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column · THAGASTE, Numidia, 371 AD

Patricius is baptised at Thagaste and dies, his son's fees unpaid

A town councillor had spent past his means to keep one son at the schools of Carthage; the fees still to come fall to his widow and a rich neighbour.

A painted street scene of a low whitewashed house with a tiled roof and an open round-arched door, a cloak on a peg beside it and writing tablets, a pen, an inkpot and a closed wooden-boarded book on a bench under the window; through the doorway a flagged passage leads to a small courtyard with a water jar and a fig tree, and dry hills rise behind the roof. No person appears in it.
The house of a town councillor at Thagaste, in Roman North Africa, 371 AD. Wax tablets, a stylus, a reed pen and a wooden-boarded codex are set down on the bench by the door.
About this picture

AI-generated image, in the manner of buon fresco on lime plaster, from the paper's reference image based on The School of Tagaste (scene 1, north wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel of Sant'Agostino, San Gimignano) View source artwork.

— Patricius, one of the men of the town council at Thagaste, was baptised this year at the end of his life, and died. His son, Saint Augustine, is sixteen, and reached the schools at Carthage towards the end of last year to study rhetoric. There are years of that course still to be paid for.

Patricius was one of the curiales (the town councillors) of Thagaste, and the family was respectable rather than rich. The rank made a man answerable out of his own money for the town’s share of the emperor’s taxes: the council advanced that sum to the provincial governor and recovered what it could afterwards from the townsmen. As the sums grew, men looked for ways out of serving. The emperors fixed eighteen as the youngest age at which a man could be made to serve, and took the power to force any man with property enough into the rank. On top of that standing liability Patricius had taken on the training of a son for the bar. It cost him more than he had.

The boy had done well. He learned grammar at Thagaste and was sent on to the schools of Madaura, and his success there settled his father on Carthage and a career at the bar. The money was the difficulty. Fees went into the hand of the individual master, and a professor’s living was the sum of what his pupils brought him. Patricius spent several months collecting what a residence at Carthage would cost. So in 369 AD, between Madaura and Carthage, his son stayed at home with nothing to do, because the family could not yet afford to send him. Patricius did not have the money, and he raised it anyway. Men in Thagaste with more than he had spent less on their own sons. Part of the cost had been carried from the beginning by Romanianus, a rich man of the town and a friend of Patricius, who had been helping with the schooling since Thagaste and Madaura.

During those months at home Patricius saw his son at the public baths and realised the boy had grown up. He went home pleased and told his wife, Saint Monica, a Christian, that the boy was a man now, and he was already looking ahead to grandchildren. What he wanted out of the schools was a speaker. Whether the boy was growing towards God, and whether he was chaste, did not trouble him, so long as his son could speak well. He was warm with his friends and had a violent temper. Even so, in a town where wives showed one another in private the marks their husbands had left on their faces, the other women of Thagaste remarked that he had never once struck his wife.

Patricius had become a catechumen only a short time before — enrolled for instruction in the Church, not yet baptised. Baptism was routinely deferred, on the reasoning that sin committed after it was the graver sin. He was baptised this year, at the close of his life. St. Monica had borne his unfaithfulness for years without ever picking a quarrel over it, waiting for him to believe. After the baptism she had no more of it to bear. He died at Thagaste this year.

St. Augustine stayed at the schools at Carthage. From this year the fees are met out of St. Monica’s own means and by the help of Romanianus.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of buon fresco on lime plaster, from the paper's reference image based on The School of Tagaste (scene 1, north wall), from the Life of St Augustine (Benozzo Gozzoli, 1464-1465, apsidal chapel of Sant'Agostino, San Gimignano) — see the original.

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A fresco portrait of St. Monica, a haloed woman in a dark blue veil and habit, head bowed, set within a painted niche with a red scalloped shell canopy.
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St. Augustine talks about his mother, ten years after her death

Saint Augustine of Hippo talked with this paper at Hippo Regius about his mother, Saint Monica, who died at Ostia ten years ago. He is writing an account of his own life addressed to God, the Confessions, and her life is inside it; almost no one else has written a word about her. St. Augustine describes the wine St. Monica drank in secret as a girl, the violent husband she managed, the years she prayed for her son, and the day at Milan when St. Augustine came in from the garden and told her.

A fresco-style painting of a bare whitewashed room: an older woman in a dark widow's veil and mantle lies dead on a low wooden bed, her hands joined on her breast, while a man bends over her with one hand at her head and the other at his eyes, and behind him three others stand — a man in a red tunic, a boy held quiet by a hand on his shoulder, and a young man holding an open book — beside a shuttered window opening onto a garden and the harbour beyond.
About this picture

AI-generated image, in the manner of Italian quattrocento buon fresco, from the paper's reference portrait based on Death of St Monica (scene 13, south wall) (Benozzo Gozzoli (1420-1497), 1464-1465 AD, Sant'Agostino, San Gimignano, Italy) View source artwork.

Saint Monica died at Ostia on the ninth day of a fever, in a house her son's household had taken while they waited to sail home to Africa. She told her two sons to bury her where she fell and to remember her at the Lord's altar, giving up the grave she had prepared beside her husband at Tagaste. St. Augustine closed her eyes and did not weep until he had slept.

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