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event · ROCCAPORENA, Umbria, 1406 AD

Roccaporena names two peacemakers each Lent to stop the valley's killing

The commune's laws made private citizens responsible for keeping feuding families from massacre, and the couple named year after year here have just lost their son-in-law to an ambush.

A small tempera panel of a mountain hamlet: a plain stone parish church with an open round-arched door, through which a dark wooden crucifix hangs above a stone altar, houses with red tiled roofs and walled kitchen gardens around it, a high grey rock spur rising behind with a river and a pale earth road passing either side of its foot, and a walled hill town on the slope beyond.
The parish church at Roccaporena, where the commune's peacemakers were named each Lent, under the rock above the village, with the walled town of Cascia beyond; Umbria, 1397-1407 AD.
About this picture

AI-generated, in the manner of Umbrian quattrocento tempera on gessoed panel, after the painted sarcophagus that held the body of St. Rita (unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia, Umbria) View source artwork.

— On the first Sunday of Lent, in the parish church at Roccaporena, the priest names one man and one woman out of the congregation. For the next twelve months their work is to settle the village’s quarrels before the quarrels turn into killing. He has named the same two people over and over, Antonio Lotti and his wife, Amata Ferri. The feud they were appointed to head off has now reached their own family: their son-in-law, Paolo di Ferdinando di Mancino, was ambushed and killed on the path a short walk outside the village.

The office is not the priest’s invention. The statutes of the free commune of Cascia make named private citizens responsible for making peace between families at war with one another, or at least for stopping them from massacring one another. Cascia governs this valley from a walled hill town two and a half miles east. What Antonio and Amata work against is the valley’s own rule for a killing. The dead man’s family is owed a death in return, and it does not have to fall on the man who struck the blow: killing one of his relatives settles the account just as well.

Antonio and Amata go to a quarrel as soon as they hear of one and stay with it until the two sides are speaking again. The village treats their decisions as if God had made them. The valley calls the two of them the Peacemakers of Jesus Christ. They are not a noble family, only a comfortable one, and what standing they have here comes from the office. They are getting old, and they have one child, a daughter, Saint Rita of Cascia. St. Rita told Antonio and Amata that she wanted to enter religious life. The two of them wept and begged her not to leave them alone in their old age. St. Rita stayed.

Roccaporena is a few dozen houses on a patch of level ground at the bottom of a basin, with a mountain hanging over it. From the east there are only two ways in, narrow roads on either side of a sheer rock with the river at its foot. The sun comes up late here and goes down early. The village church has no font, so newborn children are carried the two and a half miles up to Cascia to be baptised. More than forty towns and villages of these mountains are governed from that walled town.

Under its consuls Cascia keeps a standing troop of soldiers, whose duty is to defend the town and, when the consuls judge it necessary, to attack. In the first years of the schism, with two men claiming the papacy at once, Cascia threw off the government of the Holy See. It has ruled itself since, at war without a break with Norcia, Leonessa, Monreale, Aquila and Cerreto. People were murdered and robbed in the town after the rebellion, houses were looted and burned, many families were ruined and the religious houses left wrecked. The war with Leonessa ran a full twelve months, and would have run longer if the Trinci of Foligno had not stepped in and got the two sides to make peace.

In 1397 AD Antonio and Amata found their daughter a husband: Paolo di Ferdinando di Mancino, a young man of the valley, already a man of arms. They wanted a man who would keep her near them, and children who would keep the family from dying out. The towns of Italy were split between two parties, the Guelphs and the Ghibellines, and Cascia had held with the Guelphs, the party of the Holy See, since 1260 AD. Paolo was a Ghibelline.

The family moved out of the village to the Mulinaccio, a property of Paolo’s with a larger house and a grain mill he could run himself. Around 1406 AD, on the path a short walk outside Roccaporena, he was ambushed and stabbed to death.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated, in the manner of Umbrian quattrocento tempera on gessoed panel, after the painted sarcophagus that held the body of St. Rita (unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia, Umbria) — see the original.

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In a bare whitewashed vaulted room, two nuns in black habits settle a black veil on a young woman in the same habit while a third looks on; through an open stone doorway lie the roofs of a walled hill town and bare mountains.
About this picture

AI-generated image, in the manner of Umbrian quattrocento tempera on gessoed panel, from the paper's reference portrait based on Portrait of St. Rita, detail from the painted sarcophagus (cassa solenne) that held her body (unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia, Umbria). View source artwork.

St. Rita of Cascia, a widow of twenty-six from Roccaporena, has been clothed in the penitential habit of the Augustinian nuns of Saint Mary Magdalene at Cascia and admitted to the novitiate. The house had refused her three times, on the ground that it took virgins and not widows. Her husband was killed in the feuds of the valley about a year ago, and both her sons died within the year after him.

A painting in an early Renaissance style shows a woman in a dark blue gown and black veil standing alone at the back of a small stone church, while townspeople kneel before a priest at the altar and nuns watch from behind an iron grille.
About this picture

AI-generated image, in the manner of Umbrian quattrocento tempera on panel, from the paper's reference portrait based on Portrait of St. Rita, detail from the painted sarcophagus (Unknown Umbrian painter, 1457, Monastery and Sanctuary of Santa Rita, Cascia) View source artwork.

Saint Rita of Cascia, whose husband had been murdered and whose two sons had died, asked the Augustinian nuns at Cascia this year to admit her. They refused her three times, saying their house took virgins, not widows. Tradition holds that St. John the Baptist, St. Augustine and St. Nicholas of Tolentino brought her inside their locked monastery one night, and the nuns admitted her.

Also in the edition of Friday, 18 September 2026

feature · ROCCAPORENA, Umbria, 1406 AD

St. Rita asks God to take her two sons before they kill

Saint Rita of Cascia's husband, Paolo Mancini, was ambushed and stabbed to death on the road outside Roccaporena this year, and their two sons set out to avenge him. St. Rita knows who killed him, has forgiven the men and will not name them, and that silence has turned her husband's family against her. Arguing with the two boys failed, so St. Rita asked God to change the hearts of Giangiacomo and Paolo Maria, or take them out of this life before they could kill.

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