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Who decided · MEXICO, New Spain, September 24, 1556 AD

Nine men, fourteen questions — then six words ended it

The Archbishop of Mexico put nine men on oath over a sermon against the chapel at Tepeyac, and then stopped his own case.

An oil painting of a dark carved Spanish table in a whitewashed room: a thick handwritten volume lies open on a red cloth, its left leaf covered in close brown ink and its right leaf blank but for one short line in a larger, hastier hand; quills, an inkwell, a sand caster, a stick of red sealing wax, a stack of folios and a leather-bound book lie about it, an empty leather chair stands behind, and through a shuttered window beyond are a lake, a plain, a bare hill and a small white chapel at its foot. No person appears in it.
The last page of the Archbishop of Mexico's sworn enquiry into the sermon against the chapel at Tepeyac. The order to stop it was added on the facing page in a second hand, in the archbishop's house at Mexico City, 1556 AD.
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AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) View source artwork.

— The chapel at Tepeyac used to be in the care of the Franciscan friars. Then the Archbishop of Mexico, Fray Alonso de Montúfar, took it away from them. That is what set him against Fray Francisco de Bustamante, who is in charge of all the Franciscans in New Spain.

Montúfar holds the chapel now, and the money people leave there. He wants people to go on honouring the Blessed Virgin Mary at Tepeyac. Bustamante says that money would do more good in this city’s hospitals, and among its poor, than on journeys out to Tepeyac.

The chapel stands on the flat ground below the hill of Tepeyac, up the causeway north of this city. That is where the Blessed Virgin Mary appeared to St. Juan Diego Cuauhtlatoatzin in December 1531 AD. She asked that a church be built for her there. A chapel has stood on the spot since the year after that.

On September 6 Montúfar preached in this city in support of the chapel. He took as his text “Blessed are the eyes that see what you see”. Two days later Bustamante preached back at him, from a pulpit in the Franciscan convent here. The viceroy, Don Luis de Velasco, and the leading men of the city sat listening.

He told them the whole devotion had been begun with nothing behind it. The picture at the chapel, he said, had been painted by a native painter named Marcos. He said nobody knew where the money taken to the chapel was going. He let the people listening think the archbishop was spending it wrongly. All this walking out to Tepeyac, he said, was hurting the native people badly.

People who had heard him carried written complaints to the archbishop the same day. The next day Montúfar ordered an enquiry, to find out from sworn witnesses what Bustamante had really said. Fourteen questions were written out. Nine men came in and swore to tell the truth. They answered all fourteen questions in turn, and signed what they had said.

The archbishop writes it himself

Then, today, Montúfar stopped the whole thing, in his own handwriting. Six words: “Suspéndase y la parte es muerto” (Let it be suspended, and the party is dead).

Bustamante was the man all fourteen questions were about. He was alive, and still in charge of the Franciscans of New Spain. Montúfar never said who he meant. He never said why he was stopping a case he had ordered himself. The viceroy has had to step into the argument between the two men. Nobody has punished the archbishop for anything Bustamante said about him.

While the two churchmen argued over the chapel and the money left in it, people went on walking out to it. They have done so almost every year since the Blessed Virgin Mary appeared there. St. Juan Diego served at that chapel to the end of his life, and he is buried inside it.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

Junior Report. Written for readers ten to twelve, from the same sources and under the same rules as the rest of the paper. The words are shorter, hard terms are explained, and the question at the end is for the reader to think over.

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Image. AI-generated image, in the manner of New Spanish colonial baroque oil painting, from the paper's reference portrait based on The Virgin of Guadalupe with the Four Apparitions (Nicolas Enriquez, 1773, The Metropolitan Museum of Art, New York) — see the original.

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