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event · OSTIA, autumn 387 AD

Saint Monica dies at Ostia on the ninth day of her fever

The widow of Tagaste, fifty-five, died in a rented house at the Tiber mouth while her household waited for a ship to Africa.

A fresco-style painting of a bare whitewashed room: an older woman in a dark widow's veil and mantle lies dead on a low wooden bed, her hands joined on her breast, while a man bends over her with one hand at her head and the other at his eyes, and behind him three others stand — a man in a red tunic, a boy held quiet by a hand on his shoulder, and a young man holding an open book — beside a shuttered window opening onto a garden and the harbour beyond.
St. Augustine at the deathbed of his mother, St. Monica, in the rented house at Ostia, where she died on the ninth day of a fever in the autumn of 387 AD.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

— Saint Monica, a widow of Tagaste in proconsular Numidia, died in recent days in a rented house at the mouth of the Tiber, on the ninth day of a fever. She was fifty-five, and her eldest son, Saint Augustine, is thirty-two. She had come the length of Italy with her household to take ship for Africa, and was resting here for the voyage when the fever took her.

Her sons St. Augustine and Navigius were in the room, with her grandson Adeodatus and St. Evodius of Tagaste. St. Augustine, who was baptized at Milan this year, closed her eyes. He did not weep. He fought the tears down as they came: “there flowed a great sadness into my heart, and it was passing into tears, when my eyes at the same time, by the violent control of my mind, sucked back the fountain dry.”

The fever came on less than a week after a conversation he and his mother had at an upstairs window of the house, looking out over the garden — about a fortnight ago. She was ill for nine days.

On one of those days she lost consciousness and for a short time knew nothing of what was around her. Her two sons hurried to her. She came back, looked at them, and asked, “Where was I?”

Then she looked at the two of them, standing there in their grief, and said: “Here shall you bury your mother.”

St. Augustine said nothing. Navigius said he would rather his mother died at home than abroad. She heard it, stopped him with a look, and turned to her eldest son: “Behold what he says.”

To both of them, a moment later: “Lay this body anywhere, let not the care for it trouble you at all. This only I ask, that you will remember me at the Lord’s altar, wherever you be.”

That instruction gave up a grave. St. Monica had bought and prepared a place for herself at Tagaste beside her husband, Patricius, who died there and left her a widow at about forty. She had wanted it known among her neighbours that after all her travelling overseas the two of them, so joined in life, would lie in one grave. St. Augustine says his parents lived very peacefully together. He had known for years how much that grave mattered to her, and he was glad to find she no longer wanted it.

It is relatives who tend a grave, and a grave in Italy is one nobody of hers will come to. She had already been asked about it. On a day her son was out of the house, she had been talking with friends of his here at Ostia about how little this life is worth and what a good thing death is, and they, taken aback by her, asked whether she did not dread leaving her body so far from her own city. She answered: “Nothing is far to God; nor need I fear lest He should be ignorant at the end of the world of the place whence He is to raise me up.”

The one thing she said about her son from the sickbed, he wrote down himself. In that last illness she called him kind, and said with great affection that she had never heard a harsh or reproachful word from him against her.

When she died, Adeodatus cried out. He is fifteen, and was baptized with his father at Milan at Easter. The household quieted him, and he stopped.

With the boy quiet, St. Evodius took up the Psalter and began to sing, “I will sing of mercy and judgment: unto You, O Lord.” The whole house answered him. St. Evodius is a young man of Tagaste who left the imperial service as an agent for public affairs, was converted and baptized before St. Augustine, and joined the company for the voyage home.

Word of what was going on in the house reached the town, and many of the brethren and religious women came. Those whose office it is prepared the body for burial in the usual way. The household did not mourn her with weeping and loud lament; that, St. Augustine said, is how people are mourned who die unhappy or die altogether, and “she neither died unhappy, nor did she altogether die.”

The sacrifice of redemption was offered for her with the body set beside the grave before it was laid in, as the custom is here. St. Augustine shed no tears at those prayers. He went to the burial and came back dry-eyed, then went to bathe, having heard that a bath drives trouble out of the mind, and felt no different afterwards. He slept. He woke with a hymn of St. Ambrose in his head, Deus creator omnium, and let the tears come.

She was buried outside the walls, near the church of the martyr St. Aurea, the Christian girl who was drowned with a stone tied round her neck in the persecutions and buried on her own land, where the church was later built.

St. Monica came to Italy because her son did. He sailed from Carthage without her four years ago and left her on the shore, where she stood the next morning in her grief, crying out to God. She took ship after him and followed him over sea and land. At Milan he was enrolled among the competentes at the beginning of Lent, and she saw him baptized by St. Ambrose, the bishop of Milan, on 25 April, together with Adeodatus and St. Alypius of Tagaste.

The household then set out for Africa, meaning to live together with a holy purpose and looking for the place where they could be most useful. Milan to Ostia is about 378 miles by road, and St. Augustine calls it a long journey. A legion covers twenty miles in a day. This party did not: she was reckoned an old woman, and no one in the company was in a hurry. They stopped here to wait for a sailing.

It was in that wait that mother and son stood alone at the window over the garden and talked about what the eternal life of the saints would be. St. Augustine says they went step by step past all bodily things, came to their own minds and passed beyond them, and for a moment touched Eternal Wisdom: “we sighed, and there left bound the first-fruits of the Spirit; and returned to the noise of our own mouth.” His mother then told him she had no more pleasure in anything in this life; the one thing she had wanted to stay for was to see him a Catholic Christian, and God had given her more than that. “What do I here?”

Ostia is the port that feeds Rome, and the place a household bound for Africa waits for a ship. It has a Christian basilica given by Constantine, and since 336 AD it is the bishop of Ostia who consecrates a newly elected Pope. The town’s trade has been picking up, and the new building going up here uses stone taken from what stood before. What Ostia is now is chiefly a good place to live: for a hundred years, expensive houses have been fitted inside the older blocks. The house the household took has a garden, and an upper window that looks down on it.

The crossing they were waiting for runs to a fixed calendar. Sailing is reckoned safe only from 27 May to 14 September; from then until 11 November it is uncertain and close to dangerous; from 11 November until 10 March the sea is shut. The usurper Maximus has moved on Milan this year.

The four who were at the bedside are still here, and still bound for Africa. What St. Monica asked of them was one thing: that they remember her at the Lord’s altar, wherever they are. She had served that altar, her son said, without missing a single day.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

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Image. AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) — see the original.

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More on this saint

A fresco portrait of St. Monica, a haloed woman in a dark blue veil and habit, head bowed, set within a painted niche with a red scalloped shell canopy.
interview · HIPPO REGIUS, Numidia, 397 AD

St. Augustine talks about his mother, ten years after her death

Saint Augustine of Hippo talked with this paper at Hippo Regius about his mother, Saint Monica, who died at Ostia ten years ago. He is writing an account of his own life addressed to God, the Confessions, and her life is inside it; almost no one else has written a word about her. St. Augustine describes the wine St. Monica drank in secret as a girl, the violent husband she managed, the years she prayed for her son, and the day at Milan when St. Augustine came in from the garden and told her.

A woman in a dark widow's veil and mantle stands with her grown son in the deep window opening of a whitewashed upper room, both looking out over a walled garden towards tiled roofs and the flat water of the river mouth beyond; behind them, three of the household go about their work in the shadowed room.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli, 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

feature · OSTIA, Roman Italy, autumn 387 AD

At an Ostia window, St. Monica has nothing left to want

This month at Ostia, waiting for a ship to Africa that had not come, Saint Monica and her son Saint Augustine stood at an upstairs window over the garden and talked about what the eternal life of the saints would be. She told him there that she had no pleasure left in anything in this life and did not know what she was still doing here. Five days later the fever took her, and the household that heard her at the window did not treat her death as an interruption.

Also in the edition of Thursday, 27 August 2026

feature · OSTIA, Roman Italy, autumn 387 AD

At an Ostia window, St. Monica has nothing left to want

This month at Ostia, waiting for a ship to Africa that had not come, Saint Monica and her son Saint Augustine stood at an upstairs window over the garden and talked about what the eternal life of the saints would be. She told him there that she had no pleasure left in anything in this life and did not know what she was still doing here. Five days later the fever took her, and the household that heard her at the window did not treat her death as an interruption.

Monica and Augustine at Ostia · Part 1 · OSTIA, autumn 387 AD

'Nothing is far to God': an hour with Saint Monica at Ostia

Saint Monica, fifty-five, sat for an hour in the rented house at the Tiber mouth where her household is waiting for a ship to Africa. She answered questions on the closing sailing season, the wine she gave up as a girl, her husband's temper, the years she refused her son her table, and the bishop who told her the son of these tears could not perish. She has given up the grave she prepared for herself at Tagaste, beside her husband.