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profile · LIMA, Peru, about 1590 AD

Saint Martin de Porres, ten, confirmed as his father sails for Panama

Don Juan de Porres, given the government of Panama, had his ten-year-old son confirmed and left money with the boy's mother before taking ship.

A dark-skinned boy of about ten in a coarse white shirt, dark breeches and a sash stands barefoot in an adobe doorway holding an empty marketing basket, his mother in a headcloth and shawl behind him with a hand on his shoulder, a small wooden crucifix on the whitewashed wall of the room beyond.
St. Martin de Porres, aged about ten, with his mother Ana Velázquez at the door of the house on the street called Malambo, Lima, c. 1590 AD.
About this picture

AI-generated image, in the manner of a seventeenth-century viceregal Lima oil painting on canvas, from the paper's reference portrait based on Retrato de San Martín de Porres (Anonymous, Lima school, 17th century, Monasterio de Santa Rosa de las Monjas, Lima) View source artwork.

— Saint Martin de Porres was confirmed at ten years old and left in Lima in his mother’s keeping. His father, don Juan de Porres, had been given the government of Panama and had to take ship for it. Before he sailed, don Juan arranged what he could for the boy: the sacrament, money in his mother’s hands to feed him and keep him at school, and the trade of barber once the schooling was done.

The father is a gentleman of Burgos and a knight of the Order of Alcántara. The mother, Ana Velázquez, is a freed woman born in Panama. The house she is raising her two children in is not her own: doña Francisca Vélez Miquel has taken the three of them into hers, on the street called Malambo.

St. Martin de Porres was born in Lima on December 9, 1579 AD, in a small house next door to the big house that stands opposite the church of the Espíritu Santo (the Holy Spirit). Children born in that street belonged to the parish of San Sebastián, and he was baptised there. The register of San Sebastián has the entry: “Wednesday, 9 December 1579, I baptised Martin, of a father not known, and of Ana Velazquez, free. The godparents were Juan de Huesca and Ana de Escurcena; Antonio Polanco signed it.”

Later don Juan had business in the city of St. James of Guayaquil. He took both children north with him, the boy and his sister Juana, and had them schooled there. With the master his father chose, St. Martin de Porres learned to read and write in a short time. In that city Captain Diego de Miranda, his father’s uncle, saw don Juan with the two children and asked who the mulatto children with him were. Don Juan answered him: “They are my children, and Ana Velazquez’s, and therefore I must support them and give them the education that belongs to them.”

Then he brought the boy back down the coast to Lima.

Confirmation perfects the grace of baptism and gives the Holy Spirit; in the Latin Church a child receives it once he has come to the age of reason, and the bishop is its ordinary minister. Don Juan had it done for his son before he sailed. The archbishop of Lima, St. Toribio Alfonso Mogrovejo, had been travelling the roads of his diocese for years, baptising and confirming nearly half a million people as he crossed it. On one of those journeys he confirmed St. Martin de Porres.

Then don Juan left the city for the coast. The road out of Lima runs nine miles to Callao, the harbour the city had grown up on. He took ship there for Panama, up the coast to the north, and the government waiting for him.

Ana Velázquez was left with the charge the boy’s father had given her: keep him at school, and when the schooling was finished put him to a trade. St. Martin de Porres stayed with her in the house on Malambo. She sent him out each day to buy the day’s food, and he gave part of it away to poor children.

When the schooling was done, Ana Velázquez and doña Francisca between them found the boy a master.

The university was closed to him: his parents had never married, and his mother was a freed woman of colour. The law gave the university’s degrees only to the direct and legitimate descendants of Spaniards, and it kept mulattos — the children of a Spanish and an African parent, as he was — off the university benches altogether.

The barber’s trade was open, and it was a skilled one. Four guilds practised the art of healing in Peru — physicians, surgeons, apothecaries, and the barbers or bloodletters — and the barbers came last of the four. The city had already found it necessary to regulate them: an ordinance of 1559 AD forbade a barber to treat the sick without first producing his credentials, because patients were being endangered.

The master they found was a bloodletter as well as a barber. He taught St. Martin de Porres both trades: to shave and cut hair, to open a vein, and to treat wounds, ulcers and abscesses with the remedies of that time.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of a seventeenth-century viceregal Lima oil painting on canvas, from the paper's reference portrait based on Retrato de San Martín de Porres (Anonymous, Lima school, 17th century, Monasterio de Santa Rosa de las Monjas, Lima) — see the original.

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More on this saint

A half-length portrait of a mixed-race Dominican lay brother in a white habit and black rosary, with short dark hair and a calm, direct gaze against a dark background.
place · LIMA, Viceroyalty of Peru, 1634 AD

St. Martin de Porres walks down to the flooding Rímac at Lima

The Rímac has broken through the wall built to hold it along Lima's northern edge and ruined much of the church of las Cabezas, a short distance from the bank. The water came out on San Lázaro, the quarter of lepers, slaves and free black families where St. Martin de Porres was born and raised. He is the barber-surgeon of the Dominican convent of the Rosary across the river, and according to longstanding Catholic Tradition he went down to the water and it returned to its bed.

A dark seventeenth-century painted interior: a large handwritten register lies open on a heavy wooden table beside a quill, inkwell and burning candle, with a plain wooden crucifix on the whitewashed wall, carved choir stalls in shadow and a twig broom leaning at the right.
About this picture

AI-generated image, in the manner of a seventeenth-century viceregal Lima oil painting on canvas, from the paper's reference portrait based on Retrato de San Martín de Porres (Anonymous, Lima school, 17th century, Monasterio de Santa Rosa de las Monjas, Lima) View source artwork.

The Dominican friars of Peru, meeting in their provincial chapter, have voted a formal entry in praise of Saint Martin de Porres, a lay member of the convent of Our Lady of the Rosary at Lima who died there two years ago. The entry goes into the acts of the province, the book that carries its law and its permanent record. No church inquiry into his life and miracles has been opened.

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