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place · LISBON, Portugal, this month, 1210 AD

At fifteen, Saint Anthony of Padua leaves home for the canons

St. Anthony walked out of his parents' house in Lisbon this month, gave up his inheritance, and asked more than once before the canons would take him.

A painted scene in which a slight, dark-haired boy in a plain belted wool tunic and hose stands on a stony road outside a small stone church, a cloth bundle in one hand and a closed clasped book under his arm, while two older canons in white tunics and black cloaks wait in the round-arched doorway and the walled city with its open gate rises behind him.
St. Anthony of Padua arrives at the convent of St. Vincent outside the walls of Lisbon, Portugal, in 1210 AD. He was fifteen, and still known by his baptismal name, Ferdinand.
About this picture

AI-generated image, in the manner of a Trecento buon fresco, from the paper's reference portrait based on St Anthony of Padua, from the fragments of a double-sided dossal from San Francesco al Prato, Perugia (Master of Saint Francis, c. 1272 AD, Galleria Nazionale dell'Umbria, Perugia) View source artwork.

— A boy of fifteen walked out of his father’s house in Lisbon this month, through a gate of the old city wall, and asked the Canons Regular of St. Augustine at St. Vincent’s to take him in. They took him, and it cost him his place in the family and every claim he had on what the family owned.

The boy is Saint Anthony of Padua, still known by his baptismal name, Ferdinand. He was born in this city in 1195 AD and baptised in its cathedral, and his parents are nobles whose house stands a short walk from it. From about the age of ten he was taught at the cathedral school of St. Mary, a few streets from that house.

The canons at St. Vincent’s were known for their discipline and their strict observance, and that is what drew him out to them. He had decided that the world and its pleasures would not last, and that he wanted a religious life. He acted on the Gospel counsel that a man must “hate father and mother” to take service with Christ. He told his parents what he meant to do before he left.

The walk was short. St. Vincent’s stood about a kilometre out from the cathedral, on the far side of the wall, and the house took its name from where it was: São Vicente de Fora (St. Vincent outside).

It had stood there sixty-three years. Lisbon was under siege in 1147 AD when King Afonso Henriques promised that he would build a monastery for St. Vincent of Saragossa if the city fell to him, a saint the city’s Mozarabic Christians already kept. The city fell, and he built it. The first canons came down from the mother house of the order, Holy Cross at Coimbra.

The men St. Anthony was walking toward belonged to that same order, the Canons of the Holy Cross, and their life was hard. They kept the rule of St. Augustine and, with it, the statutes of St. Ruf. That meant frequent fasting, long offices sung in choir and unbroken mental prayer, with heads and eyes kept down. A man who broke the rule of choir was punished severely.

He went up to the door and presented himself to the superior. The canons warned every man they admitted what he was asking for. The house was poor and uncomfortable, and nobody was excused any part of the discipline or given an easier version of it. He asked to be received, and asked again, and kept pressing them, and then they gave him the habit. The superior judged that he was genuinely called, and the rest of the canons agreed to take him.

Then his relatives and his friends came out after him. They could not bear to see him in a canon’s habit, and they tried to talk him back into the world. He was fifteen years old, and he stayed.

The house he walked into is gone. It was pulled down and built again after 1580 AD, under the union of the Portuguese and Spanish crowns, and what stands on the ground now is that later house: the offices of the Patriarch of Lisbon and a royal burial place.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of a Trecento buon fresco, from the paper's reference portrait based on St Anthony of Padua, from the fragments of a double-sided dossal from San Francesco al Prato, Perugia (Master of Saint Francis, c. 1272 AD, Galleria Nazionale dell'Umbria, Perugia) — see the original.

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More on this saint

A young tonsured priest in a white tunic and black hooded cape stands at a wooden choir stall in a pale stone Romanesque church, a closed clasped manuscript beside his hand, four older canons at the stalls around him and an open book on a lectern behind.
About this picture

AI-generated image, in the manner of a Trecento buon fresco, from the paper's reference portrait based on St Anthony of Padua, from the fragments of a double-sided dossal from San Francesco al Prato, Perugia (Master of Saint Francis (Maestro di San Francesco); photograph by Sailko, 2020, c. 1272 AD, Galleria Nazionale dell'Umbria, Perugia) View source artwork.

St. Anthony of Padua, still known by his baptismal name Ferdinand, has been ordained a priest about this year, at twenty-three. He is a canon of the monastery of the Holy Cross at Coimbra, a community of priests living under the rule of St. Augustine, and he is not a Franciscan. The authorities differ on the year: one critical life reasons to about 1218 from his age, while other authors put the ordination four years later, in Italy.

A fresco-style painting of a chapter room with a stone vault: a young beardless friar in a grey-brown habit stands on a low wooden platform with one hand raised in speech and a closed clasped book at his feet, while friars sit packed on benches and on the floor, several turning towards an older bearded friar who stands in the arched doorway with his feet off the ground and his arms stretched wide.
About this picture

AI-generated image, in the manner of a Trecento buon fresco, from the paper's reference portrait based on St Anthony of Padua, from the fragments of a double-sided dossal from San Francesco al Prato, Perugia (Master of Saint Francis, c. 1272 AD, Galleria Nazionale dell'Umbria, Perugia) View source artwork.

In the middle of a sermon to the friars gathered at Arles this year, Saint Francis of Assisi was seen in the doorway of the room, raised off the ground with his arms stretched out in the form of a cross. He was alive at the time and hundreds of miles away in Italy. Friar Monaldo affirmed afterwards that he had seen it, and St. Francis said openly that it had happened.

Also in the edition of Monday, 14 September 2026

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event · COMANA, Pontus, September 14, 407 AD

Refused a morning's rest, St. John Chrysostom dies outside Comana

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