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Saints Jesuit priest at Cartagena · 1580–1654 AD

Saint Peter Claver

Feast 9 September · Born 1580 AD, Verdú, diocese of Solsona, Catalonia, Spain · Died 1654 AD, Cartagena de Indias, New Granada (Colombia)

The Catalan Jesuit who met the slave ships at Cartagena de Indias with fruit, wine and the sacraments, and bound himself by vow to the people who came off them.

Begin the life
An engraving of St. Peter Claver, haloed and robed as a Jesuit priest with a crucifix at his breast, pouring water from a shell to baptize a kneeling African man with hands folded in prayer, set in a cave-like mission chapel where an altar with a crucifix and groups of enslaved Africans appear in the background.
Saint Peter Claver. Engraving by J. Vitta after P. Gagliardi, Giuseppe Vitta (engraver, active 1888) after Pietro Gagliardi (painter, 1809-1890); printed by Joseph Spellani, after 1888 AD; Rome — the canonisation image, made by order of Pope Leo XIII

In brief

Saint Peter Claver, also called Pedro Claver, was a Jesuit priest of the slave port of Cartagena de Indias. He landed there in 1610 AD and died in the city on September 8, 1654 AD. Pope Leo XIII canonized him on January 15, 1888 AD, and the Church keeps his memorial on September 9.

  1. Verdú and Barcelona, to 1602 AD

    A Catalan boy given to the Church

    His parents set him aside for the Church and sent him to Barcelona to study.

    “What we learn in our youth is never forgotten, and that which we sucked in with our mothers' milk will remain with us to our death”
    St. Peter Claver to companions of his own age, familiar conversation in his youth
  2. 1602–1608 AD

    The novice and the porter of Majorca

    He entered the Society at Tarragona and found a master at the college door in Majorca.

    “Ah, my dear Alphonso, what must I do to love Jesus Christ my God and Saviour with my whole heart? Do you teach me, you who are instructed in His own school: I feel that He inspires the desire to belong to Him alone, but I know not how to begin.”
    St. Peter Claver to Alphonso Rodriguez, in a transport of fervour, speaking
  3. 1608–1616 AD

    Seville to Cartagena, and orders in the port

    Leave for the Indies came before his theology was finished; he was ordained in the slave port itself.

  4. 1617–1622 AD

    He signs himself the slave of the enslaved

    Left in sole charge of the ministry, he took the four vows only after adding one of his own.

    Father Alonso de Sandoval was called to Lima in 1617 AD, and the whole ministry to the Africans landed at Cartagena fell to St. Peter Claver. Twelve to fourteen ships reached the port each year, each carrying between 300 and 600 captives in its hold.

    “Peter, for ever the slave of the negroes.”
    St. Peter Claver, signature on his vow of profession
  5. May 1627 AD

    Trinity Sunday, 1627 AD: a ship unloads

    He set down that day himself, in a letter the Church still reads on his feast.

    An engraving made after the canonization shows Saint Peter Claver in the Jesuit soutane baptising an African man.
    Saint Peter Claver. Engraving by J. Vitta after P. Gagliardi, Giuseppe Vitta (engraver, active 1888 AD) after Pietro Gagliardi (painter, 1809-1890 AD); printed by Joseph Spellani, after 1888 AD; Rome — the canonisation image, made by order of Pope Leo XIII Giuseppe Vitta (engraver, active 1888 AD) after Pietro Gagliardi (painter, 1809-1890 AD); printed by Joseph Spellani, Wellcome Collection, London (reference 6820i)

    On May 30, 1627 AD, the feast of the Most Holy Trinity, a large ship unloaded Africans at Cartagena. St. Peter Claver and his companion hurried down with two baskets of oranges, lemons and sweet biscuits. They laid aside their cloaks and built a platform to lift the sick off the wet ground.

    Two men were already cold, their pulse scarcely to be found. The priests gathered live coals with a tile, threw on aromatics, and drove the smoke over them with their own cloaks. Then they knelt beside the sick, bathed their faces with wine, and began an instruction on baptism.

    “This was how we spoke to them, not with words but with our hands and our actions. And in fact, convinced as they were that they had been brought here to be eaten, any other language would have proved utterly useless. Then we sat, or rather knelt, beside them and bathed their faces and bodies with wine. We made every effort to encourage them with friendly gestures and displayed in their presence the emotions which somehow naturally tend to hearten the sick.”
    St. Peter Claver, letter describing ministry to newly arrived enslaved Africans, May 1627
  6. The catechesis, 1616–1650 AD

    The interpreters, and a method his house forbade

    He taught through African interpreters and gave them the chairs; his own superior once stopped him.

    The canonization process names at least thirty-two interpreters who worked with St. Peter Claver, among them Andrés Sacabuche and Ignacio Aluanil of Angola. When he catechized he seated the interpreters on chairs and stood, or sat on the floor himself. A priest who found an enslaved interpreter in a chair moved to strike him out of it, and St. Peter Claver stopped him.

    A superior examined his teaching and forbade him his catechetical formulas and the images he used with them. The abstract method that replaced it failed, and the superior gave him full freedom to take up his own again.

    “It matters little whether we are thought learned or ignorant, but it matters much that we be humble and obedient.”
    St. Peter Claver to no one in particular, responding to being publicly called an ignoramus
  7. 1650–1654 AD

    Four years ill, and a death on Our Lady's feast

    He came back sick from the coast missions and never resumed the work.

    A colonial painting kept at Cartagena shows Saint Peter Claver gaunt and white-bearded in a threadbare black soutane, a crucifix at his breast.
    Portrait of St. Peter Claver, Museum of the Palace of the Inquisition, Cartagena de Indias, unknown; New Granadan colonial school, not recorded on the source page; the painting hangs at Cartagena and stands in the line of the portraits taken at his death in 1654 AD. Photographed December 23, 2019 AD unknown; New Granadan colonial school, Museo Palacio de la Inquisicion, Cartagena, Colombia (photograph by the Commons user Mill 1)

    St. Peter Claver came back to Cartagena ill from the missions of Tolú and Sinú in 1650 AD. His active ministry ended there, and he lived four more years in illness. La Civiltà Cattolica records that he spent those years in what Pope Francis called a frightful state of abandonment, neglected by the man set to care for him.

    Ill at Cartagena, he signed a letter on October 28, 1651 AD depositing Brother Alonso Rodríguez's manuscript at the novitiate of Tunja. He told Brother Nicholas Gonzales that he would die on a feast of Our Lady. He died in the small hours of September 8, 1654 AD, the feast of the Nativity of the Blessed Virgin Mary.

    “I am going to die; what do you desire of me in the next life?”
    St. Peter Claver to the brother sacristan, passing the sacristy days
  8. 1654–2017 AD

    The city's verdict, and Rome's

    Cartagena buried him with public honours; the Church took another two centuries to speak.

    The religious of St. John of God sang a solemn Mass for him hours after his death. The Augustinians followed at nine with the city magistrates and the governor and his staff. The corporation of Cartagena celebrated a magnificent service on September 14, 1654 AD, and the governor repeated the honours the next day at his own expense.

Pray with the Church

Collect of the Memorial of Saint Peter Claver, September 9

The Collect of the memorial in the Church's liturgy, printed with the Office of Readings and Mass of September 9.

O God, who made Saint Peter Claver a slave of slavesand strengthened him with wonderful charity and patienceas he came to their help,grant, through his intercession,that, seeking the things of Jesus Christ,we may love our neighbor in deeds and in truth.Through our Lord Jesus Christ, your Son,who lives and reigns with you in the unity of the Holy Spirit,God, for ever and ever.

All 7 reports on Saint Peter Claver

A painting of two Jesuits in black cassocks standing by a half-open wooden door. An old, balding lay brother with keys hanging at his side places a small worn book into the hands of a younger bearded man in a black cloak, who looks down at it.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish oil painting, from the paper's reference portrait based on Saint Peter Claver. Engraving by J. Vitta after P. Gagliardi (Giuseppe Vitta after Pietro Gagliardi, after 1888 AD, Wellcome Collection, London) View source artwork.

When Saint Peter Claver left the Jesuit college on Majorca in 1608 AD, its old porter, Saint Alonso Rodríguez, gave him a small handwritten book on the virtues of religious life. St. Peter Claver kept it through his years among the enslaved Africans of Cartagena de Indias. In his last illness in 1651 AD, he sent it to the Jesuit novices at Tunja and asked its readers to pray for him.

An ink-and-wash drawing of a container terminal on a wide bay: gantry cranes stand along the quay above a moored container ship, rows of stacked shipping containers fill the left of the sheet, and the empty concrete apron runs out towards the water, with no people anywhere in the scene.
About this picture

AI-generated image, an ink-and-wash drawing of the container terminal on the bay of Cartagena. No person appears in it.

event · CARTAGENA DE INDIAS, Colombia, September 10, 2017 AD

Pope Francis says Mass in the port where the slave ships landed

Pope Francis celebrated the closing Mass of his six-day journey to Colombia at the Port of Contecar, the working container terminal on the bay of Cartagena de Indias, and preached there on Saint Peter Claver. Between 1580 and 1640 AD this was the chief slave port of Spanish America, and St. Peter Claver went down to the ships to baptise the people landed from them. The Pope asked Colombians to take a first step towards those who had harmed them, and ended by telling them to be 'slaves of peace, forever'.

A dark oil painting of a low, damp, whitewashed church packed with African men, women and children holding lighted torches, standing in groups behind men with staffs; a priest preaches from a timber pulpit at the left beside a choir at a lectern, an empty bier under a black cloth stands on the floor, and Spanish officials in black sit on benches at the right.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish colonial oil painting on canvas, from the paper's reference portrait based on Portrait of St. Peter Claver, Museum of the Palace of the Inquisition, Cartagena de Indias (unknown, New Granadan colonial school, date not recorded; photographed 23 December 2019, Museo Palacio de la Inquisicion, Cartagena, Colombia) View source artwork.

event · CARTAGENA DE INDIAS, New Granada, September 1654 AD

The enslaved of Cartagena hold their own funeral for St. Peter Claver

The enslaved people of Cartagena held a funeral service of their own for St. Peter Claver this week, days after his death, and invited the governor of the city, the Spanish nobility and the officers of the fleet to sit in it. They stood by nation, each group under its own chief, with a lighted torch in every hand, while a choir sang the Mass and the treasurer of the church of Popayán preached. St. Peter Claver had spent forty-four years at the slave wharves of this port, working through interpreters he paid for with alms begged door to door.

A dark oil painting of a bearded Jesuit priest in a black soutane with a small crucifix at his breast, eyes cast down, kneeling on a plank platform in a crowded harbour warehouse and fanning smoke from a heap of coals over two gravely ill men, his cloak laid across them, with a second older priest tending another sick man on the right, a crowd of African men, women and children behind, and baskets of fruit, a wine flask, a water jar and a basin on the ground in front.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish colonial oil painting on canvas, from the paper's reference portrait based on Saint Peter Claver. Engraving by J. Vitta after P. Gagliardi (Giuseppe Vitta, engraver, active 1888, after Pietro Gagliardi, painter, 1809-1890; printed by Joseph Spellani, after 1888 AD, Wellcome Collection, London, reference 6820i). View source artwork.

The Church keeps the memorial of St. Peter Claver today, and the reading appointed for it is his own letter of May 31, 1627 AD. In it he describes carrying two baskets of fruit down to a slave ship newly landed at Cartagena de Indias, and warming two dying men with coals and smoke. The prayer said over the day calls him a slave of slaves.

In a bare limewashed room lit by one candle, a very old white-bearded priest in a black soutane lies dying on a low bed while four Jesuits kneel and pray at his side and a crowd of Spanish and African townspeople, some weeping, some holding beads, presses through the open doorway behind them.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish colonial oil painting on canvas, from the paper's reference portrait based on Portrait of St. Peter Claver, Museum of the Palace of the Inquisition, Cartagena de Indias (unknown artist, New Granadan colonial school; date not recorded on the source page, photographed 23 December 2019, Museo Palacio de la Inquisicion, Cartagena, Colombia) View source artwork.

event · CARTAGENA DE INDIAS, September 8, 1654 AD

St. Peter Claver dies before dawn at Cartagena, on Our Lady's feast

Saint Peter Claver died in his room at the Jesuit college between one and two o'clock this morning, after forty-four years meeting the slave ships that came into Cartagena de Indias. Months ago he told a fellow Jesuit that he would die on a feast of Our Lady; today is the feast of the Nativity of the Blessed Virgin Mary. Word that he was dying spread through the city yesterday, and the crowd forced the college door while he was still alive.

A painting of a small whitewashed church with an open door on a hot square in a walled port city, a file of soldiers with halberds and a long body of black-robed clergy and religious approaching it from the left, a crowd of townspeople and African men, women and children waiting at the door with rosaries and candles, and the masts of ships rising beyond the roofs.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish colonial oil painting on canvas, from the paper's reference portrait based on Portrait of St. Peter Claver, Museum of the Palace of the Inquisition, Cartagena de Indias (unknown; New Granadan colonial school, date not recorded on the source page; photographed 23 December 2019, Museo Palacio de la Inquisicion, Cartagena, Colombia) View source artwork.

place · CARTAGENA DE INDIAS, New Granada, September 8, 1654 AD

Cartagena will bury Saint Peter Claver tomorrow at the city's charge

Saint Peter Claver, the Jesuit priest who spent forty-four years among the enslaved Africans landed at this port, died in the small hours of this morning. By eight the Augustinians had crossed the town to the Jesuit college with their own bells tolling, and the governor asked the city magistrates to bear the cost of the burial. Townspeople pressed in all day to kiss the body and pull at it for relics, until the soldiers sent to guard it could not get through the crowd.

An oil painting of a colonial harbour under a heavy grey sky: a plank wharf with a hand-cart, coils of rope, water jars and two baskets of oranges and lemons in the foreground, a large wooden merchant ship made fast at the right with a boarding plank down, more ships anchored across the bay, and the ochre wall, tiled roofs and small white church of a walled Spanish port behind.
About this picture

AI-generated image, in the manner of a seventeenth-century Spanish colonial oil painting on canvas, from the paper's reference portrait based on Saint Peter Claver. Engraving by J. Vitta after P. Gagliardi (Giuseppe Vitta, engraver, active 1888, after Pietro Gagliardi, painter, 1809-1890; printed by Joseph Spellani, after 1888 AD, Wellcome Collection, London, reference 6820i) View source artwork.

place · CARTAGENA DE INDIAS, New Granada, September, in the 1630s AD

Bought for four crowns in Africa, sold for two hundred at Cartagena

Cartagena de Indias is the principal slave port of Spanish America, and this month the war fleets are gathering in its bay to wait on the silver ships from Peru. People bought on the coasts of Guinea and Angola for about four crowns a head are sold here for two hundred and sometimes more. Saint Peter Claver, a Jesuit priest of the town, meets the ships at the wharf with interpreters he pays for out of alms he begs door to door.