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The quarrel over Tepeyac · Part 1 · MEXICO CITY, September 8, 1556 AD

Archbishop backs the chapel outside the city; a friar calls it idolatry

Fray Alonso de Montúfar preached on Sunday for the devotion at the chapel of Tepeyac; today the Franciscan head in New Spain answered him before the viceroy.

A colonial oil painting of a small single-storey adobe chapel with a bell opening on the plain at the foot of a bare rocky hill covered in prickly pear and mesquite, a stone causeway and bridge crossing shallow lake water in the foreground, low huts and a few distant figures beside it, and the towers of a Spanish colonial city and two snow-capped volcanoes far off on the horizon.
The adobe hermitage at the foot of Tepeyac, three miles up the causeway from Mexico City, where St. Juan Diego lived and was buried, as it stood in 1556 AD.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on Cuarta aparición de la Virgen de Guadalupe (Juan Dualte, 18th century, Museo de la Colegiata de San Luis, Villagarcía de Campos) View source artwork.

— Twenty-five years ago the Blessed Virgin Mary appeared on the hill of Tepeyac, three miles up the causeway from this city, to a poor man of the people named Saint Juan Diego Cuauhtlatoatzin. Our Lady sent him to the first Bishop of Mexico, Fray Juan de Zumárraga, to ask for a church at the foot of the hill. She left her image on St. Juan Diego’s cloak. An adobe chapel went up on the plain below the hill the following year. St. Juan Diego left his house and lands to his uncle, moved into a hut beside the chapel, and looked after it and the people who came. He died there in 1548, at about seventy-four, and was buried inside the church he had kept.

That chapel is now the ground of an open quarrel between the Archbishop of Mexico and the head of the Franciscans in New Spain. On Sunday the second Archbishop of Mexico, Fray Alonso de Montúfar, preached in the city in support of the devotion at Tepeyac. He took as his text “Blessed are the eyes that see what you see.” Today the Franciscan provincial, Fray Francisco de Bustamante, answered him from another pulpit.

Today is the feast of the Nativity of Mary, on which Our Lady of Guadalupe is kept along with the other titles of Our Lady that have no feast of their own. Bustamante preached in the chapel of San José de los Naturales (Saint Joseph of the native people), inside the Franciscan convent in this city. The viceroy of New Spain, Don Luis de Velasco, and other notables of the city sat in front of him. He ended with a direct attack on the archbishop. Bustamante accused Montúfar of fostering idolatry by supporting the devotion, and said the image at Tepeyac had been painted by a native painter named Marcos. He also made it plain that in his view the archbishop was misusing the alms left at the shrine.

The quarrel did not begin on Sunday. Montúfar took the hermitage at Tepeyac out of the jurisdiction of the Franciscans, and that is what set him against Bustamante. Until then the chapel, the image and the pilgrims who came to it were the friars’ charge. They are the archbishop’s now.

Montúfar is a Dominican, twice prior of the convent of Santa Cruz de Granada. He was named to the see of Mexico on June 13, 1551. His time as archbishop here began in 1554. The see he came to was new. Mexico had been raised to an archdiocese on February 11, 1546. Zumárraga died on June 3, 1548, a month before the bull naming him its first archbishop was sent from Rome.

Montúfar inherited a metropolitan church in a country the friars had evangelized and still largely run. The Franciscans, Dominicans and Augustinians exercise a jurisdiction that does not pass through the archbishop, and the secular clergy resent it. In November of last year Montúfar opened a council of the province in this city. The bishops of Tlaxcala, Chiapas, Michoacán and Oaxaca attended, with the viceroy, the royal high court and other officials of the Church and the crown. Ninety-three chapters of rules came out of it. He has also pressed for tithes to be levied on the native people for the support of the bishops. The crown has refused to allow it.

The Franciscans have been preaching in this valley since 1524, seven years before the Blessed Virgin Mary appeared on the hill, and the care of the native people here has been theirs from the beginning.

The archbishop is not letting the sermon rest. He is to open a formal enquiry into what Bustamante said, and to take the evidence of witnesses on oath.

People have gone to the chapel at Tepeyac almost without a break since 1531 or 1532.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on Cuarta aparición de la Virgen de Guadalupe (Juan Dualte, 18th century, Museo de la Colegiata de San Luis, Villagarcía de Campos) — see the original.

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An oil painting of an empty room with whitewashed walls and a beamed ceiling: a dark Spanish table with a red cloth holds an open manuscript, signed folios, quills, an inkwell, sand and sealing wax, with an empty high-backed chair behind it, and an open window looking out to a bare hill with a small adobe chapel at its foot beside a lake.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York, accession 2014.173) View source artwork.

The quarrel over Tepeyac · Part 2 · MEXICO CITY, New Spain, September 1556 AD

Nine witnesses swear to what a friar preached against the Tepeyac chapel

The Archbishop of Mexico has ordered a formal inquiry into what the head of the Franciscans in New Spain preached against the chapel at Tepeyac, where the Blessed Virgin Mary appeared to Saint Juan Diego Cuauhtlatoatzin twenty-five years ago. Fourteen written questions were put to nine men on oath, and each of them signed his answers. One swore that great ladies of the city walk out to the chapel barefoot, with staves in their hands.

An oil painting of a dark carved Spanish table in a whitewashed room: a thick handwritten volume lies open on a red cloth, its left leaf covered in close brown ink and its right leaf blank but for one short line in a larger, hastier hand; quills, an inkwell, a sand caster, a stick of red sealing wax, a stack of folios and a leather-bound book lie about it, an empty leather chair stands behind, and through a shuttered window beyond are a lake, a plain, a bare hill and a small white chapel at its foot. No person appears in it.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) View source artwork.

The quarrel over Tepeyac · Part 3 · MEXICO, New Spain, September 24, 1556 AD

Archbishop halts the sworn enquiry he ordered into the sermon against Tepeyac

The Archbishop of Mexico, Fray Alonso de Montúfar, has stopped the sworn enquiry he opened fifteen days ago into a sermon preached against the chapel at Tepeyac, where the Blessed Virgin Mary appeared to Saint Juan Diego. Nine men had been put on oath and questioned before he set the whole proceeding aside with six words in his own hand. He did not say which party he meant by them, and the viceroy has had to step into the quarrel.

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