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profile · VALENCIA, Crown of Aragon, 1357 AD

St. Vincent Ferrer, aged seven, is enrolled among the clergy of Valencia

William Ferrer, a notary of the city, wanted a churchman in the family, and had his son's hair cut short at seven.

In a plain whitewashed church with a green-and-white tiled floor, a priest in surplice and cassock lifts a lock of a kneeling fair-haired boy's hair with shears in his hand, an open manuscript book on a lectern beside them and the boy's family standing behind in plain wool gowns and veils.
St. Vincent Ferrer, aged seven, has his hair cut short and a white linen surplice put on him in a parish church at Valencia, in the Crown of Aragon, in 1357 AD.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on Szene aus dem Leben des Hl. Vinzenz Ferrer: Die Mutter des Heiligen fragt den Bischof von Valencia nach den Wunderzeichen vor der Geburt ihres Kindes (GG 6700) (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) View source artwork.

— Some time this year, in this city, a boy of seven had his hair cut short and was invested with the surplice, and by those two acts he was received into the clerical order. He is Saint Vincent Ferrer, a son of William Ferrer, a notary of Valencia. A church income is to follow.

The decision was his father’s. William Ferrer wanted a churchman in the family, and no boy can be given a church income until he has been tonsured. The tonsure is not an ordination, and it asks no vows. It enrols a baptised boy among the clergy, with a cleric’s privileges and a cleric’s duties, and prepares him for the orders he may take when he is older.

A benefice is a right, granted permanently by the Church to a cleric, to draw the revenues of a church endowment in return for a spiritual service. The smallest kind carries only the duty of reciting the Divine Office or of celebrating Mass, and a cleric may hold one from his seventh year, provided he has been tonsured. The one the Ferrers have in view is a small one: the revenues of the chapel of Saint Anne, in the parish church of Santo Tomás. Two obligations are charged on whoever holds those revenues: a lamp kept burning at Saint Anne’s altar, and a Mass said at that altar once a year.

St. Vincent Ferrer was born in this city on January 23, seven years ago. His mother is Constantia Miguel, a kinswoman of the Bishop of Valencia; his father’s people came out of Catalonia. Two sons were in the house already, Peter and Boniface. The family lives on the street of the sea, where the Jews of the city live too. Next door is the shop of a grocer, Michel Guarrigues, a friend of William Ferrer. At the end of each year the Ferrers give away in alms whatever they have saved beyond what the family needed.

At the font in the parish church of San Esteban, seven years ago, the family and the magistrates who had come with them could not agree on a name for the infant, and the priest ended the argument by choosing one himself. Valencian tradition preserves what he said: “Since you are not agreed, let him be called Vincent.” It is a Valencian name, after the city’s own martyr.

What the tonsure changes is the shape of the boy’s week. He hears Mass daily now, and says the little office of Our Lady every day. He fasts on Wednesdays and Fridays, and has done since he was small. From an early age he has been drawn to the things of God and to prayer.

Valencia has no university. Teaching in the city is done in private schools, and there are a good many of them. What a boy learns in one of them is what students of this generation learn, and much of that is logic.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on Szene aus dem Leben des Hl. Vinzenz Ferrer: Die Mutter des Heiligen fragt den Bischof von Valencia nach den Wunderzeichen vor der Geburt ihres Kindes (GG 6700) (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) — see the original.

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A painting in the fifteenth-century manner of a tall pale-ochre Gothic palace with crenellated towers and a shut pointed doorway, two red-jacketed guards with halberds on the step, and small cloaked townspeople waiting across a paved square under a clear blue sky.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil on gessoed poplar, from the paper's reference portrait based on Szene aus dem Leben des Hl. Vinzenz Ferrer: Der Heilige legt in Avignon in Gegenwart des Papstes und der Kardinaele das Wort aus (GG 6692) (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) View source artwork.

The cardinals at Avignon unanimously chose Cardinal Pedro de Luna to succeed Clement VII, one of two rival claimants to the papacy in a Church split since 1378 AD. De Luna had been the patron of Saint Vincent Ferrer, the Dominican preacher of Valencia, for fifteen years, and earlier in the year St. Vincent Ferrer had refused to follow him to the Avignon court. Enthroned on October 11 as Benedict XIII, de Luna called St. Vincent Ferrer to Avignon the next year to be his confessor.

A painting of a bare whitewashed cell at night: a thin tonsured friar lies on a low wooden bed with his hands joined on his chest, while one friar in a black cloak holds a candle, a second kneels wringing a cloth over an earthenware basin and a third stands with clasped hands; a crucifix hangs on the wall, a book, a jug and a cloth sit on a stool, and a small window shows the towers of a city under a starry sky.
About this picture

AI-generated image, in the manner of a fifteenth-century panel painting in egg tempera and early oil, from the paper's reference portrait based on Szene aus dem Leben des Hl. Vinzenz Ferrer: Durch Aufregungen infolge des Schismas erkrankt der Heilige; er wird am Krankenbett vom hl. Dominikus besucht und von Christus geheilt (GG 6695) (Agnolo degli Erri, c. 1470-1490 AD, Kunsthistorisches Museum, Vienna) View source artwork.

Saint Vincent Ferrer, a Dominican friar, was thought to be dying of a fever at Avignon on October 3, 1396 AD. He wrote years later, without giving his name, that Christ came to the sick man's bed with St. Dominic and St. Francis, cured him with a touch and commanded him to go through the world preaching. Benedict XIII, the Avignon claimant to the papacy who had made him his confessor, kept him at court for two more years before letting him go.

Also in the edition of Wednesday, 9 September 2026

event · CARTAGENA DE INDIAS, New Granada, September 1654 AD

The enslaved of Cartagena hold their own funeral for St. Peter Claver

The enslaved people of Cartagena held a funeral service of their own for St. Peter Claver this week, days after his death, and invited the governor of the city, the Spanish nobility and the officers of the fleet to sit in it. They stood by nation, each group under its own chief, with a lighted torch in every hand, while a choir sang the Mass and the treasurer of the church of Popayán preached. St. Peter Claver had spent forty-four years at the slave wharves of this port, working through interpreters he paid for with alms begged door to door.

On February 26 a crowd in Antioch tore down the statues of the Emperor Theodosius and of his dead wife, an offence Roman law counted close to treason. While the city's bishop travelled eight hundred miles to plead for it, and the magistrates put citizens to death at home, St. John Chrysostom preached almost every day through Lent to people who did not expect to live to Easter. The emperor's pardon reached Antioch on Easter Day.