began now to arise that I might return to You.”
    St. Augustine of Hippo
  3. 374–383 AD

    The nine years

    His mother shut him out of her house; a bishop refused to argue with him; the sect's great man had no answers.

    A young man in a teacher's cloak takes ship at a harbour while his mother is left standing behind on the shore.
    Partenza di sant'Agostino per Roma (the departure for Rome; catalogued by the Web Gallery of Art as scene 3, 'St Augustine Leaving his Mother'), Benozzo Gozzoli, 1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano

    St. Augustine went back to Thagaste to teach grammar, and St. Monica would not receive him at her table. She begged a bishop to argue her son out of the heresy, and he refused.

    Faustus, the Manichaean bishop he had been told to wait for, came to Carthage in 382 AD. St. Augustine questioned him and found an elegant speaker who was a stranger to the sciences. In 383 AD he lied to his mother at the harbour and sailed for Rome by night.

    “Go your way, and God bless you, for it is not possible that the son of these tears should perish.”
    An African bishop
  4. 384–387 AD

    The garden at Milan

    A court post, a bishop's preaching, a household broken up for a marriage, and a book opened at random.

    A young man sits under a fig tree with an open codex on his knee and a friend beside him.
    St Augustine Reading the Epistle of St Paul, 'Tolle lege' (scene 10), from the Life of St Augustine, Benozzo Gozzoli, 1464–1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano

    Symmachus sent St. Augustine to Milan in 384 AD as the city's public teacher of rhetoric. He went to hear St. Ambrose in order to weigh his eloquence, and was held by the matter. A marriage was arranged, and the woman who had been with him fifteen years went back to Africa without her son.

    “I heard the voice as of a boy or girl, I know not which, coming from a neighbouring house, chanting, and oft repeating, Take up and read; take up and read.”
    St. Augustine of Hippo, 386 AD
  5. 387–391 AD

    Ostia, and a church at Hippo

    His mother died waiting for the boat home; four years later a congregation took hold of him and would not let go.

    Waiting at Ostia for the crossing to Africa, St. Augustine and his mother talked at a window of eternal life. Five days later St. Monica was prostrated by fever, and she died on its ninth day. She asked only to be remembered at the Lord's altar, wherever her sons might be.

    At Thagaste he sold his goods, gave the money to the poor, and lived in common for nearly three years. In 391 AD the people of Hippo laid hands on him in church and demanded that Bishop Valerius ordain him. He wept, and told St. Possidius afterwards that he saw the dangers of governing a church.

    “Lay this body anywhere, let not the care for it trouble you at all. This only I ask, that you will remember me at the Lord's altar, wherever you be.”
    Saint Monica, 387 AD
  6. 391–426 AD

    Bishop of Hippo

    Thirty-four years of lawsuits, sermons, common life and books, in a house that owned almost nothing.

    An elderly bishop sits at a book-laden desk in his study, one hand pressed to his chest and his gaze lifted.
    Sant'Agostino nello studio (Saint Augustine in his Study), from the former choir of the Umiliati friars, Sandro Botticelli (1445-1510 AD); photograph by Sailko, c. 1480 AD; fresco, 152 x 112 cm Sandro Botticelli (1445-1510 AD); photograph by Sailko, Church of Ognissanti, Florence
    “Who injures the name of an absent friend / May not at this table as guest attend.”
    St. Augustine of Hippo, 396–430 AD
  7. 426–428 AD

    Naming a successor

    He had seen what follows a bishop's death, so he settled his own succession in front of everybody, with the notaries writing.

    An aged, white-haired man bends over a writing desk with a book open on a lectern before him.
    St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine, Benozzo Gozzoli, 1464–1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano

    St. Augustine had just been to Milevis, where a bishop had named his successor to the clergy but not to the people. On September 26, 426 AD, in the Church of Peace at Hippo, he named the presbyter Eraclius. The notaries took down his words and counted the people's acclamations.

    He told the congregation that his own consecration had broken a canon of Nicaea. He refused to have Eraclius consecrated while he himself lived. Asked whether bishops might withdraw before the barbarians, he answered that the flock must not be deserted.

    “I came to this town — for such was the will of God — when I was in the prime of life. I was young then, but now I am old.”
    St. Augustine of Hippo
  8. 429–430 AD

    The siege

    Africa was overrun, Hippo was shut up, and the bishop asked God for one of three things.

    The body of a bishop is laid out with clergy and people gathered around it.
    Funerali di sant'Agostino (Funeral of St Augustine, scene 17), from the Life of St Augustine, Benozzo Gozzoli, 1464–1465 AD Benozzo Gozzoli, Apsidal chapel, Sant'Agostino, San Gimignano
    “He commanded that the shortest penitential Psalms of David should be copied for him, and during the days of his sickness as he lay in bed he would look at these sheets as they hung upon the wall and read them; and he wept freely and constantly.”
    St. Possidius of Calama, 430 AD

Pray with the Church

The prayer St. Augustine made under siege

The three petitions St. Augustine spoke at table in besieged Hippo Regius in 430 AD and taught to the bishops sheltering in his house, recorded by St. Possidius of Calama, who was seated with him.

I would have you know that in this time of our misfortune I ask this of God:either that He may be pleased to free this city which is surrounded by the foe,or if something else seems good in His sight, that He make His servants brave for enduring His will,or at least that He may take me from this world unto Himself.

All 12 reports on Saint Augustine of Hippo

A painting in the manner of a fresco of a Roman basilica with round arches. At the centre of the apse an old, white-bearded man in a blue-grey cloak sits on a stone bench with one hand raised, beside another elderly seated man in orange. A younger dark-bearded man stands forward on the right with his head lowered, two scribes write on tablets at a table in front, a book lies open on a lectern, and a crowd of men and veiled women, some with raised hands, fills both sides of the nave.
About this picture

AI-generated image, in the manner of fresco, from the paper's reference portrait based on St Augustine's Vision of St Jerome (Benozzo Gozzoli, 1464-1465, Apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

event · HIPPO REGIUS, Numidia, September 26, 426 AD

St. Augustine names his successor, but keeps him a priest for now

Saint Augustine of Hippo named the priest Eraclius as his successor today before a packed church, while the church's notaries wrote down his words and every shout of the crowd. He would not let Eraclius be made a bishop yet, because an early Church council had forbidden two bishops in one church and his own consecration had broken that rule. Instead he handed Eraclius the people's business and kept his remaining days for Scripture.

A thin white-haired old man in a plain tunic sits in a wooden armchair at the head of a long table, speaking to seven older men in tunics and cloaks who have stopped eating a sparse meal of lentils, herbs and bread to listen; an open codex, a reed pen and an inkwell lie at the far end, and beyond a window and an arched doorway are sunlit roofs, the sea and two columns of smoke.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Funerali di sant'Agostino (Funeral of St Augustine, scene 17), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

event · HIPPO REGIUS, Numidia, these weeks, 430 AD

In besieged Hippo, St. Augustine asks God for his own death

The Vandals shut Hippo in at the end of May and have cut the city off from the sea. Saint Augustine, seventy-five and a priest or bishop here for almost forty years, has taken the bishops of the province into his own house. At a meal there he told them he has asked God for three things: that the city be freed, that God make his servants brave to endure, or that God take him out of this world.

A painted street scene of a low whitewashed house with a tiled roof and an open round-arched door, a cloak on a peg beside it and writing tablets, a pen, an inkpot and a closed wooden-boarded book on a bench under the window; through the doorway a flagged passage leads to a small courtyard with a water jar and a fig tree, and dry hills rise behind the roof. No person appears in it.
About this picture

AI-generated image, in the manner of buon fresco on lime plaster, from the paper's reference image based on The School of Tagaste (scene 1, north wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel of Sant'Agostino, San Gimignano) View source artwork.

Patricius, one of the town councillors of Thagaste, was baptised at the end of his life this year and died. He had spent more than he could afford to send his sixteen-year-old son, Saint Augustine, to study rhetoric at Carthage. Years of that course are still to be paid for, and from this year the fees are met out of his widow's own means and by a rich friend of the family, Romanianus.

An empty whitewashed room in a Roman African church: a large parchment codex lies open on a plain wooden desk with reed pens, an inkwell and wax tablets beside it, wicker book-boxes of codices stand on the tiled floor, and a round-arched doorway opens on a sunlit courtyard with an olive tree.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference image based on St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

Saint Possidius, bishop of Calama, has finished a life of Saint Augustine of Hippo, who died two years ago during a Vandal siege. He kept to what he saw and heard in the nearly forty years he spent beside him, and left out the early years St. Augustine had already written about himself. At the end he added a catalogue of St. Augustine's books, homilies and letters, with directions on where the best copies could be found.

A fresco portrait of St. Monica, a haloed woman in a dark blue veil and habit, head bowed, set within a painted niche with a red scalloped shell canopy.
interview · HIPPO REGIUS, Numidia, 397 AD

St. Augustine talks about his mother, ten years after her death

Saint Augustine of Hippo talked with this paper at Hippo Regius about his mother, Saint Monica, who died at Ostia ten years ago. He is writing an account of his own life addressed to God, the Confessions, and her life is inside it; almost no one else has written a word about her. St. Augustine describes the wine St. Monica drank in secret as a girl, the violent husband she managed, the years she prayed for her son, and the day at Milan when St. Augustine came in from the garden and told her.

A painted view over a walled Roman North African port: an empty blue-green harbour with no ship on it, fishing boats hauled up on the shingle, a stone quay of idle jars, baskets and a hand-cart with four men in plain tunics looking out at the water, and behind them a whitewashed town with a tiled basilica and two columns of smoke rising over the dry hills inland.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Fresco of Augustine, Lateran, Rome (Anonymous, c. 550-600 AD, The Lateran, Rome) View source artwork.

Monica and Augustine at Ostia · Part 4 · HIPPO REGIUS, Numidia, August 31, 430 AD

Hippo Regius, three months blockaded: an empty harbour and a crowded house

Hippo Regius has been shut in by the Vandals since about the end of May, its sea coast closed by blockade and the trade its harbour lives on stopped. Three days ago the people of the city buried their bishop, Saint Augustine. The bishops who fled the towns inland are still living in his house and still meeting every day.

An empty stone bishop's chair raised on two steps against the curved apse of a small whitewashed brick church, with stone benches on either side, an open codex and inkwell on the step, wicker book-boxes on the mosaic floor, and an arched doorway open on an olive tree in the sun.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

event · MILEVIS, Numidia, this year, 426 AD

St. Augustine goes to Milevis to settle a bishop's succession

Saint Augustine travelled from Hippo Regius to Milevis in Numidia this year, 426 AD, after the death of Bishop Severus left the church there uneasy about who would follow him. Severus had named his successor to the clergy but never to the people, and the complaint was settled only once St. Augustine came. Weeks later he named his own successor at Hippo in front of the congregation, and gave Milevis as the reason.

A painted still life of a wooden desk holding a large open handwritten codex, a reed pen in a small inkpot, hinged wax tablets and a lit clay oil lamp, with a bare hand resting on the open page and a wicker basket of books beneath.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Sant'Agostino nello studio (Saint Augustine in his Study) (Sandro Botticelli, c. 1480; photograph by Sailko, CC BY 3.0, Church of Ognissanti, Florence) View source artwork.

Monica and Augustine at Ostia · Part 3 · HIPPO REGIUS, Numidia, about 397 AD

Book IX: what St. Augustine wrote down about the window at Ostia

Book IX of the Confessions is St. Augustine's own account of the months from his resignation at Milan in 386 AD to St. Monica's death and burial at Ostia in 387 AD. He wrote it at Hippo Regius about 397 AD, some ten years after the death it records. The paper reads four passages: the chest complaint that let him leave his chair, the conversation at the window, his mother's last request, and the grief he faults himself for.

A fresco-style painting of a thin, white-haired old man lying propped on a low wooden bed in a bare whitewashed room, with five older men in plain tunics and mantles standing and bending around him in prayer, sheets of writing pinned to the wall behind, an open book and inkwell on a stool, and a small high window showing a harbour with columns of smoke rising beyond it.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Funerali di sant'Agostino (Funeral of St Augustine, scene 17), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano). View source artwork.

Monica and Augustine at Ostia · Part 2 · HIPPO REGIUS, Numidia, 28 August 430 AD

Saint Augustine dies at Hippo in the third month of the siege

Saint Augustine, Bishop of Hippo Regius, died on 28 August 430 AD in the third month of the Vandal siege, aged seventy-five, with the bishops who had taken refuge in the city standing at his bed. He had preached until the fever took him, and spent his last days reading the penitential psalms copied out and hung on the wall beside him. The bishops who watched with him buried him the same day.

An empty whitewashed room with a red and black tiled floor: a long plain wooden table holding wax tablets, a stylus, an open codex, an inkwell, two bowls of food, an earthenware jug, a cup and a silver spoon, with a chair behind it, a cushioned stool in front, a wicker basket on the floor, an unlit clay lamp on the wall and an arched doorway opening on a sunlit colonnade and the sea.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano). View source artwork.

interview · HIPPO REGIUS, Numidia, 28 August 430 AD

The man who watched St. Augustine die: St. Possidius on forty years

St. Possidius of Calama, Bishop of Calama and a refugee in St. Augustine's house since the Vandals took his city, sat down at the bishop's table a few hours after the burial. He describes the household's rule of life, the church plate melted down for captives, the sermon that lost its thread and converted a merchant, and the three months of blockade. He also gives the last ten days: the shut door, the penitential psalms copied out and hung on the wall, and the men standing at the bed.

A fresco-style painting of a bare whitewashed room: an older woman in a dark widow's veil and mantle lies dead on a low wooden bed, her hands joined on her breast, while a man bends over her with one hand at her head and the other at his eyes, and behind him three others stand — a man in a red tunic, a boy held quiet by a hand on his shoulder, and a young man holding an open book — beside a shuttered window opening onto a garden and the harbour beyond.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

Saint Monica died at Ostia on the ninth day of a fever, in a house her son's household had taken while they waited to sail home to Africa. She told her two sons to bury her where she fell and to remember her at the Lord's altar, giving up the grave she had prepared beside her husband at Tagaste. St. Augustine closed her eyes and did not weep until he had slept.