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Saints Widow of Tagaste · died 387 AD

Saint Monica

Feast 27 August · Born 331 AD, Tagaste, proconsular Numidia (Souk Ahras, Algeria) · Died 387 AD, Ostia, at the Tiber mouth, Italy

She kept the peace with a violent pagan husband, wept for years over a son lost to a sect, and followed him across the sea.

Begin the life
Under a domed classical canopy, a bishop in mitre and cope baptizes a kneeling, bare-chested young man at a font, pouring water from a shallow bowl as robed clergy, friars, and onlookers, including a woman in a red cloak, stand watching on either side.
Baptism of St Augustine (scene 11, east wall), Benozzo Gozzoli (1420-1497), 1464-1465 AD

In brief

Saint Monica was a wife and mother of Tagaste in Roman North Africa, married to a pagan with a violent temper. For years she wept and prayed over her son Saint Augustine while he followed the Manichaean sect, and when he sailed for Italy she went after him. She lived to see him baptized at Milan in 387 AD, and died that same year at Ostia on the journey home.

  1. Girlhood at Tagaste

    The girl in the cellar

    St. Monica was raised under an old servant's strict rule, and a servant's taunt broke her of tasting the wine she drew from the cask.

    St. Monica grew up at Tagaste in a Christian family. Her upbringing fell largely to an old servant who had carried St. Monica's father on her back when he was a baby. The servant would not let St. Monica and her sisters drink even water between meals, however thirsty they were.

    Sent down to draw wine from the cask, St. Monica took to tasting it first. She took a little more each day, until she was drinking almost a whole small cup. Then another servant, a maid who went down to the cellar with her, quarrelled with her and mocked her for the habit, and St. Monica gave it up on the spot.

    “You drink water only because you have not control of wine; but when you have come to be married, and made mistresses of storeroom and cellar, you will despise water, but the habit of drinking will remain.”
    The nurse of her father’s house
  2. Tagaste, to 370 AD

    A pagan husband and a firstborn son

    St. Monica kept the peace with a violent husband and enrolled her eldest son among those preparing for baptism.

    The boy St. Augustine is at a slate lettered in Greek, among buildings at Tagaste, while a master greets him and another boy is beaten, with St. Monica among the figures under a gold halo.
    The School of Tagaste (scene 1, north wall), Benozzo Gozzoli (1420-1497 AD), 1464-1465 AD Benozzo Gozzoli (1420-1497 AD), Sant'Agostino, San Gimignano, Italy (apsidal chapel); reproduction from the Web Gallery of Art

    When she was old enough, St. Monica was married to Patricius, a pagan member of the town council. He had a violent temper and was unfaithful to her, but she never quarrelled with him over it, and when he raged she kept silent until he had calmed down. Other wives in the town, whose milder husbands still left bruises on their faces, asked her privately why Patricius never struck her, and she told them, half in jest, to think of the marriage contract read out to them as the paper that had made them servants.

    Her eldest son, St. Augustine, was born on November 13, 354 AD, and a second son, Navigius, and a daughter followed. She did not have him baptized as a baby but had him signed with the cross and given salt, the rite that enrolled a child as a catechumen. At fifteen, idle at home, he was warned by her in private against sleeping with women, and he dismissed it as a woman's advice.

    “it had never been reported, nor appeared by any indication, that Patricius had beaten his wife, or that there had been any domestic strife between them, even for a day”
    Augustine of Hippo
  3. 371–383 AD

    St. Augustine joins the Manichaeans

    St. Monica was widowed, her son joined a sect, and a bishop sent her away with a promise.

    St. Monica won Patricius for the faith near the end of his life, and he was baptized about 371 AD and died soon after. In 373 AD St. Augustine, by then a student at Carthage, joined the Manichaeans, a sect he stayed with for about nine years. She wept for him more than mothers weep over a child's death, and for a time would not let him live or eat in her house.

    In a dream she stood grieving on a wooden rule and saw her son standing beside her on it, and after the dream she took him back. She then begged a bishop to argue him out of the sect, but he told her to leave the young man alone and pray, because he would find the error for himself by reading. She kept pressing him with tears until, a little annoyed, he sent her away with a blessing, and she took his answer as a voice from heaven.

    “Go your way, and God bless you, for it is not possible that the son of these tears should perish.”
    An African bishop
  4. 383–385 AD

    The night at the harbour

    St. Augustine slipped away to Italy while his mother prayed near the ship, and she sailed after him.

    St. Monica appears twice in one scene, kneeling in prayer inside a church at the left and at the right holding her head in grief while raising a hand to bless her departing son.
    St Augustine Leaving his Mother (scene 3, east wall), Benozzo Gozzoli (1420-1497 AD), 1464-1465 AD Benozzo Gozzoli (1420-1497 AD), Sant'Agostino, San Gimignano, Italy (apsidal chapel); reproduction from the Web Gallery of Art

    In 383 AD St. Augustine resolved to sail from Carthage to Italy, and his mother, grieving, followed him down to the sea. She held on to him, wanting either to keep him home or to go with him, so he pretended he had to wait with a friend for a good wind. She agreed to spend the night close to the ship, in a chapel in memory of St. Cyprian, and there she prayed that he would not sail.

    He sailed in the dark, and in the morning she stood on the shore, beside herself with grief, with his ship out of sight. Later she sailed after him, and when the sea turned dangerous she calmed the sailors, because a vision had told her they would arrive safely. She found him at Milan no longer a Manichaean but not yet a Catholic, and told him calmly that she believed she would see him one before she died.

    “And I lied to my mother — and such a mother! — and got away.”
    Augustine of Hippo
  5. 385–386 AD

    Milan, and the news from the garden

    St. Monica gave up an old custom as soon as she learned the bishop of Milan had banned it, and her son came in from a garden to tell her he had turned.

    At Milan St. Monica went to church twice a day and listened eagerly to the sermons of the bishop, Saint Ambrose. In Africa she had taken cakes, bread and wine to the shrines of the martyrs, but at Milan the doorkeeper turned her away. When she learned that St. Ambrose had banned the custom, she gave it up at once and blamed her own habit rather than question him.

    In 386 AD, in a garden at Milan, her son read a passage from the Letter to the Romans and his doubts left him. He and his companion St. Alypius, who had read on and joined him, went straight in to tell her, and she leapt for joy and blessed God. She saw that God had given her more than all her prayers had asked, since her son now wanted neither a wife nor anything else the world could offer.

    “he would often, when he saw me, burst forth into her praises, congratulating me that I had such a mother”
    Augustine of Hippo
  6. 387 AD

    The font, and a window at Ostia

    St. Monica's son was baptized at Easter, and on the road home mother and son talked alone at a window.

    Under a domed classical canopy, a bishop in mitre and cope baptizes a kneeling, bare-chested young man at a font, pouring water from a shallow bowl as robed clergy, friars, and onlookers, including a woman in a red cloak, stand watching on either side.
    Baptism of St Augustine (scene 11, east wall), Benozzo Gozzoli (1420-1497 AD), 1464-1465 AD Benozzo Gozzoli (1420-1497 AD), Sant'Agostino, San Gimignano, Italy (apsidal chapel); reproduction from the Web Gallery of Art

    At Easter, on April 25, 387 AD, St. Ambrose baptized St. Augustine at Milan, together with St. Alypius and Adeodatus, St. Augustine's son. The Order of Saint Augustine counts it St. Monica's great joy to have witnessed that baptism. St. Augustine, his mother and their companions then set out for Africa and stopped at Ostia to wait for a ship.

    There mother and son stood alone at a window over the garden of the house, resting after the long journey. They talked about what the eternal life of the saints would be like, and St. Augustine wrote that for a moment they touched eternal Wisdom with all the effort of their hearts, then sighed and came back to the sound of their own voices. She then told him she had wanted to live only to see him a Catholic Christian, that God had given her far more than that, and that she no longer knew why she was still here.

    “Son, for myself, I have no longer any pleasure in anything in this life. What I want here further, and why I am here, I know not, now that my hopes in this world are satisfied. There was indeed one thing for which I wished to tarry a little in this life, and that was that I might see you a Catholic Christian before I died. My God has exceeded this abundantly, so that I see you despising all earthly felicity, made His servant — what do I here?”
    St. Monica
  7. 387 AD

    The grave she gave up

    St. Monica fell ill at Ostia and let go of the grave she had kept ready beside her husband.

    St. Monica lies on her deathbed with her hands at prayer while a small group of angels carries her soul upward, and a friar stands at the right of the bed.
    Death of St Monica (scene 13, south wall), Benozzo Gozzoli (1420-1497 AD), 1464-1465 AD Benozzo Gozzoli (1420-1497 AD), Sant'Agostino, San Gimignano, Italy (apsidal chapel); reproduction from the Web Gallery of Art

    Less than a week after the talk at the window, St. Monica fell ill with a fever. One day she fainted, and when she came round she looked at her sons, St. Augustine and Navigius, and told them to bury her there. Navigius wished aloud that she might die in her own country rather than abroad, and she stopped him with a look.

    For years she had kept a grave ready beside her husband's body, and had wanted people to speak of the two of them lying together. St. Augustine was glad to see that the wish had left her. She died on the ninth day of the fever, at the age of fifty-five.

    “Lay this body anywhere, let not the care for it trouble you at all. This only I ask, that you will remember me at the Lord's altar, wherever you be.”
    St. Monica
  8. 387–1430 AD

    What she asked for instead

    St. Monica wanted no monument, only her name said at the altar.

    St. Monica stands alone at full length on a chapel pillar, a single robed figure with no scene around her.
    St Monica (on the pillar), Benozzo Gozzoli (1420-1497 AD), 1464-1465 AD Benozzo Gozzoli (1420-1497 AD), Sant'Agostino, San Gimignano, Italy (apsidal chapel pillar); reproduction from the Web Gallery of Art
    “we revere him for his conversion even more than for his wisdom. In this rebirth, providentially accompanied by the tears of his mother, Saint Monica, he found himself”
    Pope Leo XIV, April 14, 2026 AD

Pray with the Church

The prayer St. Augustine made for his mother

The petition St. Augustine set down for St. Monica in the ninth book of the Confessions, written at Hippo about ten years after her death at Ostia, in place of recounting her merits.

I then, O my Praise and my Life, Thou God of my heart, putting aside for a little her good deeds, for which I joyfully give thanks to You, do now beseech You for the sins of my mother.Hearken unto me, through that Medicine of our wounds who hung upon the tree, and who, sitting at Your right hand, makes intercession for us.I know that she acted mercifully, and from the heart forgave her debtors their debts; do Thou also forgive her debts, whatever she contracted during so many years since the water of salvation.Forgive her, O Lord, forgive her, I beseech You; enter not into judgment with her.Let Your mercy be exalted above Your justice, because Your words are true, and You have promised mercy unto the merciful; which You gave them to be who will have mercy on whom You will have mercy, and will have compassion on whom You have had compassion.

All 11 reports on Saint Monica

A fresco portrait of St. Monica, a haloed woman in a dark blue veil and habit, head bowed, set within a painted niche with a red scalloped shell canopy.
interview · HIPPO REGIUS, Numidia, 397 AD

St. Augustine talks about his mother, ten years after her death

Saint Augustine of Hippo talked with this paper at Hippo Regius about his mother, Saint Monica, who died at Ostia ten years ago. He is writing an account of his own life addressed to God, the Confessions, and her life is inside it; almost no one else has written a word about her. St. Augustine describes the wine St. Monica drank in secret as a girl, the violent husband she managed, the years she prayed for her son, and the day at Milan when St. Augustine came in from the garden and told her.

A fresco of St. Monica standing in a niche, wearing a dark grey habit and wimple with a golden halo against a scalloped red shell-niche, holding a red leather-bound book.

Pope Leo XIV said the Mass opening the Order of Saint Augustine's 188th Ordinary General Chapter in the Basilica of Saint Augustine in Campo Marzio, the church where the relics of St. Monica have rested since 1430 AD. He preached on listening, humility and unity, and told the capitulars that no one should think they have all the answers. Pope Francis opened the Order's previous chapter in the same basilica in 2013 AD.

A painted still life of a wooden desk holding a large open handwritten codex, a reed pen in a small inkpot, hinged wax tablets and a lit clay oil lamp, with a bare hand resting on the open page and a wicker basket of books beneath.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Sant'Agostino nello studio (Saint Augustine in his Study) (Sandro Botticelli, c. 1480; photograph by Sailko, CC BY 3.0, Church of Ognissanti, Florence) View source artwork.

Monica and Augustine at Ostia · Part 3 · HIPPO REGIUS, Numidia, about 397 AD

Book IX: what St. Augustine wrote down about the window at Ostia

Book IX of the Confessions is St. Augustine's own account of the months from his resignation at Milan in 386 AD to St. Monica's death and burial at Ostia in 387 AD. He wrote it at Hippo Regius about 397 AD, some ten years after the death it records. The paper reads four passages: the chest complaint that let him leave his chair, the conversation at the window, his mother's last request, and the grief he faults himself for.

A fresco-style painting of a thin, white-haired old man lying propped on a low wooden bed in a bare whitewashed room, with five older men in plain tunics and mantles standing and bending around him in prayer, sheets of writing pinned to the wall behind, an open book and inkwell on a stool, and a small high window showing a harbour with columns of smoke rising beyond it.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Funerali di sant'Agostino (Funeral of St Augustine, scene 17), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano). View source artwork.

Monica and Augustine at Ostia · Part 2 · HIPPO REGIUS, Numidia, 28 August 430 AD

Saint Augustine dies at Hippo in the third month of the siege

Saint Augustine, Bishop of Hippo Regius, died on 28 August 430 AD in the third month of the Vandal siege, aged seventy-five, with the bishops who had taken refuge in the city standing at his bed. He had preached until the fever took him, and spent his last days reading the penitential psalms copied out and hung on the wall beside him. The bishops who watched with him buried him the same day.

A fresco panel of St. Monica, an older woman in a dark habit and white veil, standing with hands folded in prayer against a gold-toned background.
Monica and Augustine at Ostia · Part 2 · ROME, 28 August 2013 AD

Pope Francis, over St. Monica's relics, preaches St. Augustine's three restlessnesses

Pope Francis opened the General Chapter of the Order of Saint Augustine with Mass in the Basilica of Sant'Agostino in Campo Marzio, where St. Monica's relics have rested since 1430 AD. He preached on three restlessnesses in St. Augustine, and under the third quoted her tears, the bishop's answer to her, and her own words at Ostia.

A fresco-style painting of a bare whitewashed room: an older woman in a dark widow's veil and mantle lies dead on a low wooden bed, her hands joined on her breast, while a man bends over her with one hand at her head and the other at his eyes, and behind him three others stand — a man in a red tunic, a boy held quiet by a hand on his shoulder, and a young man holding an open book — beside a shuttered window opening onto a garden and the harbour beyond.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

Saint Monica died at Ostia on the ninth day of a fever, in a house her son's household had taken while they waited to sail home to Africa. She told her two sons to bury her where she fell and to remember her at the Lord's altar, giving up the grave she had prepared beside her husband at Tagaste. St. Augustine closed her eyes and did not weep until he had slept.

A woman in a dark widow's veil and mantle stands with her grown son in the deep window opening of a whitewashed upper room, both looking out over a walled garden towards tiled roofs and the flat water of the river mouth beyond; behind them, three of the household go about their work in the shadowed room.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli, 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

feature · OSTIA, Roman Italy, autumn 387 AD

At an Ostia window, St. Monica has nothing left to want

This month at Ostia, waiting for a ship to Africa that had not come, Saint Monica and her son Saint Augustine stood at an upstairs window over the garden and talked about what the eternal life of the saints would be. She told him there that she had no pleasure left in anything in this life and did not know what she was still doing here. Five days later the fever took her, and the household that heard her at the window did not treat her death as an interruption.

A woman in her middle fifties in a dark wool tunic and veil with a white cloth at the brow sits upright on a plain stool beside a bare wooden table holding an untouched cup and a small jug, while behind her a man folds cloth, a child stands in the open doorway and a boy sits on the step, with a colonnaded street and the pale water of the river mouth beyond.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

Monica and Augustine at Ostia · Part 1 · OSTIA, autumn 387 AD

'Nothing is far to God': an hour with Saint Monica at Ostia

Saint Monica, fifty-five, sat for an hour in the rented house at the Tiber mouth where her household is waiting for a ship to Africa. She answered questions on the closing sailing season, the wine she gave up as a girl, her husband's temper, the years she refused her son her table, and the bishop who told her the son of these tears could not perish. She has given up the grave she prepared for herself at Tagaste, beside her husband.

A fresco of a funeral in a plain whitewashed church: a woman in a dark widow's veil and mantle lies on a low wooden bier with her hands joined, while a young man at her head sings from an open psalter and a standing rank of men answers him; women weep quietly at the open doorway, through which an open grave can be seen, and a small table with a cup and a loaf stands at the left.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli, 1464-1465 AD, Sant'Agostino, San Gimignano) View source artwork.

event · OSTIA, Roman Italy, this week, 387 AD

Saint Evodius sings the psalm over Saint Monica's body

St. Evodius took up the Psalter beside St. Monica's body at Ostia and sang, and the whole household answered him. Brethren and religious women came in, and the sacrifice of redemption was offered beside the open grave before the body went down. There were no spices and no monument.