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event · PERPIGNAN, Roussillon, September 19, 1415 AD

St. Vincent Ferrer brings the emperor to Perpignan after a month's argument

The emperor had stopped at Narbonne and would send no word to the claimant; St. Vincent Ferrer, once that claimant's confessor, spent a month arguing him on.

A walled town gate through which a long mounted column rides, led by a rider in crimson on a grey horse under a black double-headed eagle banner, with mitred bishops, armoured knights and pack animals behind him and townspeople pressed back against the houses; at the left, on the steps of a convent doorway, a small tonsured friar in a white habit and black cloak stands holding a closed book, two friars behind him.
The Emperor Sigismund rides into Perpignan, in Roussillon, on September 19, 1415 AD. The prelates and doctors of the Council of Constance ride in behind him. St. Vincent Ferrer watches from the convent door, after a month spent arguing the emperor into the journey.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on a scene from the life of St. Vincent Ferrer (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) View source artwork.

— The Emperor Sigismund rode into Perpignan today expecting the meeting to succeed, and he came because Saint Vincent Ferrer spent a month riding between Perpignan and Narbonne to argue him into the journey. The friar wants what the emperor wants: the resignation of Benedict XIII. He is asking it of the man who gave him his doctorate and called him to Avignon.

Two men have claimed the papacy since 1378 AD, and since the assembly at Pisa in 1409 AD there have been three. The Council of Constance is Sigismund’s doing: he compelled John XXIII to open it in November 1414 AD, and it demanded the abdication of the other two claimants. The council has since deposed John XXIII and accepted Gregory XII’s abdication. That leaves Pedro de Luna, who reigns as Benedict XIII and will not resign. Sigismund wants a prompt, sincere and unreserved resignation out of him.

What Benedict XIII still has, and the council does not, is the obedience of Aragon. Pisa’s sentence did not shift him, and Scotland, Aragon, Castile and Sicily went on recognising him. A council’s deposition changes nothing on the ground until a king orders his subjects to stop treating the man as pope. Charles VI of France did that in 1398 AD. He forbade French subjects to submit to the claimant at Avignon, and sent them to their own bishops for the dispensations they had been asking of Avignon. King Ferdinand of Aragon, whom St. Vincent Ferrer helped put on the throne three years ago, can do the same.

The king sent him in his own place. Ferdinand wrote to St. Vincent Ferrer on May 18 to say that a meeting with the emperor was being arranged and that he wanted the friar at it. The king’s letter ran: “We beg you and affectionately charge you in the Lord to go there, for the happy success of this business, so important, for which the mediation of the devout faithful and above all your prayers and your counsels are so necessary.” Then Ferdinand fell dangerously ill at Valencia and asked him to go to Perpignan instead, and to press Benedict XIII to resign.

St. Vincent Ferrer had been in Pedro de Luna’s service since long before there was a Benedict XIII. He was a young friar when Cardinal de Luna took him into his household, and the cardinal gave him his doctorate in theology. As Benedict XIII he called the friar to Avignon and made him his confessor. He offered him bishoprics and a cardinal’s hat, and St. Vincent Ferrer refused them. Three years ago St. Vincent Ferrer was still heading his letters to him: “To our most holy Lord, Benedict XIII, Pope, Brother Vincent Ferrer, Preacher, a useless servant in regard to both preaching and actions, places himself at the feet of His Holiness.”

At Constance’s sixteenth session on July 11 the emperor undertook to go into Spain and settle matters with the king of Aragon and Pedro de Luna. St. Vincent Ferrer moved faster. He left Saragossa on July 17, crossed Catalonia, and was welcomed into Perpignan towards the end of August. He began pressing Benedict XIII at once to resign.

Benedict XIII did not yield to him. This month at Perpignan he argued back, seated on his throne with the tiara on his head, hour after hour, tireless at over eighty. His answer to the demand for his resignation was that without him no one could make a pope at all. “You tell me that I am a doubtful pope,” Benedict XIII said. “Perhaps — but before being pope I was a cardinal, and a sure and certain cardinal of the Holy Church of God, that was before the schism. I am even the sole survivor of the cardinals from before the schism… Since I am the only authentic cardinal, I am the only one who can make an authentic pope, and no legitimate pope can ever be named without me.”

Sigismund had left Constance on August 5 in great state, a crowd of churchmen and diplomats behind him, and got as far as Narbonne. There he stopped, and would come no further and send Benedict XIII no word. St. Vincent Ferrer put his case to him in the Gothic cloister and the chapter room of the cathedral of Saint-Just, and it took him a month. A man who was in Narbonne through those weeks gave this account of the friar: “The apostle put into this affair all his zeal and all his strength. He went back and forth from Narbonne to Perpignan and from Perpignan to Narbonne. I was in this latter city and I heard two speeches delivered by him. There was a crowd of archbishops, bishops, masters of theology and doctors whose main occupation was to attend these sermons.”

Today the emperor came, and the town filled with him. The counts of Armagnac, Foix, Savoy, Lorraine and Provence rode in, France, Castile and England sent lavish embassies, and Constance sent an army of prelates and doctors. Benedict XIII was lodged with the Carmelites, the emperor with the Franciscans, St. Vincent Ferrer with the Dominicans.

The next day the emperor called on Benedict XIII, who received him kindly and gave him the kiss of peace.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on a scene from the life of St. Vincent Ferrer (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) — see the original.

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A panel painting of a hall with three cloth-covered trestle tables set on three sides of a square, nine seated men in religious and civic dress turned towards a thin, tonsured friar in a white habit and black cloak who stands at the left with his right index finger raised and a sealed parchment in his left hand; two mitres lie on a cushion on a side table and a clerk writes at the right.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on Szene aus dem Leben des Hl. Vinzenz Ferrer (GG 6695) (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) View source artwork.

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A crowded city square in a painting of the fifteenth century: a bareheaded man in a crimson and gold gown stands on a cloth-hung timber platform with a boy in blue beside him, mitred bishops and furred nobles ranged around them, a herald with a lowered trumpet and a notary writing at a trestle table below, and banners of red and yellow bars carried above a packed crowd of townspeople under stone arcades and balconies.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on Saint Vincent Ferrer, central panel of the Griffoni Polyptych from San Petronio, Bologna (Francesco del Cossa, painted c. 1472–1475 AD, The National Gallery, London, NG597) View source artwork.

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