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In brief

The Church honours the Blessed Virgin Mary under the title of her sorrows, and Christian piety has singled out seven particular incidents of sorrow in her life. They are the prophecy of St. Simeon, the flight into Egypt, the three days' loss, the meeting with her Son on the road to Calvary, the Crucifixion, the taking down from the cross and the burial: three belong to his infancy and four to his Passion. The Church keeps her memorial on September 15.

  1. The first sorrow · the Temple at Jerusalem

    A sword foretold in the Temple

    Forty days after the birth, an old man in the Temple tells her that a sword shall pierce her own soul.

    The infant Christ presented in the Temple: the old man St. Simeon holds the swaddled child, the Blessed Virgin Mary at his side, watched by St. Joseph and two others crowded close behind a marble ledge.
    The Presentation in the Temple, Andrea Mantegna, c. 1454 AD Andrea Mantegna

    Forty days after the birth, in accordance with the Law of Moses, she and St. Joseph brought the child up to Jerusalem to present him to the Lord. St. Simeon, a just and devout man of Jerusalem who was waiting for the consolation of Israel, had been told by the Holy Ghost that he should not see death before he had seen the Christ of the Lord. He took the child in his arms and acknowledged him as the Messiah.

    Then he turned to his mother and said that the child was set for the fall and the resurrection of many in Israel, and that a sword should pierce her own soul. The sermon read at the Office of the memorial says that the martyrdom of the Virgin is set forth both in this prophecy and in the story of the Lord's passion. St. Alphonsus Liguori identifies the sword St. Simeon promised with the spear that opened the side of her Son.

    “Behold this child is set for the fall, and for the resurrection of many in Israel, and for a sign which shall be contradicted; And thy own soul a sword shall pierce, that, out of many hearts, thoughts may be revealed.”
    St. Simeon to the Blessed Virgin Mary, the presentation of the child Jesus in the temple
  2. The second sorrow · Bethlehem, and the road into Egypt

    Out of Bethlehem by night

    An angel's warning sends the family into Egypt by night, and Herod kills the children of Bethlehem.

    They stayed in Egypt until the death of Herod, and then went back and settled at Nazareth. Pope Paul VI describes her as a woman of strength who knew poverty and suffering, flight and exile. According to longstanding Catholic tradition, St. Joseph worked at his trade as a carpenter in Egypt and she contributed to the support of the household.

    “Arise, and take the child and his mother, and fly into Egypt: and be there until I shall tell thee. For it will come to pass that Herod will seek the child to destroy him.”
    An angel of the Lord to St. Joseph, warning Joseph to flee to Egypt
  3. The third sorrow · Jerusalem, and the road home

    Three days without him

    The boy stays behind at the Pasch, and his parents seek him sorrowing.

    The Law required the Jews to go up to Jerusalem to worship three times in the year, at the Pasch, at Pentecost and at the feast of tabernacles. When he was twelve the boy stayed behind in the city, and she and St. Joseph sought him sorrowing and found him after three days in the Temple. All who heard him there were astonished at his wisdom and his answers.

    She asked him why he had done so to them. He answered that he must be about his father's business, and they did not understand the word he spoke to them. St. Alphonsus Liguori teaches that she understood the cause and the end of her other sorrows, but that in the loss of her Son in the Temple she did not.

    “Son, why hast thou done so to us? behold thy father and I have sought thee sorrowing.”
    Our Lady of Sorrows to Jesus, finding the twelve-year-old Jesus in the temple after three days
  4. The fourth sorrow · the road out to Calvary

    She meets him on the road

    He goes out bearing his own cross, and she follows the road behind him.

    Pilate scourged him, sat in judgment at Gabbatha and delivered him to be crucified. Bearing his own cross he went out to Calvary, and his mother followed the road behind him. The fourth of the seven sorrows is this meeting on the road.

    According to longstanding Catholic tradition, Father Frederick Faber describes her coming forward to embrace her Son, the soldiers thrusting her back, and her following on slowly. The Via Matris dolorosae, modelled on the Via Crucis, keeps seven stations answering to the seven sorrows, and was approved by the Apostolic See.

  5. The fifth sorrow · Calvary

    Standing by the cross

    She stands by the cross while he dies, and he gives her to the beloved disciple.

    The Blessed Virgin Mary alone against a dark ground, hands clasped before her, in a blue mantle drawn over her head and a white veil, her eyes lowered and her face wet.
    Mater Dolorosa with Clasped Hands, Titian, 1554 AD Titian, Museo Nacional del Prado, Madrid

    There stood by the cross of Jesus his mother, and his mother's sister Mary of Cleophas, and St. Mary Magdalen. Before he died he gave her to the beloved disciple as his mother, and the disciple took her to his own. He said that it was consummated, bowed his head and died, with his mother standing by. A soldier opened his side with a spear, and blood and water came out.

    Pope Benedict XVI, preaching at Lourdes on this memorial, says that at the foot of the Cross the prophecy of St. Simeon is fulfilled and her mother's heart pierced through. The sermon read at the Office says that the spear which did not touch her Son's soul pierced her heart. Pope Francis says that at Calvary, in her overwhelming grief, she understood that prophecy, and that the Mother of Sorrows remains at the foot of the cross and does not run away or try to save herself.

    “Woman, behold thy son.”
    Christ to the Blessed Virgin Mary, at the cross, entrusting her
  6. The sixth sorrow · Calvary, at the foot of the cross

    The body in her arms

    He is taken down from the cross and laid in her arms.

    The body of Christ lowered from the cross by men on ladders while the Blessed Virgin Mary faints beneath it, her body falling in the same line as her son's, and the others reach to hold her.
    The Descent from the Cross, Rogier van der Weyden, c. 1435 AD Rogier van der Weyden, Museo Nacional del Prado, Madrid

    According to longstanding Catholic tradition, she told St. Bridget that she closed her Son's eyes when he was taken down, but could not close his arms. Pope Benedict XVI teaches that she too was led to perfection through suffering, so as to be capable of receiving the new spiritual mission entrusted to her.

  7. The seventh sorrow · a garden near Calvary

    The body, and the waiting

    His body is bound in linen and laid in a new tomb, and she waits.

    The dead Christ held upright at the tomb, his mother's face pressed against his and St. John the Evangelist supporting him on the other side, a plain landscape behind them.
    Pietà, Giovanni Bellini, c. 1460 AD Giovanni Bellini, Pinacoteca di Brera, Milan

    In the pious exercise of the Ora di Maria, while the body of her Son lies in the tomb, the Blessed Virgin awaits in faith his victorious triumph over death. According to tradition the whole body of the Church is represented in her, and as she waits near the tomb she is an icon of the Church keeping vigil. According to longstanding Catholic tradition, Father Frederick Faber holds the three days' loss to have been the greatest of her sorrows, approached in severity only by this last one.

Pray with the Church

The Collect of the Memorial

The Collect of the Mass of September 15, in the Roman Missal.

O God, who willedthat, when your Son was lifted high on the Cross,his Mother should stand close by and share his suffering,grant that your Church,participating with the Virgin Mary in the Passion of Christ,may merit a share in his Resurrection.Who lives and reigns with you in the unity of the Holy Spirit,God, for ever and ever.

All 4 reports on Our Lady of Sorrows

A crowded panel painting on a gold ground: the pale, lifeless body of Christ is lowered from the cross by two men in rich robes, while the Blessed Virgin Mary, in a blue gown, collapses in a mirrored pose at the foot of the cross, supported by St. John the Evangelist in red; other mourning women in headcoverings stand and kneel around them, with a skull and bones on the ground below.
event · CALVARY, JERUSALEM, the eve of a great sabbath

From the cross, Jesus gives his mother to the disciple beside her

The Blessed Virgin Mary stood at the foot of her Son's cross outside Jerusalem, close enough to hear him speak. From the cross Jesus gave her into the care of St. John the Evangelist — "Woman, behold thy son" — and the disciple took her into his own from that hour. The Church keeps that hour today, on the Memorial of Our Lady of Sorrows.

A panel painting of the unfinished cathedral of Cologne seen from the south: at the right the completed stone choir with its steep roof, flying buttresses and tall windows; at the left the south tower standing as a squared stump ringed with timber scaffolding, a wooden lifting crane on its flat top; between them a low boarded wall under a red tiled roof closing off the western end, with a yard of stacked stone blocks, a lime pit and sawn timber below, and beyond, the tiled roofs of the city and the grey Rhine with two barges at the bank.
About this picture

AI-generated image, in the manner of an early-fifteenth-century Cologne school panel painting, tempera on oak — a view of the city and its unfinished cathedral only, with no likeness of any person and no reference image used.

The bishops of Cologne and the dioceses under it met in synod this year and put a new day into their calendars: a feast of the Compassion of the Blessed Virgin Mary, kept on the Friday after the third Sunday after Easter. They ordered it to make amends for the crimes of the Hussites, who break images of Christ and the saints in Bohemia. What such a meeting enacts binds the dioceses of its own province and no others.

A painted landscape of Tuscan farmland: an empty rutted dirt road curving away past a small tiled farmhouse, olive trees, cypresses and staked vine rows, with wooded hills beyond and a bare-crowned ridge on the far skyline. No people are in the picture.
About this picture

AI-generated image, in the manner of a Tuscan tempera panel painting; a landscape of the place only, with no figures, no likeness of any person and no reference image used.

place · FLORENCE, Tuscany, September 8, 1233 AD

Seven Florentine merchants leave the city for a hill eleven miles north

Seven merchants of Florence left the city this week, on the feast of the Nativity of the Blessed Virgin Mary, after giving away everything they had. They stopped first at La Camarzia, a suburb just beyond the walls, then climbed Monte Senario, eleven miles north. There they built a small house on the summit and now live in common, in an order founded in honour of the sorrows of the Blessed Virgin Mary.