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Saints Dominican tertiary and Doctor of the Church · 1347–1380 AD

Saint Catherine of Siena

Feast 29 April · Born 1347 AD, Strada dell'Oca, by the fountain of Fontebranda, Siena, Italy · Died 1380 AD, Rome, Italy

A dyer's daughter born by the fountain of Fontebranda in 1347 AD, who nursed the plague-stricken, wrote to popes, and died in Rome at thirty-three.

Begin the life
A fresco of Saint Catherine of Siena in a black-and-white Dominican habit, holding a lily and touching the chin of a kneeling figure in red before her, set within an ornate marble altar frame flanked by carved angel heads and candles.
Santa Caterina da Siena — the fresco portrait in the Basilica of San Domenico (the vera imago), Andrea Vanni (Sienese, 1332–1414), her disciple and correspondent; photograph by Sailko, fresco c. 1400 AD, the church's inscription read as 1367 AD; detached and moved within the basilica in 1667; photograph 3 April 2017

In brief

Saint Catherine of Siena was born in a dyer's house in Siena in 1347 AD and died in Rome in 1380 AD, at thirty-three. She took the habit of the Dominican Sisters of Penance as a girl, and never lived in a convent. Pope Paul VI declared St. Catherine a Doctor of the universal Church on October 4, 1970 AD.

  1. 1347–1353 AD

    The dyer's house at Fontebranda

    Born one of twins in a working household, in a city the plague emptied.

    Saint Catherine of Siena was born in the Strada dell'Oca, by the fountain of Fontebranda, on March 25, 1347 AD. Her twin sister was born with her and did not survive. Her father, Giacomo Benincasa, dyed cloth in the rented house the city knew as the Fullonica.

    The plague reached Tuscany the next year and carried off 80,000 people in Siena. Lapa Benincasa bore twenty-five children, and this was the one among her younger children she nursed herself. At six St. Catherine saw Christ enthroned in pontifical vestments above the Dominican church, and her brother had to pull her away by the hand.

    “Oh, if you had seen what I see, you would not distract me from so sweet a vision!”
    St. Catherine of Siena to Stephen (her brother), after her vision of Christ was interrupted, 1353 AD
  2. 1354–1362 AD

    The house against her

    A vow made at seven, and the family that spent years trying to undo it.

    At seven she promised the Blessed Virgin and her Son that she would take no other spouse. Her family knew nothing of the vow and began looking for a husband when she was twelve. Her married sister Bonaventura, who had drawn her toward finer dress, died in childbed in August 1362 AD.

    “During a long time you have resolved that I should marry, and have endeavored to force me to do so; youare aware that I hold this project in horror.”
    St. Catherine of Siena to her father, mother, and brothers, declaring her vow of virginity, 1362 AD
  3. 1362–1366 AD

    The habit of the Sisters of Penance

    An order of widows takes in a girl, who then stops speaking for three years.

    A painted panel showing Saint Catherine of Siena being clothed with the black and white habit of the Dominican Sisters of Penance.
    Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit, Giovanni di Paolo (Italian, c. 1403–1482 AD), the 1460s Giovanni di Paolo (Italian, c. 1403–1482 AD), Cleveland Museum of Art (1966.2)
    “Dearest mother, if you wish me to recover my health and strength, try to obtain for me the habit of the ‘Sisters of Penance.’ I am convinced that God and St. Dominic who call me, will take me from you, if I wear any other religious dress.”
    St. Catherine of Siena to Lapa, while ill, urging her mother to obtain the habit for her, 1362 AD
  4. 1362–1367 AD

    The cell under the house

    Five metres by three, a plank bed, and three years when she spoke only in confession.

    “I, your Creator and Saviour, espouse you in the faith, that you will keep ever pure until you celebrate your eternal nuptials with me in Heaven”
    Jesus Christ to St. Catherine of Siena, mystical vision of the ring, 1367 AD
  5. 1366–1374 AD

    Out of the cell

    Hospital wards, a father's death, a ruined family, and a summons to answer for herself.

    Her father died in August 1368 AD and was buried at San Domenico. Within a month a revolution overthrew his faction and ended the family's prosperity. In May 1374 AD the Master General of the Order called her to Florence, where she was cleared of the charges against her.

    “I would rather be without my mantle than without charity”
    St. Catherine of Siena to her companions, explaining why she gave away her mantle
  6. 1375 AD

    Pisa, and the stigmata

    Sent to hold a city for the Pope, she came away marked.

    A painted panel of Saint Catherine of Siena before a crucifix, her arms opened as rays reach her hands, feet and heart.
    Saint Catherine of Siena Receiving the Stigmata, Giovanni di Paolo (Giovanni di Paolo di Grazia), c. 1447–1465 AD Giovanni di Paolo (Giovanni di Paolo di Grazia), The Metropolitan Museum of Art, New York (1975.1.34, Robert Lehman Collection, 1975 AD)

    In 1375 AD Pope Gregory XI sent her to Pisa to keep the city out of the anti-papal league. On April 1, 1375 AD she was deep in prayer before the crucifix in the church of Santa Cristina. Blessed Raymond of Capua records that five blood-red rays came down at her hands, feet and heart.

    She asked at once that the stigmata be invisible, and the rays changed colour before they reached her. The marks stayed visible to her alone until the moment of her death. Pope Urban VIII recognised the stigmata as valid in 1623 AD.

    “Father, I have to make known to you that by the mercy of our Lord Jesus Christ, I now bear His Sacred Stigmas in my body.”
    St. Catherine of Siena to F. Raymund of Capua, announcing her reception of the stigmata, April 1, 1375 AD
  7. 1378 AD

    Florence, and the book

    A peace mission, an armed band in a garden, and a book dictated at Siena.

    “"I am she. Take me, and let this family be,"”
    St. Catherine of Siena to an armed enemy during the Florence tumult, June 22, 1378 AD
  8. 1378–1380 AD

    Rome

    Summoned by one pope, she spoke to his cardinals and died in his city at thirty-three.

    A painted panel of Saint Catherine of Siena dictating her book to a secretary writing at a low desk.
    Saint Catherine of Siena Dictating Her Dialogues, Giovanni di Paolo (Italian, c. 1403–1482 AD), c. 1447–1449 AD Giovanni di Paolo (Italian, c. 1403–1482 AD), Detroit Institute of Arts (66.15)

    Pope Urban VI summoned her to Rome, and she reached the city on November 28, 1378 AD. He had her speak in the consistory of the cardinals about the Schism. She had learned to write only as an adult, and worked by dictating to her secretaries.

    “in leaving my body, truly I have consumed and given my life in the Church and for the Holy Church, which is for me a most unique grace”
    St. Catherine of Siena, said before she died, 1380 AD

Pray with the Church

The closing prayer of the Dialogue

From the prayer that closes the Dialogue, which St. Catherine dictated to her secretaries at Siena and finished in October 1378 AD.

Oh, eternal Trinity! oh Godhead! which Godhead gave value to the Blood of Thy Son,Thou, oh eternal Trinity, art a deep Sea, into which the deeper I enter the more I find, and the more I find the more I seek;the soul cannot be satiated in Thy abyss, for she continually hungers after Thee, the eternal Trinity, desiring to see Thee with light in Thy light.As the hart desires the spring of living water, so my soul desires to leave the prison of this dark body and see Thee in truth.How long, oh! Eternal Trinity, fire and abyss of love, will Thy face be hidden from my eyes? Melt at once the cloud of my body.

All 6 reports on Saint Catherine of Siena

A painting in the Sienese panel style of a woman in a white veil and tunic and a black mantle, seated on a bench in a pink-brick room at night, while a young man in a red-brown gown writes at a sloping desk across from her. A second veiled woman stands behind her holding a candle, a crucifix hangs on the wall, and a letter sealed with red wax lies on the floor.
About this picture

AI-generated image in the manner of Sienese egg tempera on panel, after Giovanni di Paolo, St. Catherine before the Pope at Avignon (c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid) View source artwork.

Saint Catherine of Siena wrote to Pope Urban VI on October 5, 1378 AD, as word reached Siena that the cardinals who had left Rome had elected a rival Pope at Fondi. St. Catherine called those cardinals demons in human form. She told Pope Urban to face the danger without fear and keep good shepherds near him, and promised that she and her companions would obey him until death.

A small painted panel of a plain vaulted hall: churchmen in scarlet mantles and red caps stand and sit together at the centre and left, two apart by the wall, while a notary in brown writes on a sheet of parchment at a green-covered trestle table and a guard in mail stands at the open door.
About this picture

AI-generated image, in the manner of Sienese egg tempera and gold leaf on gessoed poplar panel, from the paper's reference portrait based on St. Catherine before the Pope at Avignon (Giovanni di Paolo, c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid) View source artwork.

column · FONDI, Campagna, September 20, 1378 AD

Cardinals declare the April election void and elect a second Pope

The cardinals who left Rome met today in the palace of the Count of Fondi and elected Cardinal Robert of Geneva in place of the man they had made Pope five months ago. They say their April votes were cast in fear of a Roman crowd and count for nothing, and by the Church's own law there is no court on earth that can rule on the claim. Saint Catherine of Siena has been writing letters on Pope Urban VI's side since the first news of the quarrel reached her.

A tempera panel showing a haloed young woman in white kneeling before an altar with a crucifix, reaching up to receive a lily branch from a group of haloed Dominican friars appearing above her in a golden radiance, with an open doorway to the right.

Giacomo Benincasa, a cloth-dyer in the Fontebranda quarter of Siena, has given his fifteen-year-old daughter a small room under the house and told the rest of the family to stop trying to marry her off. St. Catherine, who vowed her virginity to Christ at seven years old, would not give the consent a marriage needs, and her father gave way first. She has begun her penances in the room, on a bed of bare boards with nothing over them.

A flat gold-ground panel painting of a great pale limestone palace with crenellated towers and steep grey roofs standing on a rock above a green river, a courier riding out through an open gate in a new unfinished stone wall, past two spearmen in mail.
About this picture

AI-generated image, in the manner of Sienese egg tempera and gold leaf on gessoed poplar panel, from the paper's reference portrait based on St. Catherine before the Pope at Avignon (Giovanni di Paolo (Siena, c. 1399–1482), c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid (inv. 162 (1966.6))) View source artwork.

column · AVIGNON, France, September 11, 1362 AD

Pope Innocent VI dies at Avignon, leaving the papacy's home in question

Pope Innocent VI died at Avignon today, in the tenth year of a reign he spent entirely in France. The cardinals must now elect a successor, and with him settle whether the papal court stays on the Rhône or goes back to Rome, where it has not sat for fifty-seven years. At Siena, Saint Catherine of Siena is fifteen and unknown outside her father's dyeing house.

A trecento-style panel painting of a haloed nun in a black-and-white Dominican habit standing before a cluster of church buildings, holding up a small red heart toward Christ, who appears in a golden mandorla at the upper left with rays streaming down onto the rooftops.

St. Catherine of Siena, a dyer's daughter of Siena, was clothed at fifteen in the black mantle and white habit of the Dominican Sisters of Penance, who take no vows and keep no cloister but live under a rule in their own homes. Since then she has kept an enclosure of her own in a small cell under her father's dye-house, speaking only in confession and going out only to church, in a house where a good many of her parents' twenty-five children are still living. Her mother fought the penances and gave up.

A young woman in a white habit and black mantle kneels before an altar with a crucifix, reaching up to receive a habit from three haloed Dominican saints appearing above her.

Saint Catherine of Siena, fifteen, has taken the black and white habit of an order of Sienese women, most of them widows. The women take no monastic vows and live under a rule in their own houses. Her family had a husband picked out for her, and the order had never before given the habit to a girl. The sources disagree on the year, placing the clothing between 1362 and 1364 AD.