Search
A fresco panel showing St. Clare of Assisi standing in a niche beneath a Gothic arch, wearing a brown habit with a white wimple and a gold halo, holding a stem of white lilies in her left hand.
Santa Chiara d'Assisi — single-figure detail of the fresco of St Clare and St Elizabeth of Hungary, Simone Martini (ca. 1284-1344), 1322-1326 AD

In brief

  1. Before 1212 AD

    The knight's daughter

    A rich child who sent the food out of the house, and refused the marriage her family arranged.

    Having no prayer-beads, she counted her Our Fathers on a heap of pebbles. Under her soft and costly clothes she wore a little hair shirt. When her family pressed a noble marriage on her, she refused and commended her virginity to God.

  2. March 1212 AD

    The palm, and the walled-up door

    The bishop came down the sanctuary steps to her, and that night she broke a way out of her father's house.

    A tall gold-ground panel painting of St. Clare standing barefoot and full length in a long grey habit, with small scenes from her life ranged down both sides.
    Santa Chiara e otto storie della sua vita (St Clare and eight scenes from her life), Maestro di Santa Chiara, 1283 AD (painted in the pontificate of Martin IV, 1281-1285 AD, per the inscription at the base) Maestro di Santa Chiara, Basilica di Santa Chiara, Assisi (left transept, right wall; originally on the pergola of the high altar). Photograph by Sailko, April 1, 2012 AD.
  3. Spring 1212 AD

    Her kinsmen come for her

    The family fought for both daughters, at the altar of San Paolo and on the slope below Panzo.

    Sixteen days later her younger sister, St. Agnes of Assisi, came to join her. The next day twelve of the family's men hauled St. Agnes down the slope by her hair. St. Clare prayed, and several men together could not carry the girl across a little brook.

    “I give thanks to God, most sweet sister, that He hath hearkened to my solicitude concerning thee.”
    St. Clare of Assisi, 1212 AD
  4. 1212–1215 AD

    San Damiano

    She sold the inheritance, took in the women who came, and accepted the office of abbess only under pressure.

    A fresco of St. Clare standing in a niche beneath a Gothic arch, in a brown habit and white wimple with a gold halo, holding a stem of white lilies.
    Santa Chiara d'Assisi — single-figure detail of the fresco of St Clare and St Elizabeth of Hungary, Simone Martini (ca. 1284-1344 AD), 1322-1326 AD Simone Martini (ca. 1284-1344 AD), Cappella di San Martino, Lower Basilica of San Francesco, Assisi. Reproduction from The Yorck Project, 10.000 Meisterwerke der Malerei (2002 AD).
  5. 1228–1230 AD

    She will not be released

    A pope offered to lift her vow, then wrote her the charter no one had asked for before.

    Two years later the same pope barred the friars from her monastery without his leave. St. Clare sent back the questing brothers who fetched the sisters' food as well. Pope Gregory IX at once mitigated the prohibition.

    “Holy Father, never do I wish to be released in anywise from following Christ forever.”
    St. Clare of Assisi, 1228 AD
  6. 1234–1238 AD

    Letters to Prague

    A king's daughter in Bohemia was under the same pressure, and St. Clare wrote to her about it.

    Pope Gregory IX conceded an endowed hospital and all its revenues to the Prague house. St. Clare told her to stand by the vocation she had begun, whoever advised otherwise. In 1238 AD the pope granted the Prague sisters their own privilege of poverty.

    “Indeed, if someone tells you something else or suggests anything to you that may hinder your perfection and that seems contrary to your divine vocation, even though you must respect him, still, do not follow his advice”
    St. Clare of Assisi, 1235–1238 AD
  7. The imperial wars in Umbria

    Soldiers at the door

    Troops of the Emperor Frederick II got into the cloister, and St. Clare, who was ill, was carried out to meet them.

    A painting of St. Clare kneeling low and small at the monastery threshold with the Blessed Sacrament, her sisters gathered behind her, as soldiers on ladders above turn away.
    Santa Chiara che mette in fuga i saraceni (St Clare puts the Saracens to flight), Cosimo Gamberucci, ca. 1605 AD Cosimo Gamberucci, Chiesa di Ognissanti, Florence (cappella maggiore). Photograph by Sailko, August 30, 2017 AD.
    “From this city, dearest daughters, we have daily received many benefits: it would be most ungrateful if we were not to aid it so far as we can in the time of its need.”
    St. Clare of Assisi, 1241 AD
  8. 1252–1253 AD

    The last Christmas, and the last days

    Alone in her sickbed she heard the office two kilometres off; a pope confirmed her Rule two days before she died.

    A small gold-ground panel painting of St. Clare shown to the waist in a grey-brown habit, her head turned slightly, in a dark veil over a white wimple.
    Saint Clare, Lippo Memmi (Filippo di Memmo), Italian, Sienese, active by 1317 AD, died 1356 AD, ca. 1330 AD Lippo Memmi (Filippo di Memmo), Italian, Sienese, active by 1317 AD, died 1356 AD, The Metropolitan Museum of Art, New York; Gift of Irma N. Straus, 1964 AD (acc. 64.189.4). Tempera on wood, gold ground; painted surface 39.4 x 19.1 cm. A pinnacle of the altarpiece painted ca. 1325-1330 AD for San Francesco, San Gimignano.
    “Go forth without fear. For thou hast a good guide for thy journey. Go forth, for He who created thee hath sanctified thee and, protecting thee always, loveth thee with a love as tender as that of a mother for her son. Blessed be Thou, Lord, who hast created me.”
    St. Clare of Assisi, August 11, 1253 AD

Pray with the Church

The prayer of St. Clare at the door of San Damiano

Her own words, prayed before the Blessed Sacrament at the door of the monastery when imperial troops broke into the cloister, recorded in the Life of Saint Clare written at the command of Pope Alexander IV after her canonization, its author having had recourse to the community of the virgins of Christ who lived with her.

Doth it please Thee, my Lord, to deliver Thy defenceless handmaids, whom I have nourished with Thy love, into the hands of the pagans?Defend, O Lord, I beseech Thee, these Thy servants whom I in this hour am unable to defend.

All 10 reports on Saint Clare of Assisi

A painted standing figure of St. Clare of Assisi in a brown habit and dark veil, with a gold halo and a white lily in her left hand, framed by a pointed Gothic arch against a blue ground.
place · SAN DAMIANO, below Assisi, October 4, 1226 AD

St. Clare's sisters kiss St. Francis's wounded hands at their choir window

The morning after Saint Francis died at the Porziuncola, the people and clergy of Assisi carried his body up toward the town and stopped at San Damiano, where Saint Clare and her sisters live enclosed. The friars held him at the small window between the church and the sisters' choir, keeping a promise he had sent St. Clare in his last week. The sisters wept and kissed his wounded hands before the procession went on to the church of St. George.

A painting in an early Italian manner of a small stone church. Three barefoot, tonsured friars in grey-brown habits walk towards an open door carrying sacks and a clay jar, while two veiled women watch from behind an iron grille in the wall.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar, from the paper's reference portrait based on Santa Chiara d'Assisi — single-figure detail of the fresco of St Clare and St Elizabeth of Hungary (Simone Martini, 1322-1326 AD, Cappella di San Martino, Lower Basilica of San Francesco, Assisi) View source artwork.

place · SAN DAMIANO, Assisi, this week, 1230 AD

St. Clare gives up her sisters' bread, and Pope Gregory IX backs down

Pope Gregory IX ruled this week that no friar could visit the convents of the Poor Clares without his permission, so St. Clare's sisters at San Damiano lost the friars' preaching. St. Clare sent every friar away, including the lay brothers who begged the bread the enclosed sisters lived on. The Pope eased his ban and left the matter to the head of the friars' order.

A sepia drawing of a clerk's hand in a dark wool sleeve writing on a wide parchment sheet covered in dense medieval script. A braided cord runs from the foot of the sheet to a round seal hanging over the table edge, and a small oil lamp burns beside a knife near a window.
About this picture

AI-generated image, in the manner of a pencil-and-wash drawing on toned paper.

Pope Alexander IV has told the bishops of France, in a letter dated today at Anagni, that Saint Clare of Assisi is enrolled among the saints. As Cardinal Rainaldo he had been the cardinal responsible for her sisters and had promised at her sickbed to defend their life without property. The letter orders her feast kept on August 12 and lets pilgrims to her tomb off a year and forty days of penance.

An ink and wash drawing of a narrow shaft cut down through the stone floor in front of a church's high altar, with a ladder in the opening, lifted pavement slabs chalked with numbers, buckets, a coil of rope, a pick and a crowbar around its mouth, and a single lit oil lamp on the kerb; no person appears in it.
About this picture

AI-generated image, in the manner of a nineteenth-century reportage drawing in brush and ink with grey and umber wash.

place · ASSISI, Umbria, September 23, 1850 AD

Assisi digs under its own high altar and finds St. Clare's coffin

Men digging under the high altar of the church of Santa Chiara in Assisi reached the coffin of St. Clare of Assisi today, after six hundred years in which no one in the town could say where she lay. The town had taken her body from her sisters in 1253 AD and buried her out of reach beneath the church it raised in her honour. The coffin was lifted out and opened: the clothing and the flesh had crumbled to dust, and the skeleton was whole.

A painted panel of a bare stone room: a veiled woman in a coarse grey-brown habit holds an opened sheet of parchment with a round lead seal hanging from a cord, a sister leans in to read it with her, six more barefoot sisters stand in a row against the wall, an oil lamp burns on a bracket beneath a plain wooden cross, and a booted courier in a russet tunic waits in the doorway.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar over a burnished, tooled gold ground, from the paper's reference portrait based on Santa Chiara d'Assisi — single-figure detail of the fresco of St Clare and St Elizabeth of Hungary (Simone Martini, 1322-1326 AD, Cappella di San Martino, Lower Basilica of San Francesco, Assisi) View source artwork.

writings · PERUGIA, Umbria, September 17, 1228 AD

Pope bars anyone from forcing property on St. Clare's sisters

A letter from Pope Gregory IX, issued at Perugia this week, grants Saint Clare of Assisi and her sisters one thing: that no one may compel them to receive possessions. The sisters have owned nothing since 1212 AD, living on bread and oil that lay brothers collect for them, and in the spring the Pope came down to San Damiano to offer them property and was refused.

A panel painting of a thin, veiled woman in a coarse grey-brown habit sitting on a low bed in a bare stone cell, written leaves on a board across her knees, an oil lamp burning on a stool beside her, and two barefoot sisters standing at the foot of the bed, one bending to take a leaf from her.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar over a burnished, tooled gold ground, from the paper's reference portrait based on Saint Clare (Lippo Memmi, ca. 1330 AD, The Metropolitan Museum of Art, New York) View source artwork.

event · PERUGIA, September 16, 1252 AD

Cardinal approves the rule St. Clare wrote for her own sisters

Cardinal Rainaldo dei Conti di Segni, Bishop of Ostia and protector of the order, approved at Perugia today the rule of life Saint Clare of Assisi wrote for her own community at San Damiano. It is the first rule in the history of the Church that a woman wrote and submitted for a pope's approval. Rome has wanted these communities of women endowed with land to live on; the rule she wrote lets her sisters own nothing at all.

A painted panel of a bare convent room with the front wall taken away: a veiled woman in a grey-brown habit lies on a low straw bed at the left, while a bearded man in a red mantle, holding a small covered silver vessel, stoops towards her and speaks to a row of barefoot veiled sisters standing against the far wall.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar over a burnished, tooled gold ground, from the paper's reference portrait based on Saint Clare (Lippo Memmi, ca. 1330 AD, The Metropolitan Museum of Art, New York, acc. 64.189.4) View source artwork.

column · SAN DAMIANO, near Assisi, September 8, 1252 AD

St. Clare, dying, asks a cardinal for the right to own nothing

Cardinal Rainaldo dei Conti di Segni, protector of the Poor Ladies, rode from Perugia to San Damiano today on word that Saint Clare of Assisi had grown worse. The cardinal gave her Communion and preached to the sisters. Then, above everything else, St. Clare asked him to have the Pope and the cardinals confirm the paper that forbids anyone to force property on her house, and he promised he would.

A gold-ground panel painting: a veiled woman kneels low at the open door of a small stone convent, steadying a small lidded vessel on the threshold, with sisters crowded in the dark doorway behind her, while armed men climb down a ladder and file away along the top of the enclosure wall.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar over a burnished, tooled gold ground, from the paper's reference portrait based on Santa Chiara d'Assisi — single-figure detail of the fresco of St Clare and St Elizabeth of Hungary (Simone Martini, 1322-1326 AD, Cappella di San Martino, Lower Basilica of San Francesco, Assisi) View source artwork.

feature · SAN DAMIANO, Assisi, September 1240 AD

Soldiers scale the convent wall; St. Clare is carried to the door

A party of imperial soldiers and Saracen archers got over the wall into the enclosure at San Damiano, the convent below Assisi where Saint Clare of Assisi has lived since she came there as a girl of eighteen. Ill in bed at forty-six, she had herself carried to the door, with the Blessed Sacrament going ahead of her in a silver casket enclosed in ivory. The men turned and went back down the wall they had climbed.

A medieval Italian painting of a barefoot friar in a patched grey-brown tunic and knotted rope girdle sitting on straw inside a low round hut of reeds in a walled garden, with two tonsured companions on the grass beside him, one of them writing on a sheet of parchment, a small stone church and an Umbrian hill town behind, and brown birds standing on the ground nearby.
About this picture

AI-generated image, in the manner of buon fresco of the Assisi cycle, from the paper's reference portrait based on Legend of St. Francis, scene 19: Stigmatization of St. Francis (Giotto di Bondone, 1297–1300 AD, Upper Church, Basilica of San Francesco, Assisi) View source artwork.

writings · SAN DAMIANO, below Assisi, September 1225 AD

Blind at San Damiano, St. Francis makes the Praises of the Creatures

Saint Francis of Assisi has composed the Praises of the Creatures, the poem now called the Canticle of the Sun, in a hut of reeds in the monastery garden at San Damiano below Assisi. He is almost completely blind from a disease of the eyes and has been at San Damiano since the end of July. The poem praises God through brother sun, sister moon, brother wind, sister water, brother fire and our sister mother earth, and he has taught his companions to sing it.

A gold-ground panel painting of a small stone church with a tiled roof and a single bell in its bell-cote, standing among olive terraces below a walled hill town, with four barefoot women in plain grey-brown habits and veils standing before its open door, where an oil lamp burns.
About this picture

AI-generated image, in the manner of an Umbrian panel painting in egg tempera on poplar over a burnished, tooled gold ground, from the paper's reference portrait based on Santa Chiara e otto storie della sua vita (Maestro di Santa Chiara, 1283 AD, Basilica di Santa Chiara, Assisi; photograph by Sailko, CC BY-SA 3.0) View source artwork.

profile · SAN DAMIANO, below the walls of Assisi, 1212 AD

St. Clare of Assisi, eighteen, moves into San Damiano below Assisi

Saint Clare of Assisi, the eighteen-year-old daughter of an Assisi knight, has moved into the low dwelling beside the church of San Damiano, a quarter of a mile below the town walls. She left her father's house in secret in Holy Week, was received by St. Francis of Assisi and his friars at the Porziuncola, and has been moved twice since while somewhere permanent was found. She is living at San Damiano with her younger sister St. Agnes of Assisi and a few other women, on what they earn with their hands.