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writings · NEW YORK, September 29, 1804 AD

St. Elizabeth Ann Seton likens her soul to a bird in a net

Offered passage back to Italy by the merchant who sheltered her there, the widowed mother of five knelt to ask her duty, then wrote that she could not answer yet.

An engraving-style drawing of a young widow in a black gown, short black cape and white cap, kneeling in profile at a plain wooden chair in a narrow room, hands folded over an opened letter, with a window on the left and a door ajar on the right.
St. Elizabeth Ann Seton kneeling in her closet in New York with Antonio Filicchi's letter open on the chair beside her, September 1804 AD.
About this picture

AI-generated image, in the manner of an early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Portrait of Elizabeth Ann Seton (Amabilia Filicchi, after the Ceroni engraving of c. 1868 after Saint-Memin's engraving of 1797, Daughters of Charity / National Shrine of St. Elizabeth Ann Seton, Emmitsburg) View source artwork.

— On the afternoon of September 27, 1804 AD, at her house in New York, Saint Elizabeth Ann Seton sent her five children out to play. Then she went into her little closet, a small private room, and knelt to work out what she ought to do. A letter had just come from Antonio Filicchi, the Italian merchant who had brought her home from the port of Leghorn, offering to send her and the children back to Italy. St. Elizabeth Ann Seton wrote back to Antonio that day. She thanked him and said she could not give an answer yet.

St. Elizabeth Ann Seton was thirty, and nine months a widow. Her husband, William Magee Seton, a New York merchant, had died in Italy at the end of December. She spent the winter at Leghorn with Antonio’s family, whose firm had done business with the Setons for a generation. She reached New York in June with five children, no fortune, and a high opinion of the Catholic faith she had seen in Italy.

Since then two men had been pulling her in opposite directions. Her pastor, the Rev. John Henry Hobart of the Episcopal Church, wanted her to stay in the church she had been raised in. Hobart had made St. Elizabeth Ann Seton promise to read a set of books arguing against Catholic teaching, under his guidance, before she took any further step. Antonio wanted her in the Catholic Church. He had sent her questions to Bishop John Carroll of Baltimore, and the bishop’s answer had reached her through Antonio in August. But she could not yet take the first step. On September 19 she had written to Antonio that to be received she would have to declare she believed everything the Council of Trent taught, and that if she said it now, God would know she was lying. Becoming a Catholic would also cost her. Most of her friends and relatives were already turning away from her over it, and in the New York society she moved in, becoming a “Papist” meant moral and social disgrace.

Early in September Hobart came to see her. He was so out of patience that St. Elizabeth Ann Seton did not show him Bishop Carroll’s letter. She wrote that the visit was short and painful for both of them.

In the two hours since Antonio’s letter of September 20 arrived, she had read it “over many times.” She described the afternoon to Antonio in her reply: “This afternoon, after dismissing the children to play, I went to my knees in my little closet, to consider what I should do and how my sacred duty would direct.”

On her knees she weighed two courses. The first was to go back to Hobart’s books. She wrote that she could not face those books again, because they held “all the black accusations” against the Catholic Church. The second was to go over the Catholic books again, but she already knew every page. That left prayer. She wrote to Antonio that her mind seemed to go on praying through her short sleeps, and that her eyes were “really almost blind with incessant tears.” She wrote that the children had noticed: “My children say, ‘Poor mamma,’ continually, and really are better than they were, that they may not add to my sorrow.”

Then she came to Antonio’s offer. He had proposed sending her and the children back to Italy so that she might find again the peace of soul and mind she had lost. St. Elizabeth Ann Seton wrote that she could say neither yes nor no: “To answer you fully now would not be proper in any way, especially as you see my poor soul is still more unsettled and perplexed from day to day, not from any failure in its prayers or entreaties to God, which are rather redoubled than neglected, but, like a bird struggling in a net, it cannot escape its fears and tremblings.”

Two days later, on September 29, the feast of St. Michael the Archangel, she added to the same letter: “This day has been a feast-day to the children and a holiday from school, that I might give the greatest portion of the hours to God.” She spent part of the day telling the children about the angels and about St. Michael driving Lucifer out of heaven. After prayers the children always stayed on their knees until she had blessed each of them with the sign of the cross.

Her husband, William, used to call out Antonio’s name. St. Elizabeth Ann Seton wrote in the same letter: “I could cry out now as my poor Seton used to do, Antonio, Antonio, Antonio; but call back the thought, and my soul cries out, Jesus, Jesus, Jesus.”

Antonio had told her not to neglect the lives of the saints, and she wrote back that what little time she had for reading went to them. In one of them she read that St. Augustine had spent a long time wavering between error and truth. St. Elizabeth Ann Seton wrote down what she said to herself when she read it: “Be patient, God will bring you home at last.”

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of an early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Portrait of Elizabeth Ann Seton (Amabilia Filicchi, after the Ceroni engraving of c. 1868 after Saint-Memin's engraving of 1797, Daughters of Charity / National Shrine of St. Elizabeth Ann Seton, Emmitsburg) — see the original.

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More on this saint

A sepia engraving of a plain church interior with white box pews and tall clear windows, where a young widow in a black cape and white cap sits alone in a side pew with a book in her hands, her face in profile turned toward the window, while the rest of the congregation faces a distant table.
About this picture

AI-generated image, in the manner of early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Portrait of Elizabeth Ann Seton (Amabilia Filicchi, after the Ceroni engraving of c. 1868 after Saint-Memin's engraving of 1797; Daughters of Charity / National Shrine of St. Elizabeth Ann Seton, Emmitsburg) View source artwork.

In a letter to her friend Amabilia Filicchi at Leghorn, Saint Elizabeth Ann Seton described sitting in a side pew of her Episcopal church in New York, turned toward the Catholic church in the next street. In the same letter she answered her pastor's argument against the Catholic belief that God is present in the consecrated host. Her relatives' support depended on her staying an Episcopalian.

A sepia engraving of a woman in a black gown, short black cape and white ruffled cap sitting in profile at a plain writing table with a quill, an inkstand and an open book, in a whitewashed farmhouse room where another woman in the same dress waits by the door and a girl reads at the window.
About this picture

AI-generated image, in the manner of early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Mother Seton (J. Penniman, nineteenth century, Library of Congress, Prints and Photographs Division) View source artwork.

profile · EMMITSBURG, Maryland, September 5, 1811 AD

St. Elizabeth Ann Seton lets the Archbishop decide if she may lead

St. Elizabeth Ann Seton wrote to Archbishop John Carroll in Baltimore this week, asking him to decide whether she may belong to the community of sisters she founded at Emmitsburg, Maryland, and whether she may go on leading it. The rule the sisters are about to take up, framed in France for St. Vincent de Paul's Daughters of Charity, requires a widow to have settled her children's affairs before she enters; St. Elizabeth Ann Seton is guardian of five. She sent the community's constitutions down with her letter and did not press her own claim.

Also in the edition of Tuesday, 29 September 2026

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