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Saints Mother of God · Feast of the Holy Rosary, October 7

Our Lady of the Rosary

Feast 7 October

The Blessed Virgin Mary said yes to an angel at Nazareth, stood at her Son's cross, prayed with his apostles for the Spirit, and was taken up body and soul into heavenly glory.

Begin the life
Caravaggio's Madonna of the Rosary: under a great red curtain Our Lady, seated with the Child standing on her knee, points as St. Dominic in black and white hands rosaries down to kneeling poor men who reach up; St. Peter Martyr at the right, a donor in a ruff at the left.
Madonna of the Rosary, Caravaggio, 1605-1607

In brief

Our Lady of the Rosary, also called the Queen of the Most Holy Rosary, is the Blessed Virgin Mary as she is honoured in the Rosary. In that prayer the Hail Mary is said in tens, with the Lord's Prayer at each ten, while the one praying recalls the joyful, luminous, sorrowful and glorious mysteries of her Son's life and hers. Pope Paul VI wrote in Marialis Cultus that the Rosary asks for a quiet, lingering pace, so that the one praying meditates on the mysteries of the Lord's life through the eyes of the woman who was closest to him. Her feast on October 7 keeps the day Pope Saint Pius V set aside in thanks to Our Lady of Victory after a Christian fleet defeated the Turkish fleet off Lepanto in 1571 AD.

  1. The Joyful Mysteries · Annunciation and Visitation

    An angel at Nazareth

    Our Lady asks the angel how she can bear a son, gives her consent and hurries to her relative in the hill country.

    Fra Angelico's painting of St. Gabriel the Archangel in rose and gold bowing under a loggia before Our Lady, who sits in blue with a book on her knee and her hands crossed.
    The Annunciation, Fra Angelico, 1430–1432 AD Fra Angelico, Museo del Prado, Madrid
    “Behold, I am the handmaid of the Lord; let it be to me according to your word.”
    Our Lady of the Rosary to the angel Gabriel, her consent at the Annunciation, in Nazareth
  2. The Joyful Mysteries · Nativity, Presentation and Finding in the Temple

    A manger, a prophecy and a lost boy

    Our Lady gives birth in Bethlehem, hears of a sword in the Temple, and searches three days for her twelve-year-old Son.

    Giotto's Nativity: Our Lady lies on a rock under a wooden shelter and lays the swaddled Child in the manger, where an ox and an ass look on; St. Joseph sits asleep below, angels hover above the roof, and two shepherds with their flock stand at the right.
    The Nativity (Scenes from the Life of Christ, no. 17), Giotto, 1304–1306 AD Giotto, Scrovegni Chapel, Padua

    Saint Joseph went up to Bethlehem to be enrolled, because he was of the house of David, and Our Lady, who was with child, went with him. She gave birth to her Son there and laid him in a manger, and shepherds came at an angel's word. At the time of her purification she and St. Joseph presented him in the Temple, where Saint Simeon, a devout man promised by the Holy Spirit that he would see the Lord's Christ before he died, told her a sword would pierce her heart.

    When he was twelve, she and St. Joseph lost him on the road home from Jerusalem, and after three days of searching they found him in the Temple. When she asked him why he had treated them so, he answered that he had to be in his Father's house, and they did not understand what he meant. Pope Saint John Paul II wrote that the memories she kept in her heart were, in a way, the rosary she prayed throughout her earthly life.

    “Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.”
    Our Lady of the Rosary to the twelve-year-old Jesus, on finding him in the Temple after three days' search
  3. The Luminous Mysteries · Baptism in the Jordan and the Wedding at Cana

    The wine runs out at Cana

    Our Lady's Son is baptised in the Jordan, and at a wedding she tells him the wine is gone.

    Giotto's painting of the wedding at Cana, with Christ blessing at the left of the table, Our Lady in blue speaking to the steward as he tastes wine, and servants filling great jars at the right.
    The Marriage at Cana (Scenes from the Life of Christ, no. 24), Giotto, 1304–1306 AD Giotto, Scrovegni Chapel, Padua
    “Do whatever he tells you.”
    Our Lady of the Rosary to the servants, at the wedding at Cana
  4. The Luminous Mysteries · Proclamation of the Kingdom, Transfiguration and Institution of the Eucharist

    Hearing her Son preach

    Our Lady hears her Son preach in Galilee, and he is transfigured on a mountain and gives the apostles the Eucharist.

    Juan de Juanes's Last Supper: Christ at the centre of a long white table raises the Host, a chalice before him, the twelve apostles with their names on their haloes around him; Judas sits at the right with his back turned.
    The Last Supper, Juan de Juanes, c. 1562 AD Juan de Juanes, Museo del Prado, Madrid
  5. The Sorrowful Mysteries · Agony in the Garden, Scourging and Crowning with Thorns

    The night of the arrest

    Our Lady's Son prays in anguish, is betrayed and condemned, and is scourged and crowned with thorns.

    Mantegna's Agony in the Garden: Christ kneels on a rock praying toward five small angels on a cloud who hold the instruments of the Passion; three apostles sleep below, and Judas leads soldiers along a road from a walled city.
    The Agony in the Garden, Andrea Mantegna, c. from 1455 AD until 1456 AD Andrea Mantegna, National Gallery, London

    Her Son was scourged, and the soldiers crowned him with thorns, dressed him in purple and mocked him as a king. Pope Leo XIII wrote that in the scourging and the crowning with thorns, those who pray the Rosary also reflect on his Mother's grief.

  6. The Sorrowful Mysteries · Carrying of the Cross and Crucifixion

    Standing by the cross

    Our Lady stands at Golgotha while her Son dies, and he gives her the beloved disciple as her son.

    Rogier van der Weyden's painting of Christ on the cross, with Our Lady in blue and white embracing its foot and St. John in red supporting her.
    Crucifixion Triptych (central panel), Rogier van der Weyden, c. 1445 AD Rogier van der Weyden, Kunsthistorisches Museum, Vienna

    Jesus went out carrying his own cross to Golgotha, and Simon of Cyrene, a man coming in from the country, was made to carry it for him. By the cross stood Our Lady, her sister, Mary the wife of Clopas, and Saint Mary Magdalene. Pope Pius XII wrote that St. Simeon's sword pierced her heart as she stood under the cross.

    From the cross Jesus entrusted his mother to Saint John the Apostle, the disciple he loved, and gave St. John to her as her son. The Catechism teaches that even at the foot of the Cross she held without wavering to the consent she had given the angel at the Annunciation. Jesus said that it was finished, bowed his head and gave up his spirit.

    “Woman, behold your son.”
    Jesus to Our Lady, from the cross
  7. The Glorious Mysteries · Resurrection, Ascension and Descent of the Holy Spirit

    Waiting in the upper room

    Our Lady's Son rises and ascends, and she prays with the apostles in the upper room before the Spirit comes at Pentecost.

    El Greco's painting of Our Lady at the centre in blue and rose, hands joined, looking up with the apostles as the dove descends and tongues of flame rest on every head.
    The Pentecost, El Greco, c. 1600 AD El Greco, Museo del Prado, Madrid

    At dawn on the first day of the week, an angel told St. Mary Magdalene and the other Mary at the tomb that Jesus had risen. Pope St. John Paul II wrote that on Easter morning Our Lady's gaze was radiant with the joy of the Resurrection. For forty days the risen Lord appeared to the apostles, and then a cloud took him from their sight.

  8. The Glorious Mysteries · Assumption and Coronation

    Taken up body and soul

    At the end of her earthly life Our Lady is taken up into heavenly glory and exalted as Queen.

    Titian's painting of Our Lady in red and blue rising on a cloud among cherubs toward God the Father, with the apostles reaching up below.
    The Assumption of the Virgin, Titian, 1516–1518 AD Titian, Basilica di Santa Maria Gloriosa dei Frari, Venice

Pray with the Church

Collect of the Mass of the Most Holy Rosary

The Collect of the Mass of the feast of the Most Holy Rosary, in the English printed in Dom Prosper Guéranger's The Liturgical Year, vol. 14 (1910 AD).

O God, whose only-begotten Son, by his life, death, and resurrection, procured for us the rewards of eternal salvation;grant, we beseech thee, that commemorating these mysteries in the most holy rosary of the blessed Virgin Mary,we may imitate what they contain, and possess what they promise.

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