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writings · SIENA, October 5, 1378 AD

St. Catherine tells Pope Urban VI "incarnate demons" elected his rival

Two men now claim to be Pope; from Siena, a thirty-one-year-old laywoman tells Pope Urban VI he is the Vicar of Christ and must give his life if asked.

A painting in the Sienese panel style of a woman in a white veil and tunic and a black mantle, seated on a bench in a pink-brick room at night, while a young man in a red-brown gown writes at a sloping desk across from her. A second veiled woman stands behind her holding a candle, a crucifix hangs on the wall, and a letter sealed with red wax lies on the floor.
St. Catherine of Siena dictates a letter to Pope Urban VI to a secretary in Siena, 1378 AD.
About this picture

AI-generated image in the manner of Sienese egg tempera on panel, after Giovanni di Paolo, St. Catherine before the Pope at Avignon (c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid) View source artwork.

— Saint Catherine of Siena wrote to Pope Urban VI from Siena on October 5, 1378 AD, as word reached the city that the cardinals who had left Rome had set up an antipope against him. She told Pope Urban that the men who had done it were demons in human form, and that he was the true Vicar of Christ. Then she asked more of him than courage.

St. Catherine was thirty-one, a dyer’s daughter and one of the Mantellate, the Dominican tertiaries who wear the habit but live in their own homes. In April 1378 AD the cardinals elected Pope Urban, and he soon turned haughty, suspicious and at times hot-tempered with the men who had chosen him. St. Catherine wrote to the Pope about his temper in one of her letters: “Mitigate a little, for the love of Christ crucified, those sudden impulses which nature forces on you.”

Now the cardinals said fear of the Roman crowd had forced their vote. They called it no election, and they chose a Pope of their own. Two men claimed the Chair of St. Peter, and each needed the kings and rulers of Europe to recognise him. St. Catherine held no office and commanded no one. What she had was the trust of a Pope who had known her at Avignon.

In June 1376 AD St. Catherine had gone to Avignon as the envoy of Florence. Pope Gregory XI was so impressed by her that he brought the papacy back to Rome the following January, against the wishes of the French king and nearly all his cardinals. The future Pope Urban, then Archbishop of Acerenza, saw her there. Her confessor, Blessed Raymond of Capua, wrote that the archbishop “had there formed a high idea of her wisdom and virtue.”

By the end of the summer the French cardinals had left Rome and gathered at Fondi, under the protection of Queen Joanna of Naples and a company of Gascon soldiers. On September 18 Pope Urban named twenty-six new cardinals, all but two of them Italians. Two days later, at Fondi, thirteen of the old cardinals chose Cardinal Robert of Geneva, who took the name Clement VII. Nineteen months earlier, at Cesena, Cardinal Robert had ordered the Church’s mercenary companies to kill the townspeople, and at least four thousand of them died.

St. Catherine had been home in Siena since the summer, dictating her book, the Dialogue, to her secretaries. When the news reached her, she wrote to Pope Urban at once. She began: “I, Catherine, servant and slave of the servants of Jesus Christ, write to you in His precious blood.” She wanted to see him, she wrote, “robed in the strong garment of most ardent charity, in order that the blows that are hurled at you by the wicked men of the world, lovers of themselves, may not be able to harm you.” “I hear,” she wrote, “that those incarnate demons have elected an anti-Christ, whom they have exalted against you, the Christ on earth, for I confess, and deny not, that you are the Vicar of Christ.”

Pope Urban held the keys of the cellar of Holy Church, St. Catherine went on, “where the blood of the spotless Lamb is kept.” She told him: “without any fear, throw yourself among these thorns in the strong garment of charity.” Nothing great is done without suffering, she reminded him. If his life was asked of him, she wrote, “it must be given willingly.”

Then she told Pope Urban what to do. She wanted him to look after his safety, but not to hold back from the work or fear in any way for his life. She told him whom to keep near him: Fornitevi di buoni e virtuosi pastori (provide yourself with good and virtuous shepherds), she wrote. He was to keep the servants of God at his side, and to rest his hope and faith on no human help. She offered what she had: she and those with her, she wrote, were ready to obey His Holiness “and to endure until death.”

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image in the manner of Sienese egg tempera on panel, after Giovanni di Paolo, St. Catherine before the Pope at Avignon (c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid) — see the original.

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More on this saint

A flat gold-ground panel painting of a great pale limestone palace with crenellated towers and steep grey roofs standing on a rock above a green river, a courier riding out through an open gate in a new unfinished stone wall, past two spearmen in mail.
About this picture

AI-generated image, in the manner of Sienese egg tempera and gold leaf on gessoed poplar panel, from the paper's reference portrait based on St. Catherine before the Pope at Avignon (Giovanni di Paolo (Siena, c. 1399–1482), c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid (inv. 162 (1966.6))) View source artwork.

column · AVIGNON, France, September 11, 1362 AD

Pope Innocent VI dies at Avignon, leaving the papacy's home in question

Pope Innocent VI died at Avignon today, in the tenth year of a reign he spent entirely in France. The cardinals must now elect a successor, and with him settle whether the papal court stays on the Rhône or goes back to Rome, where it has not sat for fifty-seven years. At Siena, Saint Catherine of Siena is fifteen and unknown outside her father's dyeing house.

A small painted panel of a plain vaulted hall: churchmen in scarlet mantles and red caps stand and sit together at the centre and left, two apart by the wall, while a notary in brown writes on a sheet of parchment at a green-covered trestle table and a guard in mail stands at the open door.
About this picture

AI-generated image, in the manner of Sienese egg tempera and gold leaf on gessoed poplar panel, from the paper's reference portrait based on St. Catherine before the Pope at Avignon (Giovanni di Paolo, c. 1460–1463, Museo Nacional Thyssen-Bornemisza, Madrid) View source artwork.

column · FONDI, Campagna, September 20, 1378 AD

Cardinals declare the April election void and elect a second Pope

The cardinals who left Rome met today in the palace of the Count of Fondi and elected Cardinal Robert of Geneva in place of the man they had made Pope five months ago. They say their April votes were cast in fear of a Roman crowd and count for nothing, and by the Church's own law there is no court on earth that can rule on the claim. Saint Catherine of Siena has been writing letters on Pope Urban VI's side since the first news of the quarrel reached her.

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