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legacy · ROME, 28 August 1986 AD

Pope John Paul II calls St. Augustine common father of Christian Europe

A large, intricately carved white marble shrine covered with sculpted figures and pinnacles, standing in the interior of a church.
The Arca di Sant'Agostino, the marble ark holding the relics of St. Augustine, commissioned in 1362 by Bonifacio Bottigella and carved by the Campionese masters, in the Basilica of San Pietro in Ciel d'Oro, Pavia.

— Pope John Paul II gave the apostolic letter Augustinum Hipponensem at St Peter’s this week, on the feast of St. Augustine. It marks the sixteenth centenary of the conversion at Milan and of the baptism that followed at Easter, and is addressed to the whole Church.

The letter opens with the judgments of earlier Popes, back to Pope Celestine I, who called St. Augustine one of the best teachers of the Church in 431 AD, a year after his death.

Its second section states why: “Above all, the conversion helps us to penetrate more easily into his thought, which was so universal and profound that it rendered incomparable and imperishable service to Christian thought, so that we have good reason to call him the common father of Christian Europe.”

The conversion, Pope John Paul II writes, “has much to teach the men and women of today, who are so often mistaken about the greatest question of all life.”

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. Arca di Sant'Agostino (1362), Campionese masters; photograph by Carlo Dell'Orto, 4 January 2015, Basilica of San Pietro in Ciel d'Oro, Pavia — CC BY-SA 4.0 — see the original.

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An empty whitewashed room in a Roman African church: a large parchment codex lies open on a plain wooden desk with reed pens, an inkwell and wax tablets beside it, wicker book-boxes of codices stand on the tiled floor, and a round-arched doorway opens on a sunlit courtyard with an olive tree.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference image based on St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

Saint Possidius, bishop of Calama, has finished a life of Saint Augustine of Hippo, who died two years ago during a Vandal siege. He kept to what he saw and heard in the nearly forty years he spent beside him, and left out the early years St. Augustine had already written about himself. At the end he added a catalogue of St. Augustine's books, homilies and letters, with directions on where the best copies could be found.

An empty whitewashed room with a red and black tiled floor: a long plain wooden table holding wax tablets, a stylus, an open codex, an inkwell, two bowls of food, an earthenware jug, a cup and a silver spoon, with a chair behind it, a cushioned stool in front, a wicker basket on the floor, an unlit clay lamp on the wall and an arched doorway opening on a sunlit colonnade and the sea.
About this picture

AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on St Augustine's Vision of St Jerome (scene 16, east wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano). View source artwork.

interview · HIPPO REGIUS, Numidia, 28 August 430 AD

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St. Possidius of Calama, Bishop of Calama and a refugee in St. Augustine's house since the Vandals took his city, sat down at the bishop's table a few hours after the burial. He describes the household's rule of life, the church plate melted down for captives, the sermon that lost its thread and converted a merchant, and the three months of blockade. He also gives the last ten days: the shut door, the penitential psalms copied out and hung on the wall, and the men standing at the bed.

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