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place · SUBIACO, Roman Italy, around 520 AD

Water rises on the rock above Subiaco after St. Benedict prays

Monks of three of his houses said the daily climb down to the lake for water was beyond them; he sent them up the mountain with a spade instead.

On a bare limestone crag above a wooded river gorge, three tonsured monks in coarse dun wool stand over two earthenware water jars and a wooden bucket set down on the rock, facing an elderly grey-bearded St. Benedict who listens with a plain wooden staff in his hand, a small stone monastery building with a tiled roof behind them.
St. Benedict and monks of the upper houses at the head of the path down to the lake at Subiaco, about 520 AD.
About this picture

AI-generated image, in the manner of Italian buon fresco on lime plaster, from the paper's reference portrait based on Come Benedetto compie la edificazione di dodici monasteri (Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries) (Il Sodoma (Giovanni Antonio Bazzi), 1505-1508 AD, Great cloister, Abbazia di Monte Oliveto Maggiore, Asciano, Siena) View source artwork.

— There is water at the top of the mountain above Subiaco, on the bare crags where three of Saint Benedict of Nursia’s monasteries stand and where until now there was not a drop. The monks of those three houses had been spending most of every day going down to the lake on the valley floor and hauling water back up. St. Benedict sent them to dig at the top of their own mountain instead, and the water was there.

They had not asked him for a well. The monks had asked St. Benedict for permission to take the three houses down to the lake and build them again beside the water. The permission was his to give, because he had built the twelve monasteries above Subiaco, three of them on those crags, and put a superior over each one. He kept a few monks with him at his own house. St. Benedict was about forty, and his own community lived in a standing building of the old imperial villa.

The whole place was named for a lake — Sublaqueum (beneath the lake). It lay in the bottom of the valley, where a cold, clear spring rose and widened out before running on as a river.

The monks reckoned they were risking their lives every time they went down for water. So they talked it over among themselves and went to St. Benedict together, all of them saying the same thing. “Questo scendere ogni dì fino al lago per acqua va oltre alle nostre forze; sposta più basso i nostri monasteri” (This going down to the lake every day for water is beyond our strength; move our monasteries lower), they told him.

He answered them gently and sent them home with nothing.

That night, in the dark, he took St. Placid by the hand — a boy of about seven, given to him by a Roman family to bring up in his own house — and walked him up to the top of the rock where the three houses stood. Nobody went with them, and nobody was told. On the top St. Benedict prayed for a long time. When he had finished he picked up three stones, stacked them one on top of another on the spot where he had prayed, and went back down to his own monastery.

The next day the monks came to him again with the same complaint. This time he sent them up the mountain. “Go your way to the rock, and in the place where you find three stones laid one upon another, dig a little hole, for almighty God is able to bring forth water in the top of that mountain, and so to ease you of that great labour which you take in fetching it so far,” St. Benedict told them.

They climbed and found the three stones where he had said they would be. The rock around them was wet, covered all over in drops of water. They took a spade to it and cut a hollow in the stone, and the hollow filled the moment it was open. The water came out so fast that it overflowed and ran away downhill, and it is running still, from the top of that mountain to the bottom of it.

About this story

Catholic Saints News tells the lives of the saints as news from their own time and place. This story was written with AI from the historical record, and we read and approved it before it ran.

The Saints' words. This newspaper will never make a saint say something the historical record does not preserve.

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Image. AI-generated image, in the manner of Italian buon fresco on lime plaster, from the paper's reference portrait based on Come Benedetto compie la edificazione di dodici monasteri (Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries) (Il Sodoma (Giovanni Antonio Bazzi), 1505-1508 AD, Great cloister, Abbazia di Monte Oliveto Maggiore, Asciano, Siena) — see the original.

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More on this saint

A painting in an arched lunette: three shepherds in rough tunics, one of them a crouching boy, peer through a thicket at a young man in a shaggy garment of skins who sits at the mouth of a cave in a limestone cliff, with sheep and goats behind them and a river gorge falling away below.
About this picture

AI-generated image, in the manner of Italian buon fresco on lime plaster, from the paper's reference portrait based on Come Romano monaco da lo abito eremitico a Benedetto (Life of St Benedict, Scene 4: The Monk Romanus Dresses Benedict) (Il Sodoma (Giovanni Antonio Bazzi), 1505-1508 AD, Great cloister, Abbazia di Monte Oliveto Maggiore, Asciano, Siena) View source artwork.

Shepherds on the hills above Subiaco glimpsed a man dressed in skins through the bushes and took him for an animal. It was Saint Benedict of Nursia, who had lived hidden in a cave for three years. Pope St. Gregory the Great tells how many of the shepherds were converted and how, from then on, people brought the hermit food and carried away his words.

A fresco of an elderly tonsured monk in coarse undyed wool sitting at a plain trestle table in a bare lime-washed cell, writing with a reed pen beside an open codex, an inkhorn and hinged wax tablets, with an olive slope and mountain seen through an arched doorway.
About this picture

AI-generated image, in the manner of Italian buon fresco on lime plaster, from the paper's reference portrait based on Come Benedetto compie la edificazione di dodici monasteri (Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries) (Il Sodoma (Giovanni Antonio Bazzi), 1505-1508 AD, Great cloister, Abbazia di Monte Oliveto Maggiore, Asciano, Siena) View source artwork.

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