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event · NEW YORK, October 2, 1803 AD

St. Elizabeth Ann Seton leaves a one-year-old baby and sails for Italy

Her husband was ill with tuberculosis and ruined in business, three more children stayed in New York, and everyone told her the voyage was close to madness.

A sepia engraving of a woman in a pale gown, shawl and bonnet standing at a ship's rail with a small girl and a man in a dark tailcoat and round hat, all seen from behind, looking across the water to a green shore where a line of small figures wave in front of brick houses and a church steeple.
St. Elizabeth Ann Seton stands at the rail of the brig Shepherdess with her husband, William Magee Seton, and their daughter Anna Maria. The ship is passing the Battery in New York harbour, 1803 AD.
About this picture

AI-generated image, in the manner of early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Elizabeth Ann Bayley Seton (Charles Balthazar Julien Fevret de Saint-Memin, 1797, National Gallery of Art, Washington) View source artwork.

— The American brig Shepherdess sailed out of New York harbour on October 2, bound for Leghorn, the Tuscan port the Italians call Livorno. The brig carried William Magee Seton, a New York merchant ill with tuberculosis, and his wife, Saint Elizabeth Ann Seton, 29. With them was Anna Maria, eight, the eldest of their five children. The other four children, two boys of six and five, a girl of three and a baby just past her first birthday, stayed in the city with an aunt.

William Seton’s doctors had advised a sea voyage. He had known the mild air of Pisa sixteen years earlier and hoped it would repair his health. Four days before sailing, St. Elizabeth Ann Seton wrote to her friend Eliza Sadler that “all say it is presumption, and next to madness, to undertake our voyage; but you know we reason differently.” She went on: “We will, dear Eliza, rest upon Him our only strength.”

Since 1798 AD William Seton’s business had been failing, and in 1800 AD further losses at sea ruined him. As a young man he had worked at Leghorn in the firm of the Filicchi brothers, merchants and bankers who traded with his father. The brothers had long known him and thought well of him, and that is why the Setons were sailing to Leghorn.

In September the Setons emptied their house in State Street, which stood just behind the Battery, the green on the waterfront. St. Elizabeth Ann Seton wrote later: “I took delight in packing all the valuables to be sold, and felt joy in saying adieu to each article that was to be mine no more.” She was an Episcopalian, and her pastor was the Rev. John Henry Hobart of Trinity Church. St. Elizabeth Ann Seton sent her writing desk and her piano to Hobart’s house and asked him to watch over her two sons.

The four younger children went to her sister-in-law Rebecca Seton, who was 22 and her closest friend. “My heart trembles within me and I can only say, take my darlings often in your arms,” St. Elizabeth Ann Seton wrote to Eliza Sadler in the same letter. She added that “it seems to me now like my last hour with all that I love.”

On October 2 the Shepherdess left the harbour past the Battery, with William Seton’s brother Henry, a naval officer, on board for the first day. Relatives and friends waved from the green, in front of the house the Setons had emptied. “Our William felt the passing the Battery so much that I scarcely could wave my handkerchief,” St. Elizabeth Ann Seton wrote to Rebecca Seton. Of Hobart’s house she wrote: “My friend and brother’s deserted dwelling started my first tear—the study windows were all I could see.”

She wrote the letter at twelve o’clock that day, with the brig off the lighthouse at the mouth of the bay. By then her husband was calm again and felt better than he had on shore. Rebecca Seton had been ill when they left, and St. Elizabeth Ann Seton told her: “Your being sick is the greatest care I leave behind me.” She also wrote that a child on board, about eighteen months old, made her miss her own baby. Then St. Elizabeth Ann Seton wrote: “I neither look behind nor before — only up, — there is my rest, and I want nothing.”

At ten o’clock on October 3 Henry Seton left the brig and took the letter ashore. Before he went, St. Elizabeth Ann Seton added a line: “A storm threatens, but I fear not with Him.” She sent “kisses to my little ones.”

On October 28, with the Shepherdess past the Azores and halfway to Leghorn, St. Elizabeth Ann Seton wrote home again. Her husband was getting better every day, and she and Anna Maria were well. Of the weeks at sea St. Elizabeth Ann Seton wrote: “Not one struggle nor desponding thought to contend with — confiding hope and consoling peace has attended my way through storms and dangers that must have terrified a soul whose rock is not Christ.”

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Elizabeth Ann Bayley Seton (Charles Balthazar Julien Fevret de Saint-Memin, 1797, National Gallery of Art, Washington) — see the original.

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More on this saint

A sepia engraving of a plain church interior with white box pews and tall clear windows, where a young widow in a black cape and white cap sits alone in a side pew with a book in her hands, her face in profile turned toward the window, while the rest of the congregation faces a distant table.
About this picture

AI-generated image, in the manner of early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Portrait of Elizabeth Ann Seton (Amabilia Filicchi, after the Ceroni engraving of c. 1868 after Saint-Memin's engraving of 1797; Daughters of Charity / National Shrine of St. Elizabeth Ann Seton, Emmitsburg) View source artwork.

In a letter to her friend Amabilia Filicchi at Leghorn, Saint Elizabeth Ann Seton described sitting in a side pew of her Episcopal church in New York, turned toward the Catholic church in the next street. In the same letter she answered her pastor's argument against the Catholic belief that God is present in the consecrated host. Her relatives' support depended on her staying an Episcopalian.

An engraving-style drawing of a young widow in a black gown, short black cape and white cap, kneeling in profile at a plain wooden chair in a narrow room, hands folded over an opened letter, with a window on the left and a door ajar on the right.
About this picture

AI-generated image, in the manner of an early nineteenth-century American stipple and line engraving, from the paper's reference portrait based on Portrait of Elizabeth Ann Seton (Amabilia Filicchi, after the Ceroni engraving of c. 1868 after Saint-Memin's engraving of 1797, Daughters of Charity / National Shrine of St. Elizabeth Ann Seton, Emmitsburg) View source artwork.

writings · NEW YORK, September 29, 1804 AD

St. Elizabeth Ann Seton likens her soul to a bird in a net

In late September 1804 AD, Saint Elizabeth Ann Seton, a New York widow with five children, knelt in her closet to decide between the Episcopal church she was raised in and the Catholic Church. In a letter to Antonio Filicchi, an Italian merchant who wanted her to become a Catholic, she wrote that her soul was "like a bird struggling in a net." Two days later, on the feast of St. Michael the Archangel, she gave the children a holiday so she could spend the day in prayer.

Also in the edition of Friday, 2 October 2026