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Saints Umbria, 1381–1457 AD

Saint Rita of Cascia

Feast 22 May · Born 1381 AD, Roccaporena, a hamlet about five kilometres from Cascia, diocese of Spoleto, Umbria, Italy · Died 1457 AD, her cell in the monastery of Saint Mary Magdalene, Cascia, Umbria, Italy

She forgave the men who killed her husband, was turned away three times from the monastery at Cascia, and carried a wound on her forehead for the last fifteen years of her life.

Begin the life
A nun in a dark habit and white veil, haloed, stands holding a small scourge in one raised hand and a book in the other, a red mark visible on her forehead beneath the veil's edge.
Portrait of St. Rita, detail from the painted sarcophagus (cassa solenne) that held her body, Sanctuary of Cascia, Unknown Umbrian painter, 1457, 1457

In brief

  1. 1381–1393 AD

    A daughter born late at Roccaporena

    An only child of elderly parents whose work in the valley was making peace.

    About her eleventh year she made an oratory of a small room in her father's house and lived in it a full year. She hung its walls with pictures of the Passion and gave the poor children nearby the food her fasting spared. When she asked leave to enter the Augustinian convent at Cascia, her parents wept and begged their only child not to leave them, and she gave way.

  2. 1397–1406 AD

    Wife at the Mulinaccio

    Married into the Ghibelline faction of a valley that settled its quarrels by blood.

  3. 1406–1407 AD

    The feud takes her husband; her sons die

    An ambush outside Roccaporena, a hidden shirt, and two boys set on revenge.

  4. 1407 AD

    Three refusals at the monastery door

    The house of Saint Mary Magdalene turned the widow away until the families made peace.

  5. 1407–1442 AD

    Forty years enclosed

    Penance, night prayer, and a grille where the town brought its sick.

    A nun in a dark habit and white veil, haloed, holds a small scourge in one raised hand and a book in the other, with a red mark on her forehead.
    Portrait of St. Rita, detail from the painted sarcophagus (cassa solenne) that held her body, Sanctuary of Cascia, Unknown Umbrian painter, 1457 AD, 1457 AD Unknown Umbrian painter, 1457 AD, Monastery and Sanctuary of Santa Rita, Cascia, Umbria (photographic reproduction uploaded by Roscini Claudio, 2014 AD)

    A woman of Cascia asked her prayers for a sick daughter and found the girl well on returning home. People came from distant parts to visit her at the monastery. When Cascia divided in 1426 AD over the Bernardine tablet and the quarrel turned to crimes, the shrine holds that she worked to restore peace.

  6. 1442–1450 AD

    The thorn

    A wound on her forehead that closed once, for a journey, and then opened again.

    St. Rita heard the Franciscan Saint James of the Marches preach at Cascia on the crown of thorns. Before the crucifix in the old oratory she begged to feel one of those thorns, and a thorn wounded her forehead. The wound festered and stank, and she withdrew from her sisters so as not to trouble them.

    “you bore the thorn for XV years”
    The epitaph at her tomb, 1457 AD
  7. 1453–1457 AD

    A rose in January

    Four years in bed, a flower found in the snow, and a death in the night.

    She asked afterwards for two figs from the same garden, and the woman found them and carried them to Cascia. She asked pardon of her sisters and received the last sacraments. She died in her cell in the night between May 21 and 22, 1457 AD, in her seventy-sixth year.

  8. 1457–1900 AD

    The body at Cascia

    Cures at the coffin within days, a town that would not bury her, and a canonization four centuries later.

    Angels carry a slight nun in a black habit and white wimple upward, her hands crossed.
    The Translation of Saint Rita of Cascia, Nicolas Poussin (1594-1665 AD), mid-1630s Nicolas Poussin (1594-1665 AD), Dulwich Picture Gallery, London (Google Art Project)
    “he chose to imprint upon her the seal of his charity and his passion”
    Pope Leo XIII, May 24, 1900 AD

Pray with the Church

The Collect of the Mass of Saint Rita of Cascia

The Collect of her Mass on May 22, granted with her canonization in 1900 AD and carried in the Roman Missal.

O God, Who didst vouchsafe to confer on St. Rita so great grace that she loved her enemies and bore in her heart and on her brow the stigmata of Thy love and Passion,grant us, we beseech Thee, by her intercession and merits, so to spare our enemies and to meditate on the pains of Thy Passionthat we may obtain the rewards promised to the meek and to them that mourn.

All 5 reports on Saint Rita of Cascia

A painting in an early Renaissance style shows a woman in a dark blue gown and black veil standing alone at the back of a small stone church, while townspeople kneel before a priest at the altar and nuns watch from behind an iron grille.
About this picture

AI-generated image, in the manner of Umbrian quattrocento tempera on panel, from the paper's reference portrait based on Portrait of St. Rita, detail from the painted sarcophagus (Unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia) View source artwork.

Saint Rita of Cascia, whose husband had been murdered and whose two sons had died, asked the Augustinian nuns at Cascia this year to admit her. They refused her three times, saying their house took virgins, not widows. Tradition holds that St. John the Baptist, St. Augustine and St. Nicholas of Tolentino brought her inside their locked monastery one night, and the nuns admitted her.

A painted portrait of a veiled woman with a halo of rays behind her head and a small mark on her forehead, holding a slender pointed object in one hand.
feature · ROCCAPORENA, Umbria, 1406 AD

St. Rita asks God to take her two sons before they kill

Saint Rita of Cascia's husband, Paolo Mancini, was ambushed and stabbed to death on the road outside Roccaporena this year, and their two sons set out to avenge him. St. Rita knows who killed him, has forgiven the men and will not name them, and that silence has turned her husband's family against her. Arguing with the two boys failed, so St. Rita asked God to change the hearts of Giangiacomo and Paolo Maria, or take them out of this life before they could kill.

A small tempera panel of a mountain hamlet: a plain stone parish church with an open round-arched door, through which a dark wooden crucifix hangs above a stone altar, houses with red tiled roofs and walled kitchen gardens around it, a high grey rock spur rising behind with a river and a pale earth road passing either side of its foot, and a walled hill town on the slope beyond.
About this picture

AI-generated, in the manner of Umbrian quattrocento tempera on gessoed panel, after the painted sarcophagus that held the body of St. Rita (unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia, Umbria) View source artwork.

Every year on the first Sunday of Lent the priest at Roccaporena names one man and one woman to settle the village's quarrels before they turn into killing. He has named Antonio Lotti and his wife, Amata Ferri, over and over. Their son-in-law, the husband of their daughter Saint Rita of Cascia, has been ambushed and killed on the path outside the village.

A nun in a dark habit and orange mantle, haloed, is carried upward on billowing clouds with arms raised, a walled hill town and mountains visible below.
event · CASCIA, Umbria, September 1833 AD

Blind girl sorting corn at Cascia calls out that she can see

A girl of Terni sent to board with the Augustinian nuns at Cascia after smallpox destroyed her sight called out in the courtyard this month that she could see. The nuns had dressed Elisabetta Bergamini in a black votive habit touched to the body of Saint Rita of Cascia, and had touched the girl's eyes with a small silver rod. The convent's doctor, who had said that only a miracle would give her back her sight, examined her afterwards and said the saint had worked one.

In a bare whitewashed vaulted room, two nuns in black habits settle a black veil on a young woman in the same habit while a third looks on; through an open stone doorway lie the roofs of a walled hill town and bare mountains.
About this picture

AI-generated image, in the manner of Umbrian quattrocento tempera on gessoed panel, from the paper's reference portrait based on Portrait of St. Rita, detail from the painted sarcophagus (cassa solenne) that held her body (unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia, Umbria). View source artwork.

St. Rita of Cascia, a widow of twenty-six from Roccaporena, has been clothed in the penitential habit of the Augustinian nuns of Saint Mary Magdalene at Cascia and admitted to the novitiate. The house had refused her three times, on the ground that it took virgins and not widows. Her husband was killed in the feuds of the valley about a year ago, and both her sons died within the year after him.