Saint Thérèse receives the black veil at seventeen, and cannot stop crying



AI-generated image, in the manner of a buon fresco on lime plaster, from the paper's reference portrait based on Funerali di sant'Agostino (Funeral of St Augustine, scene 17), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel, Sant'Agostino, San Gimignano) View source artwork.

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) View source artwork.

AI-generated image, in the manner of a Byzantine and Coptic narrative icon in egg tempera on a gesso panel. No person appears in it.

AI-generated image, in the manner of buon fresco at Assisi, from the paper's reference portrait based on Legend of St. Francis, scene 13: Institution of the Crib at Greccio (Giotto di Bondone and workshop, 1296–1298 AD, Upper Church, Basilica of San Francesco, Assisi) View source artwork.
Thursday of the 25th week in Ordinary Time
Our Lady of Ransom
Our Lady of Ransom is the title under which the Roman Martyrology honours the Blessed Virgin Mary as patroness of the ransomers of captives, the Christians taken and held in slavery whose redemption was undertaken in her name.
“At last my desires were realised, and I cannot describe the deep sweet peace which filled my soul. This peace has remained with me during the eight and a half years of my life here, and has never left me even amid the greatest trials.”