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A fresco of an elderly, halo-crowned bishop in gold vestments standing at an altar, one hand raised toward a hovering angel offering a bishop's mitre, while a tonsured monk kneels beside him holding a tall cross.
Fresco cycle with scenes from the life of St. Martin of Tours, scene: the miraculous Mass of St. Martin, Simone Martini (1284-1344), c. 1312-1317 (catalogued 1322-1326 by the Yorck Project)

In brief

  1. c. 316–328 AD

    Sabaria and Pavia

    A tribune's son who kept going to a church his parents had no use for.

  2. c. 331–334 AD

    The gate of Amiens

    Conscripted on his father's information, he cut his last cloak in two at the city gate.

    A young mounted soldier turns in the saddle and cuts his cloak with a sword while a barefoot, half-naked beggar reaches up at the horse's head.
    Fresco cycle with scenes from the life of St. Martin of Tours, scene: St. Martin divides his cloak, Simone Martini (1284-1344 AD), c. 1312-1317 AD (catalogued 1322-1326 AD by the Yorck Project) Simone Martini (1284-1344 AD), Chapel of St. Martin, Lower Basilica of San Francesco, Assisi
  3. c. 334–336 AD

    The half cloak

    That night he saw who had been wearing it.

    “Martin, who is still but a catechumen, clothed me with this robe.”
    Christ to the angels
  4. 358 AD

    The pay parade at Worms

    He asked for his discharge in front of the Caesar and the assembled army.

    A beardless man in a plain robe stands full length and unarmed against a bare ground, his hands crossed at his breast.
    Fresco cycle with scenes from the life of St. Martin of Tours, scene: St. Martin has himself released from military service by the emperor (the encounter with the crucifix), detail: St. Martin, Simone Martini (1284-1344 AD), c. 1312-1317 AD (catalogued 1322-1326 AD by the Yorck Project) Simone Martini (1284-1344 AD), Chapel of St. Martin, Lower Basilica of San Francesco, Assisi
    “Hitherto I have served you as a soldier: allow me now to become a soldier to God: let the man who is to serve you receive your donative: I am the soldier of Christ: it is not lawful for me to fight.”
    St. Martin of Tours
  5. 361–371 AD

    Ligugé

    A deserted place near Poitiers, and the first man he raised there.

    In 361 AD St. Martin took up the solitary life in the deserted place now called Ligugé. Pope Benedict XVI called it the oldest monastery known in Europe. He stayed about ten years, leaving often to preach in central and western Gaul.

    A catechumen there died of fever, unbaptised, while St. Martin was three days away. He cleared the cell, bolted the door and stretched himself on the body in prayer. Scarcely two hours later the dead man moved and opened his eyes.

  6. 371–372 AD

    Taken to Tours

    The city fetched him out of his cell with a lie, and the crowds drove him outside the walls again.

  7. 384–385 AD

    Trier

    He put the case to the emperor and got a promise, then went back to save whoever was left.

    Priscillian appealed to the emperor Maximus at Trier, where St. Martin was then staying. St. Martin told Maximus that a church case did not belong before a civil judge. The emperor promised him not to carry the condemnation to the shedding of blood.

    “Justly, O Martin, do you feel compunction, but you could not otherwise get out of your difficulty. Renew your virtue, resume your courage, lest you not only now expose your fame, but your very salvation, to danger.”
    An angel to St. Martin
  8. 397 AD

    Candes

    A quarrel among country clergy, and the last journey he made to settle it.

    A gaunt old man with white hair and a short white beard lies on his back with his hands crossed, a semicircle of clergy and monks bending over him.
    Fresco cycle with scenes from the life of St. Martin of Tours, scene: the death of St. Martin, Simone Martini (1284-1344 AD), c. 1312-1317 AD (catalogued 1322-1326 AD by the Yorck Project) Simone Martini (1284-1344 AD), Chapel of St. Martin, Lower Basilica of San Francesco, Assisi

    The clerics of Candes were at variance, and St. Martin went to restore peace among them. He knew the end of his own days was at hand and did not shrink from the journey. Peace was restored, and then his bodily strength suddenly failed.

    “O Lord, if I am still necessary to your people, I do not shrink from toil: your will be done.”
    St. Martin of Tours

Pray with the Church

Prière à saint Martin

Prayer to Saint Martin composed by Mgr Vincent Jordy, archbishop of Tours and 135th successor of Saint Martin, and published by the diocese of Tours. Printed in French exactly as the diocese gives it.

Saint Martin,Toi qui as parcouru les routes d’Europe, (you who travelled the roads of Europe,)Toi qui as vécu à la suite de Jésus en vrai disciple, (you who lived in the following of Jesus as a true disciple,)Toi qui as partagé ton manteau avec un pauvre par amour du Christ, (you who shared your cloak with a poor man for the love of Christ,)Toi qui nous aides à reconnaître son visage en toute personne pour servir et aimer, (you who help us to recognise his face in every person, to serve and to love,)Toi qui as lutté contre le mal et qui es passé sur la terre en faisant le bien, (you who fought against evil and passed over the earth doing good,)Intercède pour nous lors des temps difficiles, (intercede for us in difficult times,)Protège-nous lors des temps de détresse, (protect us in times of distress,)Donne-nous d’être persévérants et de garder la paix dans les épreuves, (grant us to be persevering and to keep peace in trials,)Sois notre protecteur et conduis-nous sur le chemin de la vie éternelle. (be our protector and lead us on the way of eternal life.)

All 4 reports on Saint Martin of Tours

An ink-and-wash drawing of an empty barrel-vaulted stone cellar, its floor dug open around a ring of old dressed-stone foundations, with shovels leaning on the walls, a coil of rope and two oil lanterns, and worn steps rising to a daylit doorway on the left.
About this picture

AI-generated image, in the manner of a nineteenth-century reportage drawing in pen, ink and wash. No person appears in it.

In October 1860 AD a commission dug in a cellar in Tours, on the site of the lost basilica of Saint Martin of Tours, and found the foundations of its choir. The tomb lay beyond the cellar wall, under the next house, and the work stopped until the Church could get in. A red cross and a lamp burning day and night marked the spot.

A fresco showing the shrouded body of St. Martin of Tours laid out on a bier draped in blue and gold cloth, a bishop bending to bless him with a censer as mourners in albs and habits stand around holding tall candles.
writings · TOURS, France, September 21, 1996 AD

Pope John Paul II reads Saint Martin's cloak against the Last Judgment

Pope John Paul II said Mass today on the military airfield at Tours for the sixteenth centenary of the death of Saint Martin of Tours, the Roman soldier who became the city's bishop. He gave the centre of his homily to the winter day at the gate of Amiens, when St. Martin cut his cloak in two and covered a freezing beggar with half of it. That gesture put into practice the words Jesus speaks at the Last Judgment, the Pope said, and he came back to it that afternoon at the saint's tomb, praying with the sick.

A medieval fresco showing a haloed bishop in gold vestments and a white mitre laying his hand on a kneeling crowned figure in an arched courtyard, with two onlookers at the edges.

Saint Martin of Tours entered Trier during the night, after the bishops at the emperor's court had him forbidden the city unless he made peace with them. He came to plead for two condemned men and to stop the tribunes the emperor was sending into the Spanish provinces to hunt heretics. He got everything he asked, and paid for it by taking communion with bishops he had refused.

A painting of an empty paved forecourt before a large plain brick basilica with tall arched windows, a tiled portico on columns to one side with a wooden bench beneath it, and no people anywhere in the scene.
About this picture

AI-generated image, in the manner of Italian trecento fresco, from the paper's reference portrait based on Miracle of Fire (scene 8) (Simone Martini (1284-1344), between 1312 and 1317, Chapel of St. Martin, Lower Basilica of San Francesco, Assisi) View source artwork.

The emperor Maximus, who holds the West from Trier, has put Priscillian, the bishop of Ávila, to death with two of his clerks, a layman and a woman named Euchrocia. They were tried not by bishops but by a civil judge the emperor put in charge of the case, and convicted of magic rather than heresy. Saint Martin of Tours had come to the city to argue that a church case did not belong before a secular court, and left with the emperor's promise that no blood would be shed.