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The quarrel over Tepeyac · Part 3 · MEXICO, New Spain, September 24, 1556 AD

Archbishop halts the sworn enquiry he ordered into the sermon against Tepeyac

Nine men were put on oath over a sermon against the chapel at Tepeyac; fifteen days later the Archbishop of Mexico closed his own case with six words.

An oil painting of a dark carved Spanish table in a whitewashed room: a thick handwritten volume lies open on a red cloth, its left leaf covered in close brown ink and its right leaf blank but for one short line in a larger, hastier hand; quills, an inkwell, a sand caster, a stick of red sealing wax, a stack of folios and a leather-bound book lie about it, an empty leather chair stands behind, and through a shuttered window beyond are a lake, a plain, a bare hill and a small white chapel at its foot. No person appears in it.
The closing leaf of the Archbishop of Mexico's sworn enquiry into the sermon against the chapel at Tepeyac, with the order of suspension added in a second hand on the facing leaf, in the archbishop's house at Mexico City, 1556 AD.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) View source artwork.

— The Archbishop of Mexico stopped his own sworn enquiry today into what the head of the Franciscans in New Spain had preached against the chapel at Tepeyac. Fray Alonso de Montúfar had opened it fifteen days ago to establish the friar’s words on oath. Today he ended it, with one line in his own hand.

The chapel stands on the plain below the hill of Tepeyac, up the causeway north of this city, where the Blessed Virgin Mary appeared to Saint Juan Diego Cuauhtlatoatzin in December 1531 AD and asked that a church be built for her there. It has stood on the spot since the year after the apparitions.

The Franciscans had charge of the chapel until Montúfar, the second Archbishop of Mexico, took it away from them. That is what set him against Fray Francisco de Bustamante, who governs the Franciscans of New Spain as their provincial. Bustamante says there was never any real basis for the devotion. The money left at the chapel, he says, would do more good in the hospitals and among the poor of this city than on pilgrimages to it. Montúfar wants the devotion defended, and he holds the chapel and the alms left in it.

The quarrel came into the open eighteen days ago. On September 6 Montúfar preached in this city in support of the devotion, taking as his text “Blessed are the eyes that see what you see”. Two days later, on the feast of the Nativity of Mary, Bustamante answered him from the pulpit of San José de los Naturales (Saint Joseph of the native people), in the Franciscan convent here. The viceroy, Don Luis de Velasco, and other notables of the city were in front of him. Bustamante told them the archbishop was fostering idolatry by backing the devotion, and that the image at Tepeyac had been painted by a native painter named Marcos. He said too that no one knew what became of the money taken to the chapel, giving them to understand that the archbishop was disposing of the alms improperly. The devotion this city had taken up there, he said, was doing the native people great harm.

People who had heard the sermon brought written complaints to Montúfar the same day. An archbishop can summon men, put them on oath and have their answers written down. The next day Montúfar ordered it done, to learn from sworn witnesses what the provincial had actually said. Fourteen questions were written out, and nine men were brought in and sworn, asked the fourteen questions in turn, and made to sign their answers.

Then today Montúfar set the whole proceeding aside with six words in his own hand: “Suspéndase y la parte es muerto” (Let it be suspended, and the party is dead). Bustamante is alive and still governs his province. The viceroy has had to step into the quarrel between the two men, and nothing has been done to the archbishop over either charge. Montúfar did not say which party he meant, or why he stopped the proceeding he had ordered.

People are still walking out to the chapel at the foot of the hill, as they have almost without a break since the year of the apparitions. St. Juan Diego served at that chapel to the end of his life, and he is buried inside it.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) — see the original.

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A colonial oil painting of a small single-storey adobe chapel with a bell opening on the plain at the foot of a bare rocky hill covered in prickly pear and mesquite, a stone causeway and bridge crossing shallow lake water in the foreground, low huts and a few distant figures beside it, and the towers of a Spanish colonial city and two snow-capped volcanoes far off on the horizon.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on Cuarta aparición de la Virgen de Guadalupe (Juan Dualte, 18th century, Museo de la Colegiata de San Luis, Villagarcía de Campos) View source artwork.

The quarrel over Tepeyac · Part 1 · MEXICO CITY, September 8, 1556 AD

Archbishop backs the chapel outside the city; a friar calls it idolatry

The Archbishop of Mexico, Fray Alonso de Montúfar, preached on Sunday in support of the devotion at the chapel three miles outside this city, where the Blessed Virgin Mary appeared to St. Juan Diego Cuauhtlatoatzin twenty-five years ago. Today the Franciscan provincial, Fray Francisco de Bustamante, answered him from another pulpit and accused the archbishop of fostering idolatry. The archbishop is to take the evidence of witnesses on oath.

An oil painting of an empty room with whitewashed walls and a beamed ceiling: a dark Spanish table with a red cloth holds an open manuscript, signed folios, quills, an inkwell, sand and sealing wax, with an empty high-backed chair behind it, and an open window looking out to a bare hill with a small adobe chapel at its foot beside a lake.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York, accession 2014.173) View source artwork.

The quarrel over Tepeyac · Part 2 · MEXICO CITY, New Spain, September 1556 AD

Nine witnesses swear to what a friar preached against the Tepeyac chapel

The Archbishop of Mexico has ordered a formal inquiry into what the head of the Franciscans in New Spain preached against the chapel at Tepeyac, where the Blessed Virgin Mary appeared to Saint Juan Diego Cuauhtlatoatzin twenty-five years ago. Fourteen written questions were put to nine men on oath, and each of them signed his answers. One swore that great ladies of the city walk out to the chapel barefoot, with staves in their hands.

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