Search

Saints Saints of the Americas

Saint Juan Diego Cuauhtlatoatzin

Feast 9 December · Born 1474 AD, Cuauhtitlan, Valley of Anahuac, then in the kingdom of Texcoco (Mexico State, Mexico) · Died 1548 AD, The hermitage beside the shrine at Tepeyac, New Spain (Mexico City, Mexico)

A Chichimeca commoner was walking to Mass past a hill outside Mexico City, and three days later came down that same hill carrying flowers in his cloak.

Begin the life
An 18th-century oil painting showing a kneeling Franciscan friar in prayer beside kneeling companions on the left, while on the right a friar holds open a white cloak bearing the miraculous image of Our Lady of Guadalupe, crowned and haloed in golden rays, with an angel and crescent moon at her feet.
Cuarta aparicion de la Virgen de Guadalupe (The Fourth Apparition of the Virgin of Guadalupe), Juan Dualte, 18th century

In brief

Saint Juan Diego Cuauhtlatoatzin was born in 1474 AD, at Cuauhtitlan by the Holy See's account, and was baptized at fifty. In December 1531 AD the Blessed Virgin Mary appeared to him on the hill of Tepeyac and sent him to the bishop of Mexico. From 1532 AD until his death in 1548 AD he lived as a hermit beside the shrine that rose there.

  1. 1474–1524 AD

    A boy named for an eagle

    Born in the Valley of Anahuac, at Cuauhtitlan, Tulpetlac or San Juanico, a commoner of the Chichimeca; Cuauhtitlan then lay within the kingdom of Texcoco.

    The Holy See places the birth of Saint Juan Diego Cuauhtlatoatzin at Cuauhtitlan in 1474 AD. He belonged to the Chichimeca people, and his town then lay within the kingdom of Texcoco. The Holy See renders the Nahuatl name of St. Juan Diego Cuauhtlatoatzin as the talking eagle.

  2. 1525–1529 AD

    Baptized at fifty, widowed at fifty-five

    He and his wife Maria Lucia entered the Church together; she died two years before Tepeyac.

  3. December 9, 1531 AD

    The voice on the hill

    On the road to Mass he heard singing on Tepeyac and was called up by name.

    Before dawn on Saturday, December 9, 1531 AD, St. Juan Diego set out for morning Mass. As he neared Tepeyac at sunrise he heard singing on the hilltop, like the songs of many rare birds. The singing stopped and a voice called him by name from the top.

    He climbed the hill happy rather than afraid. At the summit the Blessed Virgin Mary named herself the mother of the true God. She asked for a sacred house on the plain below and sent him to the bishop of Mexico.

    “My Lady, Beloved Lady, I am going now to make your venerable word a reality. I, your poor commoner, am leaving you for a while.”
    St. Juan Diego Cuauhtlatoatzin, December 9, 1531 AD
  4. December 9–10, 1531 AD

    Twice at the bishop's door

    Bishop Zumarraga heard him out, disbelieved him, demanded a sign, and had him followed.

    Bishop Juan de Zumarraga heard the whole message as if he did not believe it to be true. That evening St. Juan Diego begged the Virgin to send a nobleman in his place. She answered that he himself must go, and ordered him back the next day.

    On the Sunday the bishop questioned him closely and then demanded a sign. Zumarraga had him followed, and the servants lost him at the wooden bridge near Tepeyac. They told the bishop he was lying, and agreed to seize him if he came back.

    “Because I am really (just) a man from the country, I am like a mere [porter's] rope, a back-frame, a tail, a wing, a man of no importance: I myself need to be led, carried on someone's back.”
    St. Juan Diego Cuauhtlatoatzin, December 9, 1531 AD
  5. December 11–12, 1531 AD

    The road round the hill

    His uncle was dying, so he took the far side of Tepeyac to avoid being stopped.

    His uncle Juan Bernardino fell gravely ill, and St. Juan Diego missed the day appointed for the sign. Shortly after midnight the old man begged him to fetch a priest to hear his confession. Before dawn he crossed to the eastern side of Tepeyac so that the Virgin would not stop him.

    She came down the hill, blocked his road and asked where he was going. She told him his uncle would not die of the sickness and was already well. Juan Bernardino recovered at that moment, as the household found out afterwards.

    “Am I not here, I, who am your mother? Are you not under my shadow and protection? Am I not the source of your joy? Are you not in the hollow of my mantle, in the crossing of my arms? Do you need something more?”
    The Blessed Virgin Mary, December 12, 1531 AD
  6. December 12, 1531 AD

    The flowers and the cloak

    He carried December flowers to the bishop's house and opened his tilma.

    A 1737 AD New Spanish painting of Saint Juan Diego holding open his ayate, the image of the Virgin upon it.
    San Juan Diego con el ayate — catalogued as Milagro de la Virgen de Guadalupe en la tilma de Juan Diego, Anonymous, New Spain, 1737 AD Anonymous, New Spain, Arca — Arte Colonial Americano, Universidad de los Andes, Bogota

    She sent him to the hilltop, where flowers of every kind were blooming out of their season. The frost was harsh, and nothing grows up there but rocks, thorns and mesquite. He gathered the flowers into his tilma, and she arranged them there with her own hands.

    At the bishop's residence the servants tried three times to take the flowers and could not. Admitted at last, St. Juan Diego opened the cloak and the flowers fell to the floor. The image of the Virgin stood on the cloth, and Bishop Zumarraga knelt and wept.

    “It should now be clear that my message is true. Here they are; please receive them.”
    St. Juan Diego Cuauhtlatoatzin, December 12, 1531 AD
  7. 1532–1548 AD

    Sweeping the shrine for his remaining years

    He gave away his land and lived in a hut beside the chapel until his death.

    Miguel Cabrera's 1752 AD full-length portrait of an aged St. Juan Diego standing in his white tilma, a staff in his right hand.
    Verdadero retrato del venerable Juan Diego (True Portrait of the Venerable Juan Diego), Miguel Cabrera (1695-1768 AD), 1752 AD Miguel Cabrera (1695-1768 AD), Museo de la Basilica de Guadalupe, Mexico City
    “With the Bishop's permission, Juan Diego lived the rest of his life as a hermit in a small hut near the chapel where the miraculous image was placed for veneration. Here he cared for the church and the first pilgrims who came to pray to the Mother of Jesus.”
    The Holy See, July 31, 2002 AD
  8. 1556–2002 AD

    St. Juan Diego canonized

    The devotion at Tepeyac was fought over within a generation, and the Church raised him to the altars four centuries later.

    A photograph of the ayate as it hangs in the Basilica, showing the standing figure of Our Lady of Guadalupe on a coarse two-strip weave.
    Nuestra Senora de Guadalupe — the image on the ayate of Juan Diego, The image the Church holds to be of supernatural origin; photograph by Anagoria, 1531 AD; photographed December 23, 2013 AD The image the Church holds to be of supernatural origin; photograph by Anagoria, Basilica de Nuestra Senora de Guadalupe, Mexico City

    About 1556 AD the Nahua scholar Antonio Valeriano wrote the Nahuatl account that preserves St. Juan Diego's words. Archbishop Alonso de Montufar preached in support of the devotion at Tepeyac on September 6, 1556 AD. Two days later the Franciscan provincial Francisco de Bustamante preached against it before the viceroy.

    “Beloved Juan Diego, "the talking eagle"! Show us the way that leads to the "Dark Virgin" of Tepeyac, that she may receive us in the depths of her heart, for she is the loving, compassionate Mother who guides us to the true God.”
    Pope John Paul II, July 31, 2002 AD

Pray with the Church

Collect for the Optional Memorial of Saint Juan Diego Cuauhtlatoatzin

The Collect of the Mass for his optional memorial, December 9, in the Roman Missal (ICEL translation)

O God, who by means of Saint Juan Diego showed the love of the most holy Virgin Mary for your people,grant, through his intercession, that, by following the counsels our Mother gave at Guadalupe,we may be ever constant in fulfilling your will.Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever.

All 3 reports on Saint Juan Diego Cuauhtlatoatzin

An oil painting of a dark carved Spanish table in a whitewashed room: a thick handwritten volume lies open on a red cloth, its left leaf covered in close brown ink and its right leaf blank but for one short line in a larger, hastier hand; quills, an inkwell, a sand caster, a stick of red sealing wax, a stack of folios and a leather-bound book lie about it, an empty leather chair stands behind, and through a shuttered window beyond are a lake, a plain, a bare hill and a small white chapel at its foot. No person appears in it.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) View source artwork.

The quarrel over Tepeyac · Part 3 · MEXICO, New Spain, September 24, 1556 AD

Archbishop halts the sworn enquiry he ordered into the sermon against Tepeyac

The Archbishop of Mexico, Fray Alonso de Montúfar, has stopped the sworn enquiry he opened fifteen days ago into a sermon preached against the chapel at Tepeyac, where the Blessed Virgin Mary appeared to Saint Juan Diego. Nine men had been put on oath and questioned before he set the whole proceeding aside with six words in his own hand. He did not say which party he meant by them, and the viceroy has had to step into the quarrel.

An oil painting of an empty room with whitewashed walls and a beamed ceiling: a dark Spanish table with a red cloth holds an open manuscript, signed folios, quills, an inkwell, sand and sealing wax, with an empty high-backed chair behind it, and an open window looking out to a bare hill with a small adobe chapel at its foot beside a lake.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York, accession 2014.173) View source artwork.

The quarrel over Tepeyac · Part 2 · MEXICO CITY, New Spain, September 1556 AD

Nine witnesses swear to what a friar preached against the Tepeyac chapel

The Archbishop of Mexico has ordered a formal inquiry into what the head of the Franciscans in New Spain preached against the chapel at Tepeyac, where the Blessed Virgin Mary appeared to Saint Juan Diego Cuauhtlatoatzin twenty-five years ago. Fourteen written questions were put to nine men on oath, and each of them signed his answers. One swore that great ladies of the city walk out to the chapel barefoot, with staves in their hands.

A colonial oil painting of a small single-storey adobe chapel with a bell opening on the plain at the foot of a bare rocky hill covered in prickly pear and mesquite, a stone causeway and bridge crossing shallow lake water in the foreground, low huts and a few distant figures beside it, and the towers of a Spanish colonial city and two snow-capped volcanoes far off on the horizon.
About this picture

AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on Cuarta aparición de la Virgen de Guadalupe (Juan Dualte, 18th century, Museo de la Colegiata de San Luis, Villagarcía de Campos) View source artwork.

The quarrel over Tepeyac · Part 1 · MEXICO CITY, September 8, 1556 AD

Archbishop backs the chapel outside the city; a friar calls it idolatry

The Archbishop of Mexico, Fray Alonso de Montúfar, preached on Sunday in support of the devotion at the chapel three miles outside this city, where the Blessed Virgin Mary appeared to St. Juan Diego Cuauhtlatoatzin twenty-five years ago. Today the Franciscan provincial, Fray Francisco de Bustamante, answered him from another pulpit and accused the archbishop of fostering idolatry. The archbishop is to take the evidence of witnesses on oath.